Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Director Harold Ramis and his cast fetch overchewed shticks, but what's surprising is the incompetent witlessness on exhibit. There's no limit to the botched comedy rhythms and wasted opportunities.
  2. It's barely a movie.
  3. Daniel Adams’s An L.A. Minute makes you suffer through it all and never redeems itself, despite the potentially interesting duo of Gabriel Byrne and Kiersey Clemons as leads. The stars seem out of place with each other and in this movie, with creators who have no idea what they want to say.
  4. It's the very definition of direct-to-video schlock.
    • 32 Metascore
    • 10 Critic Score
    If only there were drugs strong enough to make it all bearable: This never ending Learning Annex K-hole provides damning proof that independent film distribution has grown far too accessible.
  5. More than anything else, Supercon is a drag: The heist plot offers none of the excitement typically associated with the genre. If you find repeated use of the phrase “ball cancer” hilarious, you’ll be well served; if you don’t, well, it’s a tough sit.
  6. For those of you on a really tight entertainment budget, you'll be paying at least 8 cents per minute not to laugh. Your money is better spent on beans and rice.
  7. The movie's only discernible purpose is as publicity for the book. An admitted egomaniac, Evans is no Hollywood villain, and yet this grating showcase almost makes you wish he'd gone the way of Don Simpson. Instead, he'll probably get an Irving Thalberg award.
  8. A spastic, indecipherable, unholy, and altogether unwatchable mess.
  9. I don't remember ever wanting to just haul out and punch a movie before Gigantic.
  10. Against all good sense, Exists plays its material straight, possibly proving itself the year's most laughably derivative and dreary film.
  11. It’s as if somebody wrote out the basic setup, figured they would flesh out the character bits and plot twists and jokes later … and then never got around to it. It’s dispiriting and infuriating all at once.
  12. Drearily shot with cheesy skyline pans, oppressively scored with Hallmark cutesiness, and oddly filled with filthy one-liners.
  13. The Wayans brothers' new bottom-feeder signals its utter exhaustion -- and barely veiled contempt for the audience.
  14. The film is as vacuous and undeserving of regard as any of its characters.
  15. Made with no discernible craft and monstrously sanctimonious in dealing with childhood loss, it might as well be called "Pray It Forward."
  16. Murder on the Orient Express falls down so badly as escapist entertainment that it is as if it were designed to prove the proposition that movies and mysteries don't mix.
  17. Almost nothing makes sense in Brush With Danger, a bewilderingly incompetent and inexplicably racist Indonesian action film.
  18. As theory, Sexual Dependency is no worse than a tinny artist's statement, but as moviemaking, it's brutally embarrassing, inexcusable.
    • 33 Metascore
    • 10 Critic Score
    In an era of wall-to-wall "CSI," Mindhunters' ghoulish forensic hubbub not only feels tiring but hopelessly redundant.
  19. Curiously, Blackmail Boy's alternate title is "Oxygen"--and by film's end, you'll be gasping for it.
  20. There isn't a scare to be found in the series's second installment.
    • 16 Metascore
    • 10 Critic Score
    The formula has stayed the same, but Murphy isn't the Foley of 10 years ago. The only thing that remains is his patented Chic-let grin. [7 Jun 1994]
    • Village Voice
  21. The fiercely original Eddie Izzard is wasted in this botch, not something you could say for lucky millionaire Friend Matt LeBlanc.
  22. A valueless kiddie paean to pro basketball underwritten by the NBA.
  23. Valentine isn't exploitative or trendy in the manner of so many indie films. Rather, it seems like the kind of art film that might have been dreamed up by a feverish high schooler.
  24. Billed as a comedy but nothing more than a shallow and exasperating portrait of female self-loathing, Dean Pollack's Audrey puts its protagonist through hell -- and its audience along with her.
  25. Its utterly predictable narrative and lazy sexism make for a toxic combination.
  26. Colorless and soulless in the extreme, it bears no one's fingerprints at all. There's no reason for this Oldboy to exist. It's so DOA, you stumble out of it wanting to eat something alive.
  27. The mild Islamophobia and highly questionable casting choices in the film call to mind other texting abbreviations, namely AYFKMWTS and GTFOOH. In the end, though, it's an armed-forces acronym dating back to World War II that best describes this dismal project: FUBAR.

Top Trailers