The Survivalists on Xbox One is a very enjoyable experience. Its gameplay feels a bit like Don’t Starve, and its monkey system a bit like Factorio. But above all else, its charm and general aesthetic is all its own.

Main narrative-wise, Button City is first rate. It’s a charming throwback to cartoons of the ‘90s that kids and big kids will enjoy in equal measure. Both Gobabots and rEvolution Racer are also decent minigames in their own right as well, but there is an over-reliance on fetch quests in order to progress the story. It’s after the linear first hour of Button City where the game opens up, with a lot to explore and fully engross yourself in.

RiffTrax: The Game is one to bring out in the holiday season with the family, or after a night out drinking with friends - something which will make the whole experience even more hilarious.

If you don’t have many other kart games on the Xbox, and your kids love the charms of Gigantosaurus, then don’t hesitate: this is a no-brainer. If that doesn’t describe you, however, then you might want to be more wary. Gigantosaurus: Dino Kart is a fine racer, but not a great one.

Worms Rumble is not a badly made game by any means, but it feels like a strange release and may well be a case of being something that nobody has really called for. If you keep an open mind there is plenty of fun to be had here, but whether or not this is able to gather up a player base with enough folk getting ready to rumble is up for debate.

The accessibility provided and the customisable experience found in NHL 23 make it perfect for fans of the sport, and even those who have never tried an EA hockey game before.

At its heart, Fishing Sim World is a worthy successor to Euro Fishing. It builds on what its predecessor did right, and expands the range of opportunities in a sympathetic way. It’s not perfect, and immersion breaking glitches are disappointing, but all in all, we have a new champion fishing game.

There are plenty of enjoyable elements to be had but with repetition proving heavy throughout, you have to be prepared for the grind to really get the most out of this Warhammer-RPG.

Glass Masquerade 2: Illusions on Xbox One does what it says on the tin. It looks great and delivers a series of enjoyable jigsaw puzzles but can get more than a little frustrating throughout. But then hey, I guess that’s what the puzzling scene has been providing for centuries past.

Despite a lacklustre story, a couple of negligible problems and a disappointing climax, Demon’s Tier+ on Xbox One is still an addictively fun twin-stick, rogue-like experience. The unlockable characters, improved weaponry and a rewarding sense of achievement just ensures you want to dive in again and again.

I have really enjoyed fighting my way through the Tower, uncovering each twist and turn of the story along the way. The two distinct phases work very well, and exploring is its own reward, granting new items to the team. Combat, bar one little grumble, is superb and all in all I can easily recommend Tower of Time to anyone looking for an RPG with a little twist.

Strayed Lights’ pacifist, parry-led combat felt out of reach at first, but then we found the rhythms of it. We were switching colours on cue, like a mobile rave. We weren’t sold on some visual telegraphing, and the exploration could do with some spit and polish, but everything else here is immaculate. So, treat your fingertips and let Strayed Lights brighten up your evenings.

It’s hard to criticise Beyond Blue too much, for it comes to market with the express intention of highlighting the ocean’s magic, hammering home a different type of message to most other gaming experiences. As a game it could do better, but as a journey into what is the unknown for many, then it most certainly works.

Fans of the original will find PAC-MAN WORLD Re-PAC is like slipping on a comfy pair of slippers, and new fans will enjoy finding all the secrets and collectibles. There is a lot to enjoy in what is the greatest Pac-Man game of all time.

I’ve really enjoyed my time with this very unique game. Yes there are pacing issues and it does outlive its welcome once we get about two thirds in, but for the price, there is a lot of game on display here.

Newbie’s Adventure is oddly addictive. Even just roaming around the vast worlds as a cardboard box, taking out groups of Wild Cards with the slam ability and in general just chilling out is hugely enjoyable.

I wanted a bit more variation in the gameplay, but overall there is no denying that The King’s Bird is a solid platformer in a beautiful world.

WARSAW on Xbox One is a welcome release even though there are no shortage of games set in World War II. From its strategic turn-based RPG combat, to the focus on characters within the backdrop of a war-torn Warsaw, this is a unique take on historical warfare, one that will leave you appreciating the worth of each individual life as they try to change the course of history.

Transformers: Battlegrounds on Xbox One offers a nice, simple set of virtual toys that you can play with, with a campaign of decent length and some interesting choices to make about customization and which characters to use. It lacks, of course, the deep customization of something like XCOM or XCOM 2, and there is something to be said that without permadeath the model doesn’t quite have the same tension.

Unspottable on Xbox does bring some new ideas to the table which work in short blasts, or in longer blasts that are fuelled by social lubricant. But it does get quite old, quite fast. It's not that it is a bad game; it's just that the secondary objectives tend to go out of the window once the sleeves are rolled up, and every match fast turns into a slug-fest.

If you love Chernobylite and can’t get enough of it, or are interested in giving it a go for the first time, the Xbox Series X|S version is a worthwhile purchase.

This is not a bad game by any means – although it can be as frustrating as hell – but the amazing world design feels second fiddle to the lacklustre gameplay and it would have been a lot better to focus on the exploration, or even make it an out and out stealth experience.

Silt is a stunner. It’s not quite able to deliver the same type of immersion that was honed by the Playdead team and their adventure telling, but it really isn’t too far off. This is an underwater playground that is full of mystery and aside from a few little technical issues, is one that fans of visual-led stories should lap up.

If you’ve never played a Devil May Cry game, then you really have no excuse with its availability on the last three console generations. If you already have this collection, then there is nothing new in this version – it’s got the same great gameplay, just now with a squeaky clean 1080p and 60fps.

There’s no doubt Episode Four, “Below the Bedrock”, is a very good offering with very little downtime which helps stave off the potential for boredom. Sure, it could use a bit more humour, but the writing and voice acting is mostly good enough to convey the emotions that are running through the characters’ minds.

The Medium on Xbox is the game fans have been waiting for. A dark, mature, scary, visually appetizing next-gen delight with a gripping story, it is one to not miss if you are a fan of psychological horror. Above all, this feels like an experience that really shows the chops of the Series X, and will likely serve as a benchmark title going forward, especially if the few remaining technical issues are patched.

Overall, and the world and story that the developers have shown with The Invisible Hours is a strong one that is superbly acted throughout. The actual concept of the gameplay is an original one that is worth taking in because it is an experience rather than a game.

For as slow-moving El Hijo - A Wild West Tale on Xbox is, once it gets up to speed and starts throwing clever ideas at you, it can become an enjoyable puzzling playthrough. It’s a shame then that the poor AI, basic visuals and a lack of proper puzzling ideas then creep in.