Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. P.S. Jerusalem is as modest as a home movie but profoundly captures the conflict between individual conscience and national identity.
    • 59 Metascore
    • 70 Critic Score
    If another contemporary nonfiction film makes a better case for the still-controversial tactic of blending scripted scenes into factual footage, I haven't seen it.
  2. Though Wajda admires this struggle, the artist’s final pursuit never seems redemptive in the depths of Strzemiński’s isolation and misery.
  3. That Battered Bastards is practically a hagiography doesn't negate the fact that it has more anti-establishment joie de vivre in any given scene than most talking-head docs about previously unheralded mensches contain in their entire run times.
  4. Too glib to qualify as satire, Hair High nails the high school experience.
  5. Mr. Roosevelt may be slight, but it’s buoyed by Wells’s self-deprecating humor.
  6. The film is most illuminating on the prehistory of Land Art.
  7. Costa-Gavras provides a post-war postscript to make clear that honesty is punished; cynicism survives.
  8. Since the filmmaker's main agenda here is to keep things bumping along, the fraught situations are happily played and funk-scored as crowd-pleasing rather than issue-stroking.
  9. Though multi-director projects are patchy by definition, Fear(s) of the Dark hits with an all-star batting average.
    • 60 Metascore
    • 70 Critic Score
    Kidnapping movies invariably crescendo to a fever pitch of procedural complexity. At a terse 91 minutes, The Clearing offers the reverse, a movie that only grows more conceptually minimal as the clock ticks down.
  10. The doctors' motivations remain somewhat enigmatic, even as the two veterans emerge as more fully drawn characters.
  11. This is the disreputable, even disgusting diversion the Expendables pictures should've been.
  12. Whether laughing, crying, mumbling to himself, or projecting a valiant stoicism, Gulpilil — beneath a white beard and a blanket of shaggy hair — commands the screen in close-ups liable to run for minutes at a time.
  13. Filled with flashy sight gags, overwrought performances, and madly overlapping dialogue.
    • 85 Metascore
    • 70 Critic Score
    A road movie using undeveloped land as a blank screen on which to project a dark deconstruction of masculinity and manifest destiny.
  14. Albeit not as textured as Hong's past few films, Woman on the Beach is no less engrossing--a rueful tale of karmic irony, self-deceived desire, squandered second chances, and unforeseen abandonment.
  15. Though the psychological layering and thematic ambition of the screenplay do not quite result in the depth intended, Hideaway's unsentimental performances will hook you.
  16. If the M:I films are immune to the tarnish on the Cruise brand, it's precisely because their spectacle requires us to be impressed by Ethan Hunt, not to like him.
  17. Set largely in empty public spaces late at night, Blue Gate Crossing supplements its slender narrative with disarming performances and plangent atmosphere.
  18. It’s a moving tale made more so because even after he’s “won,” Pineda maintains a clear-eyed pragmatism about what living a fairy tale costs.
  19. If you've never seen the show, it's a great excuse for binge-watching. And if you loved the show, the movie is a welcome homecoming. It has the feeling of a story that has been, against all odds, loved into existence. Probably because that's exactly what it is.
  20. This sweet, pensive gabfest is neither conventionally romantic nor pornographic.
  21. The acting, by a large cast of little-known young Brits chewing on South London accents like dog bones, is uniformly splendiferous.
  22. To Be Takei is never less than joyful — much like the man himself.
  23. The drama is mostly interior, and Washington’s quiet performance tends to reveal the jittery surface rather than the tortured soul. Neither it nor the script is incisive enough to make Israel’s abandonment of his principles fascinating.
  24. Heathcliff does not get the revenge he wants because he wants to escape the specific traumas of his adolescent past, shown in the film's first half. And because Arnold traps her viewers with Heathcliff's murky version of events. There's no room for enriching subtext in this version of Wuthering Heights because all the information we need is inscribed on the film's glassy surface.
  25. Expanded by a half-hour from its prior incarnation as a pinku eiga, the formerly titled "Horny Home Tutor: Teacher's Love Juice" is now an apocalyptic political satire.
  26. Nothing if not confrontational.
  27. Informative and workmanlike, Antarctic Edge is more a bad-news rundown than one of the meditative masterpieces of the genre

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