For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
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| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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- Critic Score
As in most court TV (the film is produced by KQED), the action is faster paced than in reality, and the graphics are cheesy. But the lawyers are far more compelling than David E. Kelley's.- Village Voice
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Reviewed by
Jessica Winter
Akerman's characteristically patient, pensive approach elegantly accommodates her reportorial responsibilities.- Village Voice
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Reviewed by
Jessica Winter
Meticulously uncovers a trail of outrageous force and craven concealment.- Village Voice
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Reviewed by
J. Hoberman
It plays out as an unsettling solipsistic love story--an account of erotic obsession with a family relation to "Of Human Bondage."- Village Voice
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Reviewed by
Jessica Winter
Penning's film applies too much force behind its hairpin turns, but broad scripting and acting are counterbalanced by crisp photography, shivery sound design, and well-chosen debts.- Village Voice
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Amy Taubin
Even more than the subtlety of the writing and acting, it's this sophisticated and emotionally potent visual strategy that suggests Barbieri's promise as a filmmaker and lifts One above the low-budget indie heap.- Village Voice
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Laura Sinagra
The total effect, of course, is abject sadness as we helplessly watch each enact a unique anti-success story in an inverted reality show.- Village Voice
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Laura Sinagra
The reverent pacing lags a bit, but the film's meditation on the struggle to find spirituality that reconciles Islam with tribal belief systems is powerful in its understatement, and its wordless observation of France's Malian community quietly evidences daily cultural preservation amid the hard labor.- Village Voice
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J. Hoberman
An intelligent, viscerally intellectual exercise in ensemble acting and associative montage, enlivened with some terrific visual and dramatic ideas.- Village Voice
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Amy Taubin
A very beautiful film, but its bleached desert colors and flatter perspectives are less inviting, and the back-and-forth between present and past can occasionally be confusing.- Village Voice
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Amy Taubin
As fragmented and unresolved as the experiences of mother and daughter, Alma bears witness to a situation for which there are no easy answers.- Village Voice
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- Village Voice
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Reviewed by
Amy Taubin
Compelling viewing, even if there's nothing pretty (pictorially or emotionally) about it.- Village Voice
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J. Hoberman
It's not the least of Afghan tragedies that this noble warlord would be consigned to the dustbin of history.- Village Voice
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- Village Voice
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Reviewed by
Amy Taubin
Isn't convincing on every front, but as a political conversation piece, it's potentially effective.- Village Voice
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Reviewed by
Jessica Winter
Spheeris gives every indication of having gotten too close to her material, but her film's overall air of discombobulation is poignant in itself.- Village Voice
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Reviewed by
J. Hoberman
A deceptively modest fable of innocence abroad that resonates with the situation within Israel and without.- Village Voice
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Edward Crouse
Overall the acting is sound, the missteps few, and the murky digicam smash-and-grab sheen entirely apt for the cacophonous Christmas crush.- Village Voice
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Laura Sinagra
If you can handle the truth, Sarah Goodman's entropic doc is as exquisite a basic training in banal U.S. Army culture as you're likely to find.- Village Voice
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Dennis Lim
16 Years' greatest asset may be its star: Trainspotting's McKidd, coiled and queasy, transcends the dubious romanticism and hard-man clichés of his role -- he exudes a commanding air of constancy in a film that teeters between the rapturous and the ridiculous.- Village Voice
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While short on narrative propulsion, Yasuaki Nakajima's low-budget, 72-minute After the Apocalypse turns out to be a surprisingly engaging ride.- Village Voice
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This is hardly the most in-depth doc on Cuban refugees (see the epic Balseros). Still, Beyond the Sea grants a quiet dignity to its subjects without sanctifying them.- Village Voice
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Joshua Land
Wranovics's entertaining documentary feels appropriately detached.- Village Voice
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Leslie Camhi
Politics hover at the edges of even the most affectionate encounters among Danae, her parents, and the Obeidallah family. Amos Elon's negativity regarding the future of the Jewish state mars the film, yet Another Road Home moves beyond dark predictions.- Village Voice
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- Village Voice
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Reeves's remarkable skills for expressive cinematography grant this grim tale a stark beauty bereft of sentimentality.- Village Voice
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Reviewed by
Michael Atkinson
This peculiar and sweet film--which lushly scores the silent tournaments with Henry Mancini and Tommy Dorsey--more or less leaves it at that, exploiting the poetic surreality of the overdressed Zulus in Pierre Cardin primping in the basements and barren fields of the Transvaal but resisting the urge to contextualize or explain it.- Village Voice
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Dennis Lim
A breezy first-person video essay that goes in search of the average Asian American woman, all the while wondering if there is in fact such a thing.- Village Voice
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- Critic Score
Can nobly stand behind its more celebrated forebears.- Village Voice
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