For 17,791 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,139 out of 17791
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Mixed: 7,015 out of 17791
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Negative: 1,637 out of 17791
17791
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Leslie Felperin
While the period drama has several redeeming features, tonally it's all over the map, veering between artsy stylization and hum-drum, sometimes almost twee melodrama.- Variety
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Reviewed by
Andrew Barker
Unfortunately, Alter's often inventive work is kneecapped by a deliriously nonsensical script, which misses the mark as both over-the-top parody and straight-faced homage, and could have been intended as either.- Variety
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Reviewed by
Joe Leydon
Strikes a deft balance of chase-movie suspense and wisecracking humor, with a few slam-bang action setpieces that would shame the makers of more allegedly grown-up genre fare.- Variety
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Reviewed by
Peter Debruge
"Pathfinder" meets "Gerry" in Severed Ways: The Norse Discovery of America, a striking and virtually wordless story of two Vikings separated from their tribe and left to stumble through the North American wilderness.- Variety
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Reviewed by
Derek Elley
Though there's nothing here that hasn’t been dealt with in other Japanese movies, picture benefits considerably from its pitch-perfect performances.- Variety
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Reviewed by
Alissa Simon
Provides some interesting perspectives but also veers dangerously close to vanity project.- Variety
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Reviewed by
Justin Chang
The movie is ultimately undone by its own reverence; there's simply no room for these characters and stories to breathe of their own accord, and even the most fastidiously replicated scenes can feel glib and truncated.- Variety
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Reviewed by
Ronnie Scheib
Partly produced by Lifetime, the pic attempts to elevate the disease-of-the-week movie into a moral dialectic between conformity and imagination.- Variety
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Reviewed by
Todd McCarthy
Artistically on a plane with or near the vet filmmaker's best work, this period drama about a woman slowly discovering her metier is an artisanal creation par excellence.- Variety
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Reviewed by
Dennis Harvey
An agreeable tone and cast make Sherman’s Way go down easy.- Variety
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Justin Chang
An uneven but enjoyable trio of films that take affectionate (and sometimes literal) aim at the Japanese capital.- Variety
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Ronnie Scheib
Drearily pretentious, ultra-stagy exercise in middle-age self-loathing.- Variety
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Reviewed by
Ronnie Scheib
Expansively, dramatically, magnificently Russian, Nikita Mikhalkov's loose remake of "12 Angry Men" plays like vintage jazz from a veteran band.- Variety
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Reviewed by
Todd McCarthy
The way the picture dwells almost exclusively on cinematically exploitable elements -- gangbanger crime, prostitution, honor killing, terrorism paranoia -- gives it a sordid patina that even the classy, able thesps can't offset.- Variety
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Reviewed by
Peter Debruge
At 76 minutes, the film is nearly twice as long as even the band's most dedicated admirers might need, with weariness setting in around the 40-minute mark.- Variety
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Reviewed by
Rob Nelson
Neither the best nor the worst of movies derived from videogames, Street Fighter: The Legend of Chun-Li at least gives action fans plenty to ogle besides the titular heroine (Kristin Kreuk), whose original incarnation, legend has it, was among the first distaff figures controllable by joystick.- Variety
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Reviewed by
John Anderson
Very little that anyone here says, or does, has the slightest connection to any known reality, and if a film is going to perform an autopsy on love, the corpse should at least be recognizable.- Variety
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Reviewed by
John Anderson
Like many aspects of An American Affair, the music and the lopsided dramatic priorities take the viewer right out of the movie.- Variety
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- Variety
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Reviewed by
Joe Leydon
Wildly uneven effort, which is notably more strained and slapdash than such earlier efforts as "Madea's Family Reunion" and "Tyler Perry's Meet the Browns."- Variety
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- Variety
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Reviewed by
Joe Leydon
A low-key charmer that's bound to enchant small children and amuse their parents during many hours of repeat viewings.- Variety
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- Variety
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Reviewed by
Leslie Felperin
This plays almost like an academic master class, meticulously exploring the event's ramifications but only catching full fire at the end.- Variety
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Reviewed by
Jay Weissberg
Utilizing a mesmerizing documentary style that studiously avoids glamorizing the horrors, Garrone cherrypicks episodes from Saviano's muckraking tract, building to a chillingly matter-of-fact crescendo of violence, though interwoven tales tend to dissipate the full force of the criminal Camorra families' insidious control.- Variety
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Reviewed by
Todd McCarthy
This very New York tale is old-fashioned in good ways that have to do with solid storytelling, craftsmanship and emotional acuity.- Variety
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Reviewed by
Rob Nelson
As in his "Chainsaw" remake, Nispel's scare tactics amount to little more than carefully timed cattle-prod shocks, aided by high-volume speaker blasts that were beyond the budgetary reach of the early '80s films.- Variety
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Ronnie Scheib
Frank Langella's note-perfect, tour-de-force turn as a man elegantly shaping his own demise is nicely counterpointed by a shambling Elliott Gould as a bird-watching private eye.- Variety
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Reviewed by
Justin Chang
This eccentric and deliriously inventive fantasy finds stop-motion auteur Henry Selick scaling new heights of ghoulish whimsy, buoyed by a haunting score that works its own macabre magic.- Variety
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Reviewed by
John Anderson
No one has anything to distract them from the minutiae of their love lives, which they proceed to incinerate through overanalysis. It's a moral fable, maybe, if you make half a million a year.- Variety
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