Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. One of the year's worst releases. A second viewing of "Synecdoche" would be less painful.
  2. Dispiritingly obvious and phony from top to bottom.
  3. So incompetently mounted by Brazilian director Vicente Amorim (it takes a clumsy directorial hand to make Viggo Mortensen come on like Sesame Street's Mr. Noodle) as to be utterly incoherent.
  4. Above all, it will make you long for a day when studio movies about relationships feel like they are by and for adults who have actually been in one.
  5. This is rock bottom: I've seen a lot of terrible movies in the line of duty, but What Goes Up might be the only genuinely unreleasable one.
  6. The movie shares this premise with 2008's "Repo!: The Genetic Opera." It would be worth researching who ripped off whom if both weren't ghastly.
  7. Surpassing Dan Aykroyd's "Nothing but Trouble" as the most astoundingly atrocious walrus-flop of a directorial debut by a languishing actor ever contrived, Sally Field's Beautiful.
  8. Superhumanly awful BBC bottom-feeder Love, Honour and Obey, which, paramount among its many faults, is not recognizably a film.
  9. Manipulative tragedy, muddled motivations, incongruous reconciliations, deranged cuteness, all of it directed with a tin ear and laden with a score that evokes the experience of a conditioned lab rat.
  10. An endless chain reaction of cartilage-crunching, organ-pulping brawls.
  11. McTiernan's Rollerball is a movie masochist's delight.
  12. It wouldn't be fair to gripe about the hundreds of plot holes; the whole thing is hole.
  13. Actual concussive cranial abuse would be preferable to Jessie Nelson's I Am Sam.
  14. The movie improves immeasurably if you visualize a looming iceberg in the corner of the frame.
  15. Sure to appear in everyone's worst-of lists at year's end, to say nothing of a few bad dreams, Bryan Johnson's Vulgar is an unclassifiably awful study in self- and audience-abuse.
  16. At once laboriously expository and defiantly incomprehensible.
  17. A callous piece of work that exploits images of children in pain or jeopardy.
  18. Possibly the most deranged, pointlessly complex, automatic-writing-like cultural manifestation outside the cosmologies of the more creative psychotics.
    • 36 Metascore
    • 0 Critic Score
    A movie that, in its unconditional embrace of an all-male subculture, amounts to little more than a rote circle jerk.
  19. Self-involved, amateurish, and unoriginal.
  20. Stein's script is slack and tin-eared, too feeble to pass for satire, and inadequate even by lazy-pastiche standards.
    • 20 Metascore
    • 0 Critic Score
    Moving beyond stultifying to stupefying.
  21. 8MM
    A nasty piece of work, and it's nasty in a particularly ostentatious and sophomoric way.
  22. An overflowing septic tank of chicken-soupy sanctimony that proceeds from casually offensive hypocrisy to wretchedly inapt religiosity.
    • 38 Metascore
    • 0 Critic Score
    This risible thriller is merely a sadistic series of misread premonitions and vile murders.
  23. One of the cruddiest-looking movies ever made.
    • 16 Metascore
    • 0 Critic Score
    Virtually every shot of the kangaroo was digitally created, and perhaps that was an insurance policy masterstroke. Forcing a real live one to act opposite these co-stars could have easily constituted animal cruelty.
  24. Stay home. Your entertainment-seeking efforts would be better expended perusing old phone books. The white pages.
  25. Comes scarily close to being the most unendurable Hollywood creation of the last dozen years.
  26. The year's most repugnant movie.

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