Life Is Strange: Before the Storm isn’t a story that needed telling, and it was a risk for Deck 9 to try and add to a beloved series, but they’ve pulled it off. It answers the question of who Rachel Amber was and what she really meant to Chloe, showing something that feels more grounded like a TV teen dramas and speaks to the struggle to find your place in the world.

Ultimately, for all its storylines and RPG elements, Defender’s Quest is very much about the tower defence at its core, with all the other systems in the game either informing the core experience or accommodating it. That tower defence gameplay is exceptionally strong, full of options and customisation, and the other missed opportunities do little to take away from that.

Slice, Dice & Rice is an extremely competent fighting game. The core mechanics are sound, its visually interesting and it rewards strategic play. It’s just a shame that there’s no one out there to fight against online. With more support, this could be a genuine alternative to the big names of the fighting game scene. Without it, you’re only getting half a game for your money.

Bravo Team adds nothing to the VR shooter scene and it’s somewhat baffling to see Sony pushing the game so hard considering how it has turned out. If you were considering paying top dollar for that tempting Aim Controller bundle then don’t.

The aesthetics, soundtrack, and writing here are wonderful and more than reward the patience required to fully unravel the game’s mysteries. Playing it resulted in an immersion that went beyond my niggles with the gameplay. It is clear from my comments here that the game won’t have the universal appeal to match the political and social importance of its themes and message. It is a game that should be played by many, but that will probably frustrate as many as it ensnares. It more than lived up to my expectations and if you are interested in exploring the ways in which games can go beyond other media in their use of narrative then it is unmissable.

The Bridge Constructor series gets a lot out of being combined with Portal, resulting in a quirky and engaging new twist on this physics-based puzzler. It could have gone further, whether upping the challenge you can aim for or actually giving you the portals to play with, but what’s here is pleasingly inventive and has more than few tricky brain teasers.

Perhaps Iconoclasts just tries to do a bit too much of everything, which is stunning considering it has come from a single person’s creative drive, which is so compellingly impressive. A decent edit of the script, fewer bosses and puzzle repetitions, and the rest could have been refined even more.

At first glance, I really wasn’t looking forward to playing this. Drunkn Bar Fight looks like a lazily put together cash grab, the kind of cynical asset flip clogging the bowels of Steam’s online storefront, and yet, despite some glaring rough edges, I’m eager to see what The Munky could do with more time, money, and effort.

For fans of the anime, Sword Art Online: Fatal Bullet is a great use of the license that brings some welcome changes to the series. There are still the recurring issues of pacing and a number of technical flaws that diminish the rest of the game’s achievements, but this hopefully sets a new benchmark for the franchise going forward.

Moss is an absolute joy to play, proving that a great VR experience doesn’t always require that you flail your arms around while fending off bouts of motion sickness. It’s a wonderfully realised puzzle platformer with clever twists, beautiful backdrops, and an adorable hero, making PlayStation VR even more tempting for prospective buyers.

New arcade racers have been few and far between over the last half decade, and Gravel is just one attempt to reignite the genre. There’s some good racing to be found here, with plenty of licensed cars to take through some lovely scenery, but it doesn’t get your heart pounding with excitement. Gravel might be a fairly decent racer, but its biggest sin is that, despite the fireworks and exotic locations, it’s just a bit boring.

While I appreciated the insight into the folklore of the Taramuhara people, Mulaka as a game is about as average as an action adventure title gets. It’s got some great ideas lurking within, but the overall structure is incredibly dated and only really saved thanks to the subject matter. As a game, it’s not really doing much that hasn’t been done better before, but as a cultural insight, it has a lot to offer those interested.

A fun and challenging combination of old school first person shooter design and rogue-lite mechanics. It does require a great deal of patience and it’s easy to get frustrated when it feels as if the game is punishing you with the available drops, but when you get a good set of weapons and scrolls, you can breeze through the early levels with ease before the pyramids ramp up the difficulty. If you are prepared to make it through the cycle of looting and upgrade and have the patience to put up with the potential for horrible drops, then Immortal Redneck comes highly recommended.

It’s a sad truth that still puts a pit in my stomach, but Kojima and Konami are done. Konami still owns the Metal Gear name though, and they still want to make video games for it. Please let them. A new Hollywood reboot of your favorite franchise does not retroactively ruin the quality of the old movies, and Metal Gear Survive does not suddenly make the Metal Gear Solid series any less brilliant. Metal Gear Survive, instead, stands alongside those as perhaps the strongest spinoff in the franchise to date. Metal Gear Solid as we know it may be finished, but after having so much fun with Survive, I’m excited to see what Metal Gear looks like in the future.

