We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. Song to Song
    Song To Song is one of the more accessible Malick films as of late, succeeding largely in part thanks to a cast who plays their dramatic beats like poetry in motion.
  2. Black Adam
    Black Adam is nowhere near the game-changing revolution for the DCEU that was promised, but it's a solid introduction for Dwayne Johnson's antihero nonetheless.
  3. Come and Find Me
    Come And Find Me is a fine-and-dandy missing persons thriller with a romantic twist, suitable for those whose Aaron Paul senses tingle upon reading the film’s synopsis. First-time features are anything but safe bets, so a cheers is in order for Whedon’s accomplishment – no matter how small.
  4. Black Widow
    Black Widow isn't going to go down in the history books as top-tier Marvel Cinematic Universe content, but it's not too bad at all.
    • 44 Metascore
    • 60 Critic Score
    Deadly Friend
    The movie also deserves a watch because of the incoherent style. It’s like getting to see two films for one. If you’re in the mood to see a lighthearted movie about childhood and becoming an adult, it’s got you covered. And if you want a gory slasher film with plenty of dark humor, it has you covered there as well.
  6. Blood Red Sky
    Blood Red Sky both is and isn't the movie you think it'll be, but it's perfectly suited for Friday night entertainment.
  7. The Nun
    Scares are often on the generic side (pitch-black doorway, hand reaches out), and while some wild effects work enjoys the zanier side of Hell’s mouth opening up to spit venom across Earth’s surface, it’s missing the masterfully torturous tone that Wan’s universe otherwise aims for.
  8. Shin Godzilla (Godzilla Resurgence)
    It’s never stuffy – J-Rock guitar solos wail over science research montages – just a bit overlong and too involved in the judicial process.
  9. The Wall
    Aaron Taylor-Johnson deserves more credit as an actor, because he's the only reason this Iraq War thriller hobbles steadily on two legs.
    • 48 Metascore
    • 60 Critic Score
    The Retaliators
    A blood-soaked tale of morality and vengeance backed by a hard rocking soundtrack, what 'The Retaliators' lacks in depth, it makes up as a grimy horror thriller sure to appease grindhouse fans.
  11. Adopt a Highway
    Adopt A Highway seems as confused as its lead character, wandering around and never quite figuring out what story it wants to tell.
  12. Cars 3
    Cars 3 isn’t remarkable or groundbreaking or even all that memorable, but it’s a rock-solid movie that leaves a far better taste in the mouth than its critically panned predecessors.
  13. Christopher Robin
    The fuzzy residents of the 100-Acre Wood cutely convert to the real world in Christopher Robin, a mildly entertaining film that'll remind kids and grown-ups alike of the fun that can be had in doing absolutely nothing important.
  14. Extremely Wicked, Shockingly Evil and Vile
    Extremely Wicked wobbles between its two best, but unfortunately, contrasting features: Efron’s eerily seductive performance, and the psychological experience of loving a camouflaged monster.
  15. My Blind Brother
    While not a home run, this comedy/drama might still be worth a look for fans of any of its charismatic stars (especially Slate and Kazan) and for those looking for a comedy that at least attempts to infuse darker elements in with its awkward laughs.
  16. Ouija: Origin of Evil
    Ouija: Origin Of Evil would have been better than Ouija with even a quarter of the screams evoked, which makes the tremendous jump in quality quite refreshing despite derivative storytelling.
  17. The Little Hours
    The Little Hours is saved by Fred Armisen and Kate Miccuci, the only performers who don't suffer from the film's one-note delivery at some point.
  18. I.T.
    Many have done worse with similar setups, which isn't exactly a glowing recommendation - but hey, if you love Pierce Brosnan enough, you should be fine with I.T.
  19. Gifted
    Gifted may be bogged down by some generic dramatic beats, but young Mckenna Grace is the beam of sunshine that keeps us from losing faith.
    • 63 Metascore
    • 60 Critic Score
    18½
    You can’t help but admire the ambition on display, even if it ultimately falls just a little short.
  21. Loving
    Loving has Jeff Nichols' trademarks but it lacks the nuanced storytelling that made his previous films so successful.
  22. Alien: Covenant
    Scott’s latest is a thrill-ride that blasts through celestial carnage, while building a bigger Alien world that might not be 100% necessary. Out of all the films in the franchise, Alien: Covenant has the least stand-alone potential – but dammit if it’s not a wild, warp-speed-killing-machine adventure.
  23. Rocketman
    A fantasy in nearly every sense of the word, Rocketman reaches for and grabs hold of the stars so often that the dazzle occasionally becomes too much to handle.
  24. Mother/Android
    Mother/Android isn't the sci-fi movie you think it's going to be, or even the movie it probably wants to be, but it's nonetheless a solid first-time feature from from writer/director Mattson Tomlin.
  25. Molly's Game
    Aaron Sorkin’s indelible wit and naturally fervent performances from Jessica Chastain and Idris Elba prevent Molly’s Game from drawing dead.
    • 44 Metascore
    • 60 Critic Score
    Next Goal Wins
    There's a lot of heart and good intentions in Next Goal Wins but wonky pacing, a confusing emotional arc for its main character, and a handful of uninspired scenes come close to rendering all that useless.
  27. Solo: A Star Wars Story
    How does a movie about the galaxy's most dashingly roguish outlaw end up being the safest Star Wars to date?
    • 53 Metascore
    • 60 Critic Score
    Renfield
    A mixed bag of elements, Renfield resonates with eclectic vibes. There was a potential for a huge hit here, but there’s just occasional intrigue and leisure that relaxes the audience to a considerable extent without coming close to greatness.
  29. Friend Request
    Obvious and sometimes aggravating no doubt, but still effective in raising blood pressure given a backstory so instilled with old-school cultism.
  30. The Forgiven
    The Forgiven should have been an epic morality tale with acres of grey area, but somehow misses its mark, forever scuppered by a cliched ending and a conclusive lack of closure for audiences.
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