We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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    • 58 Metascore
    • 70 Critic Score
    Novocaine
    Jack Quaid proves yet again that there's always room for a new kind of hero.
    • 47 Metascore
    • 70 Critic Score
    Halloween Ends
    The latest and (allegedly) last chapter in the Michael Meyers saga, manages to find an ending while having some shaggy and unhinged fun along the way. It might not entirely work, but 'Halloween Ends' takes you on one last wild ride and goes into some pretty unexpected places.
  3. Lady Chatterley's Lover
    Unfortunately, Lady Chatterley’s Lover circa 2022 fails to deliver the degree of bodice-ripping drama for which D.H. Lawrence adaptations are well known.
  4. Army of the Dead
    As a whole, Army of the Dead is big, loud, incredibly stupid and probably 20 minutes too long, but it’s a deliriously bonkers delight once it finally finds its footing.
  5. When You Finish Saving the World
    Finn Wolfhard and Julianne Moore shine in this directorial debut from Jesse Eisenberg.
  6. Beyond the Gates
    Beyond The Games plays to the nostalgia crowd instead of adopting 21st century scares, but still finds a way to explore untapped VHS potential.
  7. Atomic Blonde
    Atomic Blonde strikes a deafening blow thanks to enjoyable characters, furious fight-play and Charlize Theron’s brand of screen command. She’s always in control, whether toying with feminine wilds or slugging another glass of Stoli on the rocks.
  8. Stronger
    Stronger complicates the notion of the public hero in its heartfelt telling of Boston marathon bombing survivor Jeff Bauman's story, with terrific performances from Jake Gyllenhaal and Tatiana Maslany.
  9. Ant-Man and the Wasp
    Ant-Man And The Wasp is the kind of playtime entertainment suited for Scott Lang's better-when-on-a-team personality, loaded with size-shifty sight gags and lower stakes worth Paul Rudd's ensemble stardom.
    • 54 Metascore
    • 70 Critic Score
    Orphan: First Kill
    Plenty of blood splatter brutality throughout Orphan: First Kill will satisfy gore hounds looking for their next fix. Bell, who previously directed the similarly themed The Boy and grizzly werewolf film Wer, proves to be a deft hand at creating tension without resorting to cheap jump scares.
    • 48 Metascore
    • 70 Critic Score
    Don't Worry Darling
    There's a lot to like about Olivia Wilde's sundrenched sophomore directorial effort, particularly Florence Pugh's performance, but the story feels uneven.
  12. Baby Driver
    Baby Driver proves why we should never doubt Edgar Wright's vision, because few filmmakers can back their ambition with such quality thrills.
  13. Lou
    Lou is a polished piece of action drama from Netflix and Bad Robot, which gets by on solid performances from Allison Janney and Jurnee Smollett. Combining with a unique score from Nima Fakhrara, this by-the-numbers Netflix release is worth a watch for Janney alone.
    • 85 Metascore
    • 70 Critic Score
    From Here to Eternity
    Despite sliding into melodrama a bit too often, From Here to Eternity remains a decent film due to the strong performances of its Oscar-nominated cast.
  15. The Transfiguration
    A concrete horror flick that burns with consequence, ignited by strong characters who are far more tested in their experiences than anyone of similar age. Bloody, emotional and visualized with a damning spirit – what an outspoken genre manipulation for first-timer Michael O’Shea.
  16. Fatman
    The end product is a hugely satisfying and wholly original Christmas pic that will no doubt become required viewing on an annual basis for those who prefer their holiday favorites to be a little less traditional.
  17. Slash
    You'll want to call Slash a "romantic comedy," but that wouldn't do justice to all the social norm blurring that's more about important relationships than a goofy love story.
  18. Patti Cake$
    Patti Cake$ is a feel-good freestyle phenom that heals through artistic passion and shrugs of wackness, indulgent in highs but not shying away from crushing lows.
  19. Next Exit
    Next Exit aims high, and while it hovers perilously close to overindulgence at times, Elfman’s hugely accomplished first-time feature largely succeeds at every box it attempts to tick off.
  20. Good Time
    Good Time is just that and little more, but Robert Pattinson's performance deserves praise like "career-defining" and "best yet."
    • 38 Metascore
    • 70 Critic Score
    Pinocchio
    Where 'Pinocchio' slips up in selling its magical illusion, it makes up for in honest fun and a surprising self-awareness.
  22. The LEGO Movie 2: The Second Part
    All in all, though it may not be totally awesome, The LEGO Movie 2: The Second Part is still fun, which is what it should be, and you’ll still leave with a song stuck in your head. Maybe even two.
  23. Us
    Us is an impressive and astonishingly hair-triggered sophomore feature squarely positioned to decimate genre audiences. It’s purposefully vague, but jam-packed with more memorable genre imagery and inquisitive discussion starters than most braindead by-the-book cinematic offerings beholden to formulaic blueprints.
    • 56 Metascore
    • 60 Critic Score
    Mufasa: The Lion King
    It may not reach the heights of Disney classics of yesteryear, but Mufasa: The Lion King is a movie worth watching for the clear attempt to turn it into something it could never have been.
  25. The Matrix Resurrections
    It’s a film of maddening contradictions, missed opportunities and half-taken risks, but it’s destined to be one of the year’s most polarizing and talked-about releases regardless.
    • 62 Metascore
    • 60 Critic Score
    The Monkey
    The Monkey quite competently makes a monkey out of the human ego, though the comedy choreography is a few bananas short of a bunch.
  27. Fast X
    Fast X doubles down on everything longtime fans have come to know and love about the franchise, but anyone who isn't sold on the saga at this stage isn't going to be won over.
    • 40 Metascore
    • 60 Critic Score
    White Men Can't Jump
    If you like the 1992 classic you might enjoy this update, but if you don't have the time to kill, it's probably worth sticking to the original.
    • 46 Metascore
    • 60 Critic Score
    Irish Wish
    As it smiles and waves to the rest of the genre like a good little rom-com, you may catch a hint of a gleam in its eye and wonder, very briefly; is that who Irish Wish really is? Or did director Janeen Damian and screenwriter Kirsten Hansen just pull off one of the most maliciously untheatrical, galaxy-brain plays of the year?
  30. Avatar: The Way of Water
    As an experience, Avatar: The Way of Water is second to none. In terms of the storytelling, though, James Cameron has fallen into the exact same pitfalls as he did on the first visit to Pandora.
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