Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Vomitous.
  2. We're light years away from "Animal House," sure, but who ever thought we would long for the richer, funnier dignity of "American Pie?"
  3. Making fun of such an inoffensive, amateurish production would be easy and mean, like punching a baby.
  4. There isn't enough visual beauty to forgive the screenplay's ugliness, but Bay does brave a daring new standard in product placement.
  5. In a movie full of egregiously overdramatic stupidities, the ultimate insult is to Patrick Swayze, who plays Biel's manager as an especially-poorly-preserved Bret Michaels.
  6. This perky would-be consciousness-raiser dilutes a potentially interesting subject -- interracial marriage -- with half-baked platitudes, self-conscious acting, and a plot trite enough to be rejected by the PAX channel.
  7. It's as if on some semiconscious level, Shyamalan, who I do not doubt is a serious and self-serious pop-creative original, is calling his own success into question and daring his audience to gulp down larger and spikier clusters of manure, just to see if they will. Or he's lost his mind.
  8. Mindless, shoddy (lurching zooms, no color correction, an entire reel out of sync) depiction of some very big guys who work as bouncers.
  9. The film seems dimly aware of its own ridiculousness, but it lacks the constitution for self-mockery.
  10. The film isn't short on ideas, it's just that those ideas are dumbfoundingly pretentious and trite.
  11. The grim finality of the ensuing pietà suggests the last act of Hamlet or, rather, Hamlet 2--so embarrassing that, for the first time, I wanted to avert my eyes from the screen, although that might have also been because Repo! appears to have been shot with a cell phone.
  12. As overlong and undermotivated as it is absentmindedly incoherent.
  13. McKay's bumptious movie awkwardly combines fourth-wall-breaking gimmickry and flaccid indignation with the goofball energy that defines his comedies.
  14. Wrong Cops is a tedious exercise in self-consciously hip lowbrow comedy.
    • 55 Metascore
    • 10 Critic Score
    A real snooze.
  15. Those looking for a smarter précis on sex and shame with one-thirtieth the running time are encouraged to seek out the other Madonna's "Open Your Heart" video on VH1.
  16. Visually incompetent to a painful extreme and almost never funny, but, worst of all, it doesn't have the courage of Max's unadulterated convictions. If you're going to offend the easily offended, at least go big.
  17. Suited only for unwitting under-twelvers (though even they may not outlast the midpoint evaporation of Lawrence's shtick).
  18. Clearly the product of an editing-room scramble, New Best Friend is a self-lambasting farce, despite Kirshner's passionate college try at establishing a third dimension in a brain-dead movie flatland.
  19. This is the sophomore production from "Juno" screenwriter Diablo Cody, similarly told through ultra-stylized slangy teen dialogue, which is cool, in theory, in the way it respects the verbal resourcefulness of idle flyover kids, but is excruciating to listen to in actual fact.
  20. It's the summer's most disingenuous movie -- a real achievement in a waning season that included Tim Burton's "Banana Splits" remake.
  21. As the basest form of genre hootenanny, it wimps out: There's no twist, no showboat acting, not even an outrageous crisis of paternal violence.
  22. The rotting corpses, projectile insect vomit, and creepy geezers in black arrive pretty much on cue, as does the great Cicely Tyson as the obligatory old blind woman who "sees" more than most people with two good eyes. It's her upper bridge, though, that's truly the scariest thing in the whole movie.
  23. Cheklich's insipid, cheapjack dramedy--about a flagging company's decision to outsource--isn't potent enough to even be called a lukewarm-button movie.
    • 45 Metascore
    • 10 Critic Score
    Barely elevated telenovela.
  24. Unexciting, incoherent, lamely acted, and carelessly written.
  25. There’s very little fun to be had with the camp of Bad Kids.
  26. What's really absent from this fiasco is a sense of purpose or an interest in character, as the participants in this weekend-getaway contest are ciphers defined mainly by their degree of obnoxiousness.
  27. It's a particularly risible nothing whose premise alone betrays the paucity of Franco's imagination and wit.
  28. Guinzburg's retool is full of unintentional humor, high-school-theater level acting, and shoddy writing.

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