Unwanted and unasked for, Secret of Mana does the bare minimum you’d expect from a remake, and when you consider the original’s beloved status, the fact that it’s been given such a lacklustre treatment is stupefying. There are some elements of modernity that are welcome – the dual language voice options for one – but taken as a whole, they’ve reassembled the base components of the game, but somehow lost the original’s charm in the process.

Payday 2 is definitely getting long in the tooth, but the game’s appearance on Nintendo Switch is a good, solid port of the game. All of the same quirks and quibbles remain the same, there’s the lingering question from how the game has been supported in the past, and there’s the simple fact that we’ve seen all of this in higher fidelity elsewhere, but if you’ve got a burning desire for some co-op heisting fun on Switch, then this will scratch your itch to live outside the law.

The adventure section is deliberately lo-fi and banal, the RPG is episodic to fit within the remit of the narrative, and the battle system feels a little under-utilised. But, despite all of these apparent limitations, the game as a whole is really interesting and deserves to be experienced. Whether you’ve faced depression, are living a stagnated life, or are just interested in the interaction between real life and the stories we use to try and explain things, Legendary Gary is a fascinating take on the immersive nature of games. It is the very definition of an indie game, and well worth playing.

Sprint Vector is a wonderful surprise and by far the best VR title I’ve played in 2018 so far. The feeling of movement is just so ridiculously fun and empowering yet precise and responsive at the same time. When it all comes together – the drifts, the jumps, and the well-timed manoeuvres – there’s honestly nothing else like it.

Dandara is a beautiful game with a fresh movement mechanic, but it doesn’t come together as well as I had hoped. Leaping across platforms is satisfying when it works, but aggravating when it doesn’t, and even when the leaping does what you want it to do, you’ll find annoying backtracking or bizarre navigation puzzles to overcome. There are some great moments in Dandara, but the headaches you have to deal with to get to them aren’t always worth it.

If you’re a fan of exploration titles then you should enjoy this. While The Station doesn’t reach the heights of some other titles in the genre, it is a good attempt and tells a slightly different story. Hopefully the audio and visual bugs can be ironed out, but The Station is an intriguing little mystery that has you guessing what happened to the crew on board right until the very end.

There’s clearly been plenty of love and attention given to the remastering of Age of Empires Definitive Edition, even if some of the less enjoyable elements of the original have also made it through the process unscathed. Twenty years later it still remains a hugely enjoyable RTS, and particularly thanks to its iconic soundtrack remains a joy to play, with hours disappearing as the eras pass you by.

Pop-Up Pilgrims is far from a must-have for PlayStation VR though helps demonstrate the tech’s implementation in terms of clever gameplay mechanics and not just immersive dioramas.

Fe is a thoroughly lovely adventure, full of wonder as you explore and lose yourself in this darkly wonderful forest. Its distinctive art style and the unusual creature designs conjure up something that’s both familiar and alien at the same time, which is only enhanced by the etherial lighting and the animals’ voices. A few nitpicking design issues and some shaky performance on Switch aside, it’s easy to recommend this charming game of discovery and singing.

With more depth to the combat, Crossing Souls could be a great game. As it stands, though, the lack of difficulty means that the only reason to drive forward is the story, so a recommendation relies heavily on your view of the 80s and reference-heavy stories set during that decade.

It’s clear that these are direct ports of the Wii U games, bringing across the touch controls that were added to the mix for those who wanted to tap at the screen of the Wii U GamePad instead of press buttons. Though not the best way to play the game, it’s actually nice to see some games making use of the Switch’s touchscreen instead of pretending that it doesn’t exist, even if it’s just because all of the hard work had already been done.

Sadly, this isn’t the breakthrough fans were expecting. Omega Force took a pretty big risk with Dynasty Warriors 9, and while its open world integration can be seen as a small triumph, this newest entry is marred by its heavily outdated approach to combat design.

If Kingdom Come: Deliverance has a ton of bug fixing to improve the performance drastically, it could be a hidden gem. It’s clear that the game, despite its grand ambitions, was simply not ready for public consumption. Shimmers of brilliance are there and had it seen more time in the oven, or set its expectations at a more reasonable level, it could have been brilliant and scored significantly higher as a result. Alas, Kingdom Come: Deliverance is another cautionary tale rather than a trend setter.

Long-time fans of Seven Deadly Sins might find some joy in seeing their favourite characters make the jump to a big, 3D action game, but that alone is hardly worth suffering through the rest of what this poor package has to offer.