Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. A mostly formulaic approach that becomes more disappointing as the yarn unwinds.
  2. Suffused with the bargain-basement blandness of an Afterschool Special, Breakfast with Scot is the kind of gay-themed pic that won't ruffle the feathers of a granny in Manitoba, though it's bound to make more discerning auds groan.
  3. A fabulously designed underground metropolis proves more involving than the teenagers running through its streets in City of Ember, a good-looking but no more than serviceable adaptation of Jeanne Duprau's 2003 novel.
  4. Crowdpleasing and oh-so-predictable.
  5. An annoying example of self-therapy posing as art.
  6. Mike Leigh's mellowest work yet, and his most purely entertaining.
  7. A modestly inventive, sporadically exciting thriller that nonetheless proves too faithful to its central conceit for its own good.
  8. The temptation of artists to fiddle with their earlier works brings predictably mixed results in Ashes of Time: Redux.
  9. Once Choose Connor ventures into the larger political arena, it begins to work against itself.
  10. Some may find the result boring or unpolished, but there's poetry -- not to mention a fair dose of comedy -- in the mix.
  11. Remarkably informative yet gracelessly constructed, jumping between documentary and concert footage at random.
  12. Too raunchy for kids, too sophomoric for adults, this underachiever comedy targets the narrow demographic of disgruntled educators.
  13. A cleverly constructed, sensationally stylish and often darkly hilarious seriocomic caper.
  14. Brimming with energy, elan and the unpredictability of his "Something Wild," Jonathan Demme's triumphant Rachel Getting Married may just lay the wedding film to rest, being such a hard act to follow.
  15. To the film's credit, Maher never engages in Michael Moore-style gotcha tactics, but rather asks questions that raise more questions, in the form of a Socratic dialogue. To believers expecting a blind hatchet job, this will prove both thought-provoking and a bit disarming; skeptics may be surprised (as Maher is) by the occasionally smart replies to his queries.
  16. A filthy-rich fantasy for these cash-strapped times, Beverly Hills Chihuahua features the voices of Drew Barrymore and much of the industry's top Latino talent in a live-action talking-dog lark that should please young pups.
  17. Meirelles' slickly crafted drama rarely achieves the visceral force, tragic scope and human resonance of Saramago's prose.
  18. Moderately inspiring in the way such true-life stories of "the indomitable human spirit" are always constructed to be.
  19. Conservatives score a few political points but aren't very funny in An American Carol, a cheesy spitball directed at the very large target of a Michael Moore-like filmmaker.
  20. Cleverly titled but noxious British comedy.
  21. This is the kind of sparsely plotted comedy that depends on compelling characters, but it stars two young actors defined by ironic detachment.
  22. This amusing rather than laugh-out-loud funny project is best suited to smallscreen exposure.
  23. Bloody and irredeemably misanthropic, Canadian funeral farce Just Buried nonetheless has enough charm to make for a sporadically enjoyable if wildly uneven entry in the growing body of cheeky corpse comedies initiated by Hitchcock's "The Trouble With Harry."
  24. A rock-ribbed sense of committed, personal cinema and a core belief in people being able to pull themselves out of misery supports Ballast, an extraordinary debut by editor-writer-director Lance Hammer.
  25. It's hard to find the genuine heartfelt moments in The Lucky Ones.
  26. Cameron is genuinely compelling as Caleb.
  27. The performances are credible across the board, excessive sentimentality is largely avoided, and the sequences devoted to rough-and-tumble rugby match-ups are expertly shot and edited.
  28. Diane Keaton can still sink her actorly teeth into a wacked-out character, and Vince Di Meglio's screwball comedy provides her with one of her best purely comedic roles since "Annie Hall."
  29. The picture's first 35 minutes sizzle until a Byzantine plot nudges the story toward near-parody in the final act.
  30. This is a sloppy stew in which the ingredients of battle action, murder mystery, little-kid sentiment and history lesson don't mix well.

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