Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
    • 63 Metascore
    • 70 Critic Score
    As in most court TV (the film is produced by KQED), the action is faster paced than in reality, and the graphics are cheesy. But the lawyers are far more compelling than David E. Kelley's.
  1. Akerman's characteristically patient, pensive approach elegantly accommodates her reportorial responsibilities.
  2. Meticulously uncovers a trail of outrageous force and craven concealment.
  3. It plays out as an unsettling solipsistic love story--an account of erotic obsession with a family relation to "Of Human Bondage."
  4. Penning's film applies too much force behind its hairpin turns, but broad scripting and acting are counterbalanced by crisp photography, shivery sound design, and well-chosen debts.
  5. One
    Even more than the subtlety of the writing and acting, it's this sophisticated and emotionally potent visual strategy that suggests Barbieri's promise as a filmmaker and lifts One above the low-budget indie heap.
  6. The total effect, of course, is abject sadness as we helplessly watch each enact a unique anti-success story in an inverted reality show.
  7. The reverent pacing lags a bit, but the film's meditation on the struggle to find spirituality that reconciles Islam with tribal belief systems is powerful in its understatement, and its wordless observation of France's Malian community quietly evidences daily cultural preservation amid the hard labor.
  8. An intelligent, viscerally intellectual exercise in ensemble acting and associative montage, enlivened with some terrific visual and dramatic ideas.
  9. A very beautiful film, but its bleached desert colors and flatter perspectives are less inviting, and the back-and-forth between present and past can occasionally be confusing.
  10. As fragmented and unresolved as the experiences of mother and daughter, Alma bears witness to a situation for which there are no easy answers.
    • 63 Metascore
    • 70 Critic Score
    Beautiful, powerful, and moving interrogation.
  11. Compelling viewing, even if there's nothing pretty (pictorially or emotionally) about it.
  12. It's not the least of Afghan tragedies that this noble warlord would be consigned to the dustbin of history.
    • 73 Metascore
    • 70 Critic Score
    Refreshing and depressing.
  13. Isn't convincing on every front, but as a political conversation piece, it's potentially effective.
  14. Spheeris gives every indication of having gotten too close to her material, but her film's overall air of discombobulation is poignant in itself.
  15. A deceptively modest fable of innocence abroad that resonates with the situation within Israel and without.
  16. Overall the acting is sound, the missteps few, and the murky digicam smash-and-grab sheen entirely apt for the cacophonous Christmas crush.
  17. If you can handle the truth, Sarah Goodman's entropic doc is as exquisite a basic training in banal U.S. Army culture as you're likely to find.
  18. 16 Years' greatest asset may be its star: Trainspotting's McKidd, coiled and queasy, transcends the dubious romanticism and hard-man clichés of his role -- he exudes a commanding air of constancy in a film that teeters between the rapturous and the ridiculous.
    • 53 Metascore
    • 70 Critic Score
    While short on narrative propulsion, Yasuaki Nakajima's low-budget, 72-minute After the Apocalypse turns out to be a surprisingly engaging ride.
    • 61 Metascore
    • 70 Critic Score
    This is hardly the most in-depth doc on Cuban refugees (see the epic Balseros). Still, Beyond the Sea grants a quiet dignity to its subjects without sanctifying them.
  19. Wranovics's entertaining documentary feels appropriately detached.
  20. Politics hover at the edges of even the most affectionate encounters among Danae, her parents, and the Obeidallah family. Amos Elon's negativity regarding the future of the Jewish state mars the film, yet Another Road Home moves beyond dark predictions.
    • 66 Metascore
    • 70 Critic Score
    A tender Greek drama.
    • 56 Metascore
    • 70 Critic Score
    Reeves's remarkable skills for expressive cinematography grant this grim tale a stark beauty bereft of sentimentality.
  21. This peculiar and sweet film--which lushly scores the silent tournaments with Henry Mancini and Tommy Dorsey--more or less leaves it at that, exploiting the poetic surreality of the overdressed Zulus in Pierre Cardin primping in the basements and barren fields of the Transvaal but resisting the urge to contextualize or explain it.
  22. A breezy first-person video essay that goes in search of the average Asian American woman, all the while wondering if there is in fact such a thing.
    • 64 Metascore
    • 70 Critic Score
    Can nobly stand behind its more celebrated forebears.

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