Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. Meandering at the same draggy pace as its titular gay zombie, eroto-horror-satire mixes movie-within-a-movie machinations with graphic sex scenes that will titillate anyone who's ever wanted to see someone shagging an open wound.
  2. The way Kuenne presents the material, with an aggressive style that lingers less than a second on most shots, it's impossible not to feel emotionally exhausted.
  3. Eden Lake doesn't feel like torture porn so much as a rural-jeopardy thriller in extremis.
  4. This softcore thriller runs strictly by the numbers.
  5. A spare, effective and genuinely frightening retro-nightmare.
  6. It would be too much to say that what Smith has come up with here is inspired, but it is pretty funny and very energetic.
  7. Cheerfully embracing his status as cult B-movie genre megastar even as he sends it up, Bruce Campbell's sophomore directorial excursion, My Name is Bruce, is a big in-joke of definite if limited appeal.
  8. As cross-cultural bridge-builders go, picture is smart, funny and sweet enough to make you reassess your attitude next time you get reach tech support in New Delhi.
  9. A story very much by, about and for middle-aged men, and with the commercial limitations that implies, this intermittently amusing outing is graced by one of Robert De Niro’s more engaging performances of recent vintage.
  10. A humorless, relentlessly ethnocentric docu about Jews in basketball.
  11. Calling to mind the work of Anne Rice and Stephen King, atmospheric adaptation of Swedish author John Ajvide Lindqvist's bestseller is well directed by his countryman Tomas Alfredson ("Four Shades of Brown") and should click with cult and arthouse auds.
  12. A wildly ambitious and gravely serious contemplation of life, love, art, human decay and death, the film bears Kaufman’s scripting fingerprints in its structural trickery and multiplane storytelling.
  13. Emotionally powerful and stylistically sure-handed, this true story-inspired drama begins small with the disappearance of a young boy, only to gradually fan out to become a comprehensive critique of the entire power structure of Los Angeles, circa 1928.
  14. A movie that is utterly engrossing despite being, on the surface, about very little.
  15. Cruising somewhere between therapy drama and paranoid thriller, this middlebrow tone poem aims for ambiguity but often veers into soporific, suspending answers (and often, viewer interest) en route to an ending that explains all.
  16. Feels like a film that should have been made at least 25 years ago. Or made as a period piece. Heavy, doom-laden and, unfortunately, entirely predictable.
  17. While Ortega and fellow choreographers Charles Klapow and Bonnie Story stretch their imaginations, there's something almost lazy about the picture's underachiever script.
  18. Ably filmed by veteran stage producer-director Rowan Joseph, Bradley Rand Smith's theatrical script provides a bravura thespian workout for Ben McKenzie.
  19. Scores high on the tech front but considerably lower on script smarts.
  20. Warmly affectionate yet curiously hollow, The Universe of Keith Haring is a straightforward biodoc about the Gotham-based artist and style-setter.
  21. An omnibus of black-and-white animation with a couple exceptionally clever episodes tied together by an unnecessary recurring monologue.
  22. A documentary constructed from re-enactments, talking heads and no actual footage of the story it tells, but that still packs a knock-out punch.
  23. W.
    For a film that could have been either a scorching satire or an outright tragedy, W. is, if anything, overly conventional, especially stylistically.
  24. The film may be too mainstream for arthouses, and too arty for the mall.
  25. Ineptly written and helmed story of three Londoners, although quite bad, does have a few redeeming features.
  26. Stylishly made, armed to the teeth and ludicrous in the extreme.
  27. The film feels more like the ultimate scrapbook for the participants than the vicarious thrill the pair no doubt imagined for audiences.
  28. Like a mouthful of honey, The Secret Life of Bees is cloyingly sweet and gooey, and you're not quite sure you can swallow it undiluted.
  29. Since the new pic contains little that's genuinely amusing or minimally original, it likely will fail on its own merits.
  30. Ultimately, picture's fascination lies with the personalities and strategies of the candidates themselves.

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