Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. A grassroots refutation of Discovery Channel/National Geographic dispassion, The Great Dance: A Hunter's Story is hot and sweaty with fetching curves.
  2. Altered States of Plaine, like indies Pi and Primer, harbors ambition that towers over its super-saver discount budget.
  3. Elemental isn't essential, but it's a fascinating if limited portrait of the diversity of eco-warriordom today.
  4. A sealskin-slick, cat-and-mouse romance-caper trifle with a hard-on for wealth that feels downright Trumpian.
  5. In Curling, his (Cote) interest in individuals with "one foot outside of society" continues with a crisp portrait of a Québécois solitary man and his cloistered preteen daughter.
  6. The photography fascinates even when the story flags, and the film bristles with small revelations.
  7. The Incredible Jessica James strikes me as little more than an extended sketch – somewhat formless and repetitive. But its saving grace is that, unlike a lot of sketch movies, it doesn’t rely on shtick or wink-wink contrivance.
  8. Anesthesia doesn't cast judgment. Instead, Nelson slowly reveals awful things about his characters after we've decided to like them. I admire the film's vigor, even if at times it feels like a cruel, clumsy trick.
  9. What kept Paris from the top? The answers provided rarely qualify as revelation, but this affectionate portrait distinguishes itself from the ongoing epidemic of musician docs by mere virtue of staking out ground that hasn't already been thoroughly tilled.
  10. Some genuinely tender moments—especially the final scene, which at this admittedly early point in 2013 qualifies as one of the best of the year—offset the occasional dramatic misfire.
  11. There's something fearlessly uncool about the film, which suffers mostly from being made 30 years too late.
  12. Interior scenes focus theater-like on the dining room table-as-vortex: Threats and insults whip about, but, finally, so do forays of friendship.
  13. What Venus and Serena does extraordinarily well is capture the work ethic and undersung smarts of the sisters while taking viewers deep into their enviably close relationship.
  14. You might not want to live here, but the imagery makes for a nice postcard.
  15. Star Trek Beyond might be the Star Trekkiest film of the new, J.J. Abrams–ified Trek era. That is to say, it's the one that feels the most like a turbo-loaded episode of the original series, and has at least some of that classic spirit of exploration and derring-do.
  16. The men's faces often vanish as they go underground, threatened with permanent disappearance: the risk of dynamite bursting early, or of rope breaking and leaving them trapped. The filmmakers find those faces again in private interviews above ground, each miner sitting away from the others to discuss how he feels about the job.
  17. The director doesn't bother to interview the experts-only those who knew the man best.
  18. Onscreen much of the time, thicker and more creased than you remember, Gibson can make this rather unshapely movie seem taut.
  19. Messina, making his directorial debut, keeps it simple. Alex undergoes a surprising amount of personal maturation in a week, but Winstead never lets the character bog down in excessive navel-gazing.
    • 80 Metascore
    • 70 Critic Score
    Like "Father of My Children," Goodbye First Love loosely fictionalizes lived experience in order to capture the ineffable - in this case, emotional maturation or, as Sullivan phrases it, "becom[ing] a real person."
    • 49 Metascore
    • 70 Critic Score
    Frindel can't rescue Kagel from marginalization as a New Agey preacher man, but he does portray this hippest of all Krishnas as someone who deeply believes in the self-sacrificing mantra he chants, even if the very act of starring in a film seems to threaten it.
  20. Cumberbatch, a tweedy Brit with an M.A. in Classical Acting and a face like a monstrous Timothy Dalton, has beefed up to become a convincing killer. He's brutal and bold, and the film around him isn't bad either.
    • 54 Metascore
    • 70 Critic Score
    The performances are uniformly strong.
  21. Stilted and gloomy as it sounds (and sometimes is), The Tenants gets by on its nimble approximation of Malamud's robust prose, subtle turns of deadpan humor and gut-tingling menace, and remarkable performances. McDermott does credible work here, but Snoop's casting is a stroke of genius.
  22. Hugh Hudson's Finding Altamira is a rote but engaging historical drama about the eternal debate between truth and mythology.
  23. As cliché-rich as it is compelling.
  24. While it helps to already be a fan, it's imaginative and energetic enough to be entertaining for the uninitiated.
  25. Derails toward the end, becoming platitudinous, not to mention kitschy, but, given the Cheerios wholesomeness of most gay indies, its grief-stricken delirium is a welcome relief.
  26. Although Speed Sisters is not comprehensive, it's vital.
  27. It's good enough at least that you wish it was better.

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