We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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    • 43 Metascore
    • 60 Critic Score
    Back to Black
    There's a lot of compassion in 'Back to Black' for its troubled subject, but its best intentions become its worse mistakes when it fails to direct any semblance of a critical look at the multiple tragic events in Amy Winehouse's too-short life.
  2. Delia's Gone
    The effort put forth by James, Tomei, Hauser, and Fimmel just about carries Delia’s Gone over the finish line, which offsets the overall lack of a laser-focused singular method of storytelling that would have improved things exponentially.
  3. Army of Thieves
    Army of Thieves isn't the most original or inventive heist movie you'll ever see; but it's a massively entertaining expansion of Zack Snyder's undead cinematic universe.
  4. Freaky
    While fans of either Freaky Friday or Friday the 13th might not get enough of what they came for in Freaky, fans of Vaughn will get more than enough to keep them satisfied. He makes Freaky absolutely worth it.
  5. The Electrical Life of Louis Wain
    The Electrical Life of Louis Wain is a biopic every bit as off-kilter and bizarre as the protagonist, but despite all of the whimsy and eccentricities, it finds itself missing a spark.
  6. The Flash
    The Flash is good, and occasionally flirts with excellence, but anyone who goes in heading the game-changer that was promised may be left feeling a touch short-changed.
  7. Nightbitch
    A stay-at-home mother's slow descent into lycanthropy serves as a metaphor for maternal struggles in this uneven adaptation that never fully commits to its provocative premise, despite Amy Adams' raw and transformative performance.
  8. The Magnificent Seven
    The film is mindless entertainment by way of scoundrels, dynamite and honor – not quite magnificent, but “The Watchable Seven” just doesn’t have the same ring to it.
  9. The Gray Man
    The Gray Man delivers on its promise of spectacular globetrotting action escapism, but there's a noticeable spark missing that could have elevated it above formula and into greatness.
  10. The Handmaiden
    A unique cherry blossom of a period piece finds its roots intertwined with an erotically-charged crime, set to shock and entrance viewers unaware of the free-spirited madness to follow. A cultural appropriation of submission, the male gaze and gender dominance, stretched until storytelling fabrics just begin to tear.
  11. Pandemic
    Pandemic certainly won't spark a nationwide outbreak, but it's a sleek enough take on infection thrillers that's worth one good late-night watch.
  12. Zombieland: Double Tap
    Zombieland: Double Tap winks and nudges its way through a long-time-coming sequel, but earns its survival badges when cracking wits around new casts of characters.
  13. Teen Wolf: The Movie
    In a completely calculated way, this feature length stab at the MTV show remains intentionally average and overtly unchallenging – as it never seeks to overshadow the imminent new entry from showrunner Davis.
  14. Kingsman: The Golden Circle
    Vaughn sticks to what he knows with his Kingsman sequel but rarely ups the ante, making this a fun-enough entry into an already-too-familiar franchise.
  15. Tomb Raider
    Tomb Raider, by merely being an OK video-game film, is a great step in the right direction for the struggling genre. It seems that Uthaug got most of the dreary, expositional stuff out of the way early, so hopefully these oncoming sequels will take a hint and give audiences more of what they want.
  16. 47 Meters Down: Uncaged
    47 Meters Down is still the alpha of this franchise pack, but Uncaged's stealth "slasher but with sharks" structure is an approved and entertaining surprise.
  17. T2 Trainspotting
    Danny Boyle's T2 Trainspotting is a diverting nostalgia exercise, to be sure, but it never really justifies its own existence.
    • 54 Metascore
    • 60 Critic Score
    Cocaine Bear
    Cocaine Bear almost runs its premise into the ground, but delivers some outrageous rampage sequences and laughs along the way.
  19. The Scribbler
    While The Scribbler isn't exactly in contention with the best that the comic book genre has to offer, Katie Cassidy utilizes the numerous voices in her head to create a unique hero for a bit of stylized freshness.
  20. mother!
    Your toleration of mother! will be determined by movie-going patience. Aronofsky is painting with some blistering broad strokes, but they’re just that – broad and undefined.
  21. Burial
    Burial leans too heavily on genre convention without adding anything fresh. For that reason, any decent performances which are happening on screen fail to rescue it from mediocrity.
  22. Us and Them
    Us And Them might be a little slighter than expected, but Jack Roth's charismatic fire-starter has enough anarchistic anger to appreciate.
  23. The Son
    This supremely talented ensemble cast are unable to save 'The Son' from being an overly emotive disappointment.
  24. Office Christmas Party
    Office Christmas Party is a naughty Xmas comedy stuffed with enough ho-ho-hos and ha-ha-has to corrupt this holiday season.
  25. Allswell in New York
    Flashes of narrative inspiration and solid performances are not enough to rescue Allswell from mediocrity, as momentum remains in short supply.
  26. The Trip to Spain
    Conversational drama (ala Linklater’s Before franchise), plates piled with last-meal dinner fantasies, unparalleled improv – third time is still the charm, but Michael Winterbottom lets the stew boil a bit too long.
  27. The Vatican Tapes
    The Vatican Tapes relies heavily on its third act, but if you can stomach its more generic beginnings, you'll be treated to an exorcism story with higher stakes than normal.
  28. Shaft
    With a greener blend of heart and humor, Shaft safely ushers in the vigilante detective for modern audiences, though safety never seemed to be a factor before.
    • 66 Metascore
    • 60 Critic Score
    Speak No Evil
    It pulls too many punches while being too keen on delivering others, but Speak No Evil's mighty cast and swath of subtleties seal a fine deal indeed.
  30. Furiosa: A Mad Max Saga
    While 'Furiosa: A Mad Max Saga' is highly entertaining, it fails to capture the chrome-painted perfection of 'Mad Max: Fury Road.' Instead, we end up with a bloated epic that focuses too much on world building and not enough on its titular character.
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