Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. It's these surreal touches, deployed with tactical restraint, that make the picture extraordinary and convey the febrile atmosphere of warfare, where by fear, horror -- and later guilt -- distort and distend perception and memory.
  2. This odd, epic tale of a man who ages backwards is presented in an impeccable classical manner, every detail tended to with fastidious devotion.
  3. Plunges into a watery grave early on and spends roughly the next 100 minutes gasping for air.
    • 33 Metascore
    • 70 Critic Score
    With Bedtime Stories, Sandler has delivered on his promise to make a movie his kids can enjoy. What's more, he's managed to do so without alienating his core audience.
  4. Stars Dustin Hoffman and Emma Thompson (reunited after 2006's "Stranger Than Fiction") are so disarmingly charming that even the most treacly moments work an emotional magic.
  5. This perky, episodic film is as broad and obvious as it could be, but delivers on its own terms thanks to sparky chemistry between its sunny blond stars, Owen Wilson and Jennifer Aniston, and the unabashed emotion-milking of the final reel.
  6. Has visual splendor galore, but is a cold work lacking in the requisite tension and suspense.
  7. An overlong, dramatically unbalanced picture whose emotional wallop gets somewhat diffused.
  8. What emerges from Walter's docu is not a sense of failure, but a recognition that the play's the thing, enriched by every flawed performance, perfection almost irrelevant to its cry of anguish.
  9. This graphically well-rendered kidpic is less crass and mouthy than many recent feature-length toons, but also more sluggish and ungainly as it tries to approximate DiCamillo's singularly delicate tone.
  10. Talky in the best sense, the film exhilarates with its lively, authentic classroom banter while its emotional undercurrents build steadily but almost imperceptibly over a swift 129 minutes. One of the most substantive and purely entertaining movies in competition at Cannes this year.
  11. Accomplished freshman outing by Flemish TV director Christophe van Rompaey features a knockout perf from actress Barbara Sarafian ("8½ Women").
  12. An endlessly sentimental fable about sacrifice and redemption that aims only at the heart at the expense of the head. Intricately constructed so as to infuriate anyone predominantly guided by rationality and intellect.
  13. Genial but slim, picture is certainly a light-hearted alternative to weighty year-end awards bait, but the conceit isn't realized fully enough.
  14. Rourke creates a galvanizing, humorous, deeply moving portrait that instantly takes its place among the great, iconic screen performances. An elemental story simply and brilliantly told, Darren Aronofsky's fourth feature is a winner from every possible angle.
  15. Competently constructed and nicely acted by Kate Beckinsale and Vera Farmiga.
  16. Longtime fans of Walker's warm, sepulchral baritone, startlingly evocative songwriting and lushly imaginative instrumentation will rejoice at this revealing documentary.
  17. Highlighted by the star's vastly entertaining performance, this funny, broad but ultimately serious-minded drama about an old-timer driven to put things right in his deteriorating neighborhood looks to be a big audience-pleaser.
  18. Che
    If the director has gone out of his way to avoid the usual Hollywood biopic conventions, he has also withheld any suggestion of why the charismatic doctor, fighter, diplomat, diarist and intellectual theorist became and remains such a legendary figure; if anything, Che seems diminished by the way he's portrayed here.
  19. Timecrimes welds a B-movie plotline to precision-engineered writing and a down-to-earth style; add an engagingly sloppy, nonplussed hero, who remains unfazed by the time-bending scrape in which he finds himself, and the result is memorably offbeat.
  20. This botched remake of "The Day the Earth Stood Still" seriously dishonors the seriously fine 1951 sci-fi landmark on which it's based.
  21. So "The Family Stone" becomes "The Family Rodriguez," and to their credit, the able performers wring as much mileage as they can from such familiar material.
  22. Largely set in two of the least appetizing locations imaginable, a concentration camp and an insane asylum, this is a rigorously made film that does almost nothing to invite the viewer into its world.
  23. As a dancing chanteuse, Bijou Phillips gives it her all, which isn't enough, and a wooden Mann doesn't help, although Izabella Miko brings a modicum of unaffected charm to her role as the Other Woman.
  24. Piles the pathos high as if to see how many hard-luck cliches its pugilist hero can fend off without succumbing to schmaltz. Given John Leguizamo's knockout perf, sentimentality never dares raise its head, and the improbably stacked deck from which his character is dealt gives the pic's would-be "neo-realist" premise a peculiar edge.
  25. Stephen Daldry's film is sensitively realized and dramatically absorbing, but comes across as an essentially cerebral experience without gut impact.
  26. "Old Joy" helmer Kelly Reichardt plays to her strengths in Wendy and Lucy, a modest yet deeply felt road movie about an idealistic young drifter, her faithful canine and the wide-open spaces of the Pacific Northwest.
  27. Picture represents a powerful, pertinent but not entirely perfect debut for British visual-artist-turned-feature-helmer Steve McQueen, who demonstrates a painterly touch with composition and real cinematic flair, but who stumbles in film's last furlough with trite symbolism.
  28. Most of the details are right-on in Cadillac Records, though the director's efforts to sell it sometimes steers the film into mawkish or hokey territory.
  29. Alas, even the soft-hearted may find this formulaic yarn of a young man's apprenticeship to a cantankerous artist too rosy-hued and treacly.

Top Trailers