Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. There isn't a moment in Hôtel Normandy that isn't painfully contrived, yet, worse still, its mix-ups boast all the inspiration and excitement of a weekend getaway at the local mall.
  2. A comedy whose cliché-embracing stupidity borders on the surrealistic.
  3. This flat run at a hip-hop "Tootsie" is so poorly paced you could fit all of Pootie Tang in between its punchlines.
  4. The new tunes sound like Buster Poindexter mainlining Sweet 'n Low, and at a critically song-starved moment, John Goodman's Baloo admits, "King Louie? He split!" Before the third defibrillation of "Bare Necessities," you and your kids might too.
    • 33 Metascore
    • 10 Critic Score
    Shamelessly purports to be "the first major studio comedy to reflect the Hispanic cultural experience in America," but the only place you're likely to find such shrill and whitewashed caricatures is in the elitist pages of ¡Hola!
  5. Should come with a disclaimer.
  6. Rarely has the terminal seemed as interminable as it does in Lullaby.
  7. May be Jordan's wildest mis-shot yet, so dense with dying fizzle and limp ideas that I began to wonder if Jordan has an evil twin, or if there are in fact several Neil Jordans, among them at least one literate stylist and one humor-handicapped village idiot.
    • 13 Metascore
    • 10 Critic Score
    Cindy Crawford is not the worst thing about Fair Game. Her fully poseable action-figure performance is about what you'd expect: studied and empty at the same time. Far worse is Fair Game's script. [14 Nov 1995]
    • Village Voice
  8. All solipsistic jaded-Cosmo patter.
  9. Too amateurish to lampoon or evoke either film industry, Bollywood/Hollywood is a movie that owes its presence in theaters to a certain ethnic soccer comedy still circulating like a virus.
  10. Weide's big-screen version is sitcom-drab.
  11. The Cobbler has invented a new category of terrible: cruel schmaltz.
  12. Bloodless, lip-biting psycho-carnage.
  13. This charmless nonsense ensues amid clanging film references that make "Jay and Silent Bob's Excellent Adventure" seem understated.
  14. So extremely stupid and incompetent, I doubt that even the most impartial critic could find much to praise.
  15. Little more than an exercise in sustained contempt, a petty little missive directed at anyone who dares to wield a pen.
  16. A vanity project -- hell-bent on playing barely human characters as themselves, they've created something quitebewilderingly ugly in the process.
    • 38 Metascore
    • 10 Critic Score
    Unfabulous, unfunny, and unwatchable.
  17. The movie doesn't offer a single surprise within its scant 82 minutes, which feel like at least twice that.
  18. As this clueless, bulimic debacle madly regurgitates ideas and iconography from Lang to the brothers Wachowski, Leni Riefenstahl to L. Ron Hubbard, Ray Bradbury to Susan Faludi, it's not just Bale who has a hard time keeping a straight face.
  19. [An] unintentionally hilarious tragic romance.
  20. Avoiding this lump of low-camp lion poo couldn't be easier, what with MGM dumping it into a lone Manhattan venue, but if you're in the mood for some unscripted belly laughs or a catnap, Fascination should do the trick.
  21. The clichés lap like bay waves, from the salutes to the brotherly brawl to the olive-oil tear streaks semipermanently painted down Jackson's cheeks.
  22. It's a movie that thinks it stands for openness and cultural understanding, underneath the poop jokes, when in fact it manages to be offensive to almost everyone, including people who like to laugh at something because it's funny, not just because it makes us uncomfortable.
    • 44 Metascore
    • 10 Critic Score
    One suspects Vardalos's movies aren't written as much as up-chucked, the result of all-night binges on SnackWells and Oxygen network reruns.
    • 41 Metascore
    • 10 Critic Score
    For all the fear, loathing, and overthinking that Murkoff's bedside text engenders, its journey ends with the hopeful beginning of a new life, whereas the movie leaves you hoping for a swift end to your own.
  23. The film is boldly bad, yes, but also boldly boring.
  24. Despite its incoherence and inaudible dialogue, this slice-of-life film manages to be simultaneously thuggish and platitudinous.
  25. Leaks treacle from every pore.

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