Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. Uneven but enjoyably titillating black comedy should elate Rickman fans while pleasing aficionados of extra-flakey caper flicks.
  2. Along with torrents of gore, Punisher: War Zone has moments that are deliriously funny, because the violence is so awful and so casual.
  3. Frank Langella's meticulous performance will generate the sort of attention that will attract serious filmgoers.
    • 68 Metascore
    • 70 Critic Score
    Collette acts as an anchor for the ensemble, but the young leads credibly hold their own onscreen.
  4. That Blitstein pulls off this tiredly self-reflexive conceit with relative panache is due in no small part to the scruffy grace of leads Justin Rice ("Mutual Appreciation") and indie fixture Brendon Sexton III.
  5. Oddly misanthropic, occasionally amusing but thoroughly cheerless holiday attraction that is in no way a family film.
  6. Brolin's work is superlatively expressive of the inchoate impulses roiling inside his sorry character. But good as most of the cast is, the show belongs squarely to Penn.
  7. Boasts a measure of the retro machismo, style and attitude some 007 fans have found lacking in "Quantum of Solace." But it also has a pointless storyline, incoherent editing and a polyglot cast that renders some of the dialogue utterly incomprehensible.
  8. A disappointingly anemic tale of forbidden love that should satiate the pre-converted but will bewilder and underwhelm viewers who haven't devoured Stephenie Meyer's bestselling juvie chick-lit franchise.
  9. Though an admirable attempt to allow the characters to tell their own story in their own voices, docu may be a bit too freely associative, as it becomes difficult at times to identify individual characters... Picture's second half, which proceeds in a more linear fashion, is resolutely gripping.
  10. Bears some telltale signs of Pixar's trademark smarts, but still looks like a mutt compared to the younger company's customary purebreds.
  11. Moore and Hill's script plunges Spacek in a mawkish stew of banality and improbability composed of bits and pieces of earlier roles.
  12. How many thrillers could put the outcome in the title and still provide as many white-knuckle moments as Harvard Beats Yale 29-29?
  13. Deliberately anachronistic in its heightened style of romance, villainy and destiny, the epic lays an Aussie accent on colorful motifs drawn from Hollywood Westerns, war films, love stories and socially conscious dramas. Some of it plays, some doesn't, and it is long.
  14. Stripped of "Royale's" humor, elegance and reinvented old-school stylishness, Quantum has little left except its plot, which is rudimentary and slightly barmy, in the line of the Roger Moore pics of the '70s and '80s.
  15. Largely thanks to the snappy editing, short scenes and a strong cast led by a matronly Deveuve and Amalric's enjoyable perf as the black sheep of the family, A Christmas Tale never devolves into a tedious two-and-a-half hours of self-examination. But it also never goes very far, either.
  16. Picture loses its delicate edge when it builds to a prescribed dramatic flashpoint within an overly compressed timeframe
  17. Meandering mindlessly, Wizards comes off as yet another humdrum Pottery artifact.
  18. Gay's the way, but the way's not really gay, in the fluffy and largely entertaining Dostana.
  19. With Davi and Chazz Palminteri fronting a first-rate ensemble cast, and a tasty soundtrack of golden oldies, this unpretentious indie dramedy has much to recommend.
  20. Comedic and sentimental beats are as predictable as the storytelling is sloppy.
  21. Driven by fantastic energy and a torrent of vivid images of India old and new, Slumdog Millionaire is a blast.
  22. Laden with more than enough profane humor to warrant its R rating, this is nonetheless a formulaic crowd-pleaser.
  23. A French-language meta-movie parody par excellence, constitutes the headiest stretch of the beefy star's career since, well, ever.
  24. Opening half-hour has some of the best stuff in the movie, walking a precarious line between black irony and showing the war from a totally German viewpoint, without tipping over into gallows humor or parody.
  25. Well-meaning but underachieving drama.
  26. Lively and quite funny without being obnoxious, this follow-up smoothly mixes the original's New York Zoo escapees with a number of engaging new characters.
  27. Gini Reticker's lucidly impassioned film, filled with strong, eloquent spokeswomen, garnered Tribeca's docu award.
  28. So over-the-top it's purple. At the same time, it's not too many lengths of intestine beyond some mainstream movies, "Sweeney Todd" being the most obvious comparison.
  29. There's a nice chemistry between Mac and Samuel L. Jackson in this latest variant of the road movie, which contains comedic elements but actually works better as a drama.

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