Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. A rather ordinary account of youthful summer misadventures that goes down easily thanks to a sparky cast, more than 40 pop tunes that anchor the action in the late '80s and characters who get high both on and off their jobs at a tacky amusement park.
  2. Sympathetic, genial and exceedingly wholesome, it's a film that, once seen, will permanently and favorably influence the way viewers regard the characters' real-life counterparts.
  3. Good silly fun, Alien Trespass is a dead-on spoof of cheapo '50s sci-fi programmers done with plenty of self-deprecating humor.
  4. A light, funny coming-of-ager set in the endearingly un-hip retirement community of Hollywood, Fla.
  5. A series that's provided a successful, moderately enjoyable ride up to now blows its tires, gasket and transmission on its way to flaming out in Fast & Furious.
  6. Schematically scripted tale revels in its multiple story arcs, but shows signs of battle fatigue in the later reels.
  7. Beautifully crafted, often sentimental, sometimes humorous.
  8. Broinowski commits the crucial error of hanging around way too long once all key questions have been answered.
  9. Mature in terms of production polish and pro performances, writer-director Rob Margolies' feature debut, Lifelines (until recently called "Wherever You Are"), stumbles in a familiar way: It crams in so many family dysfunctions and plot crises in search of cathartic impact that credibility is stretched to the breaking point.
  10. Utterly engrossing dual-character study, unfolding with a serene disregard for indie quirkiness, Goodbye Solo radiates authenticity.
  11. A film of chuckles, smiles and light amusement rather than big laughs, galvanizing excitement and original invention.
  12. In style and content, Sarah Jessica Parker starrer is the kind of earnest, talky, modestly scaled social-issue pic that seems predestined for the smallscreen.
  13. The viewer, even from a seated position, deserves a championship belt for surviving this overlong actioner.
  14. Mathew Kaufman and Jon Hart's documentary is just functionally assembled, lacking the style or larger social context that distinguished similar studies like "Inside Deep Throat."
  15. Long on atmosphere yet short on dramatic tension.
  16. If a doc manages to inform and entertain, it's ahead of the competition. If it features engaging personalities (or penguins), so much the better. And if it manages not to lose its assets while dipping its toe into murkier issues -- becoming, say, a brow-knitting thumb-sucker -- then it's really a work of art.
  17. This is upscale French entertainment at its best.
  18. Genre fans always looking for something new and awesome may feel like they've seen most of this before, but the conceptual and emotional strength of Summit's Nicolas Cage starrer largely carries the day.
  19. Fukunaga refrains from artificially amping up excitement for its own sake, maintaining an intimate, observational style that offers up a host of things to look at and think about.
  20. A Judd Apatow clone that's one of the few recent R-rated raunch fests the ubiquitous auteur of larky crudeness actually had nothing to do with, I Love You, Man cranks out the kind of lowball humor that makes you gag on your own laughs.
  21. Smart, droll and dazzling to look at and listen to, writer-director Tony Gilroy's effervescent, intricately plotted puzzler proves in every way superior to his 2007 success "Michael Clayton."
  22. Behind-the-curtains comedy reps an amusing showcase for John Malkovich's diva-like theatrics in the title role.
  23. Likable but lightweight slacker comedy.
  24. What adds heart, and humor, is the interplay between the legendary couturier and Giancarlo Giammetti, his longtime partner in business and life.
  25. A monumental piece of miscasting in the title role, and an apparently tin ear for the nuances of English dialogue by Gallic helmer Francois Ozon.
  26. Director Christine Jeffs, who previously helmed "Rain" and "Sylvia," tries to strike a balance between the yarn's dark currents and offbeat comedy, but the result is often uneasy, with the humor receding as things progress.
  27. Miss March is overall a raggedy, unfocused affair that wastes both directors' acting talent and feels like too much work between the laughs.
  28. If the original could be accused of having a real point (even a subtext), the uninspired redo has none whatsoever.
  29. A vibrant, unpretentious small-town tale.
  30. While the period drama has several redeeming features, tonally it's all over the map, veering between artsy stylization and hum-drum, sometimes almost twee melodrama.

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