Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. While not a classic, this is a pleasantly disturbing, nominally voyeuristic romp in the territory Chabrol knows best.
  2. Force of personality and terrific vintage performance clips make a keeper of Anita O'Day: The Life of a Jazz Singer.
  3. Apart from startling, out-there comic turns by Robert Downey Jr. and Tom Cruise, however, the antics here are pretty thin, redundant and one-note.
  4. Sparse, low-budget drama, helmed by Spaniard Isabel Coixet, intelligently translates Roth's meditation on lust and mortality without soft-pedaling its narrator's brutally honest, unabashedly sexist views.
  5. Full of energy and attitude.
  6. A '70s-style redneck romp aimed at folks who felt intellectually challenged by the complex narrative stratagems of "The Dukes of Hazzard" and "The Misadventures of Sheriff Lobo."
  7. All this sounds like a surefire recipe for knowing, trashy fun, but something got burnt in the oven.
  8. Red
    Touchy subject matter aside, Red demonstrates real elegance in its commitment to a relatively straightforward story, allowing the characters' emotions to come to a slow boil.
  9. Actor Shane West and writer-director Rodger Grossman have a clear, unwavering perspective on Crash that should entice curiosity seekers and old punks.
  10. There's no real subterfuge going on, simply an ingenious way of constructing a good film out of virtually nothing.
  11. This rambunctious paean to pot retains the trademark Apatow sweetness even as it careens from messy vulgarisms to even messier violence.
  12. Wine lovers won't just sip but guzzle a lot of this down, and the same effect that sun-dappled days and sex in California had on "Sideways" operates here.
  13. It's all largely eye candy, especially the men, although this can be forgiven: Women have a long enough history of being superficial in the movies, and a little payback is perfectly understandable.
  14. The textured, thoughtful results may prove too cerebral and abstract for audiences beyond Smith's hardcore followers,
  15. No trendsetter or breakthrough, this is more than anything else a welcome chance for the fine actor Melissa Leo to finally dominate a film in a terrific and affecting lead role.
  16. Film isn't scary, per se, but it's mostly effective nonetheless, with Cooper capably steering his character from charming young artist to nervous wreck, evoking Ralph Fiennes' more unhinged turns along the way.
  17. Reheating the ingredients can't disguise how stale they are, as setpiece after setpiece strains to whip up excitement, only to fall flat while reminding of previous sequences that did such things ever so much better.
  18. Picture's comic smarts and affecting daddy-daughter drama provide a sturdy platform for its heartfelt advocacy of informed voting and responsible citizenship.
  19. While mazel tovs are due for efficient playing and execution, predictable script seldom scores big laughs.
  20. Performances are aptly quirky and ingratiating, Holdridge's seriocomic balance nicely judged. But the most outstanding element in an accomplished low-budget package is Robert Murphy's lensing, which recalls "Manhattan" in its B&W celebration of a cityscape.
  21. Wide-ranging educational documentary attaches itself to the rise and fall of a 12-year-old fashion model, and indeed, its sincere, cautionary tone seems best suited to younger auds and small screen exposure.
  22. One of the most wildly entertaining docs of recent years.
  23. The warming glow of nostalgia only goes so far, with one's level of forgiveness likely dictated by where they reside along the "X-Files" fan continuum.
  24. The film is funny at times but lapses into the reflexive vulgarity that seems to be the default mechanism of the Apatow machinery.
  25. Though its scares are scarce, Baghead provides what nine out of 10 dead-teenagers movies lack: specifically, a realistic sense of character that gives moviegoers a reason to identify with the would-be victims.
  26. Offers lush and compelling drama drawn from Evelyn Waugh's beloved novel. Purists may blanch at the screenplay's changes to the source material's narrative fine points, but its spirit survives intact.
  27. With verve, style and a fine sense of the human side of surf culture, Jeremy Gosch makes a terrific splash with his debut doc, Bustin' Down the Door.
  28. Order of Myths looks good, and its characters are memorable. It's important to know that the "traditions" extolled by both sides of Mobile involve keeping people apart. But it's not clear at all that Brown is bringing them together.
  29. Undeniably entertaining for its zippy presentation.
  30. Shiota piles tons of symbolic baggage on his pint-size protagonists, who luckily rise to the challenge.

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