Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. China Salesman has got to be one of the most baffling, expensive pats on the back China has ever given itself.
  2. 8MM
    A nasty piece of work, and it's nasty in a particularly ostentatious and sophomoric way.
  3. Let’s cut straight to the chase: Black Rose is a bad film — amazingly, astoundingly, supercalifragilisticexpialidociously bad.
    • 36 Metascore
    • 0 Critic Score
    A movie that, in its unconditional embrace of an all-male subculture, amounts to little more than a rote circle jerk.
  4. From the outset, Streitfeld hopscotches back and forth over her tale's 24 hours with a self-conscious aesthetic affectation (overlapping imagery, shifting camera speeds, elliptical edits) that demolishes any intelligible character or plot development, resulting in a story comprised of pretentious meditative fragments.
    • 22 Metascore
    • 0 Critic Score
    The product itself isn't so much afterthought as afterbirth -- a bloody mess to be dumped discreetly.
  5. Hide and Seek follows no semblance of internal logic--the unveiling of Charlie is a ludicrous cheat, the last reel a unique paroxysm of rancid idiocy.
  6. Jaye acknowledges in the opening and closing minutes that MRAs sometimes spew nasty garbage online, but she never presses them on this in her many interviews. Instead, she lets them moan about how hard it is to be a dude in 2016.
    • 16 Metascore
    • 0 Critic Score
    Virtually every shot of the kangaroo was digitally created, and perhaps that was an insurance policy masterstroke. Forcing a real live one to act opposite these co-stars could have easily constituted animal cruelty.
  7. There's no more disposable type of comedy than the genre spoof, and no greater example of its general creative worthlessness than The Walking Deceased, an interminable 90-minute goof-off propped up by references to popular zombie-apocalypse fiction.
  8. Can a movie get some "at least we tried" low-budget pity points, man? Move back home, all of you.
  9. Pre- credits, Date Movie runs a mere 70 minutes, which increasingly seems like seven minutes, repeated 10 times.
  10. One of the more depressing, desensitizing experiences I've had in a theater, Hoodwinked Too! Hood Vs. Evil feels as computer-generated as its creepy, talking-ceramic-toy style of animation.
  11. Using a slavery narrative to advance an unrelated agenda is pretty tasteless, bordering on offensive.
  12. The movie improves immeasurably if you visualize a looming iceberg in the corner of the frame.
    • 34 Metascore
    • 0 Critic Score
    There's a good film to be made about Halston, the dashing man who went from Iowa-born milliner to revered fashion designer to self-popularizing entrepreneur to AIDS-era casualty, but dear Lord, Ultrasuede is not it.
  13. A film this monotonous will make you zone out.
    • 1 Metascore
    • 0 Critic Score
    As propaganda, United Passions is as subtle as an anvil to the temple. As drama, it’s not merely ham-fisted, but pork-shouldered, bacon-wristed, and sausage-elbowed.
  14. Who's the bigger charlatan--Burzynski or Merola--and why is this conspiratorial rubbish being released into theaters?
  15. At once laboriously expository and defiantly incomprehensible.
  16. Possibly the most deranged, pointlessly complex, automatic-writing-like cultural manifestation outside the cosmologies of the more creative psychotics.
  17. O'Brien's slow-motion-heavy staging is graceless, and his script is twice as unwieldy. With characters stuffed full of clichéd platitudes about fate, love, honor, and other topics the film isn't capable of addressing in any mature way, it's a fiasco of frontier-wide proportions.
    • 45 Metascore
    • 0 Critic Score
    South of the Border's subjects are masters at cooking bullshit, and Stone just eats it up.
  18. Actual concussive cranial abuse would be preferable to Jessie Nelson's I Am Sam.
    • 23 Metascore
    • 0 Critic Score
    It's an unimaginative, mean-spirited gross-out that forgot to bring the funny.
  19. An endless chain reaction of cartilage-crunching, organ-pulping brawls.
  20. Depraved, disgusting, misogynistic, ugly, and interminable, Murder-Set-Pieces is the lowest form of cinematic life, a movie so utterly degenerate it makes you wish that indie filmmakers had to prove a basic standard of decency in order to buy a camera.
    • 16 Metascore
    • 0 Critic Score
    Like a spiral perm growing out, Jersey Guy droopily unravels as partial homage to the Balki Bartokamous school of bad acting before collapsing into a mess of fragmentary sermonizing on deceit, commitment, and the meaning of choice.
  21. Muck pairs a repellent concept with amateurish dialogue, acting, editing, lighting, and pacing.
  22. A callous piece of work that exploits images of children in pain or jeopardy.

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