My early impressions of Runner3 were that the original purity of gameplay had been sacrificed in the push for more sophisticated visuals and quirkiness. After a few deaths brought about by perspective transitions, I was starting to feel an unwelcome sense of disappointment. Fortunately, once I got used to these new additions and the classic flow of Runner’s gameplay loop got its hooks in me, this initial reticence was forgotten. At its best, Runner3 is the epitome of pure twitch gaming and, as such, is a fantastic addition to the series.

Just Shapes & Beats is the best EDM compilation album you can play, and assuming the music floats your ear-shaped boat, it’s an absolute treat. Challenging, engrossing and exhibiting a purity we so often forget, this is a genre mash-up where everybody wins.

Aragami: Nightfall adds a wealth of new missions and stories to Aragami that are worth checking out if you missed the game the first time around, and doubly worth checking out if you never picked it up at all. Some performance issues and technical faux pas still affect the game, but it’s overall a much more engaging experience than it was back in 2016 and worth giving a go if you’re at all a fan of classic stealth games.

Shape of the World isn’t a bad game, it just never quite hits its stride in the way a game like this needs to. There just isn’t anything that implores you to move forwards apart from the fact that there is little else to do, and while there are some very pretty moments, rarely is anything more than superficial achieved. Shape of the World fails to do enough to pull itself out of the abstract and ultimately just feels empty.

Martyr isn’t bad, but it feels like it’s missing that spark to be really enjoyable. When playing with hack-and-slash action you want to feel involved, but the fights in Martyr feel like someone else is playing the game. Sure there are some fun moments and maybe it will grow into a more enjoyable experience post-launch, but for the here and now, it probably isn’t worth your time.

There’s a little bit of everything in Onrush, from racers to shooters, from destruction derbies to sports games. If you were expecting a sequel to MotorStorm, Onrush won’t be for you, but give it a chance and its clever blend of different genres can draw you into its unrelenting vehicular action.

Much like its early 20th century setting, Vampyr feels like a bit of a throwback to a past age of action RPGs. In a time where the genre is evolving Vampyr holds on to past ideas for much of its tenure, and it doesn’t have a story strong enough to overcome that fact. The world itself is ripe for lots of stories to be told within, with Dontnod having done a good job with world building, but while Vampyr isn’t a bad game, nor is it as great as it could be.

The Piano is an ambitious and interesting project that doesn’t quite meet its potential. The setting, story, and atmosphere are well realised and show that the writers have talent, whilst the game itself illustrates what a small team can achieve. Unfortunately, the glaring design issues in actual gameplay hold it back, and it becomes another game that may actually have benefited from being more of a walking simulator. The combat is entirely unnecessary, the stealth can be wildly unbalanced and unfair, and the piano mini-games need some kind of actual musical mechanic to justify their inclusion.

Shio is not a game for the faint of heart. Tremendously challenging, it truly will push you to the limit of your videogame abilities. The stunning level design, clear visuals and wonderfully tight controls all ensure that the game is fair, but that won’t be enough to stop player frustration from ultimately setting in. Played in short sittings this is a taught, tight and compelling experience. Just have an extra controller nearby, you’ll need it to replace the one you just threw out the window.

If you called Owlboy a piece of art, I would nod my head and agree wholeheartedly. This game, in visuals alone, is a masterful achievement. For those breath-taking visuals to be matched by equally beautiful characters and unique gameplay moments just elevates it even further. The beginning of the game is a bit too slow, and sometimes the gameplay was merely okay, but those are minor blemishes on a video game experience that is absolutely worth your time, and definitely worth the decade that it took to bring it to life.

The mood, the setting, and the pedigree of the writing are all perfectly in line with my interests, but I found the combination of the card playing and having to sit at a PC never truly gelled.

Pixeljunk Monsters 2 is a very solid entry in the tower defence genre. The little things it has changed make for some really interesting choices when it comes to tower placement and co-op play makes it much more replayable. Graphically the game is stunning in it’s own way and will keep you invested in the tree-destroying, tower-building, funky-dancing gameplay as you progress through the increasingly tricky levels until the end. It suffers from the same issues prevalent in any TD game but is a solid entry nevertheless.

Horizon Chase Turbo is an old school inspired arcade racer that can be both fun and frustrating to play. When it is at its fun moments then the attitude of just one more race takes over as you become engrossed. When the game throws up its frustrating moments they can override a lot of goodwill. If you’re looking for an arcade racer then Horizon Chase Turbo is worth considering, but don’t let its charming looks fool you as you’ll face a tough challenge within.

A dark and twisted fantasy RPG which uses elements of survival games to great effect, Smoke and Sacrifice is a beautiful piece of indie software. Tonally and physically challenging, the artistry on display sets it apart from its peers, creating a foreboding world that’s well worth being drawn into.

Somewhere, deep in the heart of Subaeria, there is an exciting and action packed puzzle game. Unfortunately, just like the dystopian underwater world the game presents, it is so deeply submerged that you’d never see it from the surface. Rather than the deep blue ocean though, it is a roguelite structure that hides what works about Subaeria, rendering its achievements impotent with toxic pacing and progression issues. It’s a shame, as Subaeria showed promise.

Agony is, true to its name and intentions, a hellish experience. My excitement for the game was quickly quashed behind bugs, crashes and unbalanced gameplay, failing to live up to the potential of the game’s core ideas and outstanding visual design. I hope that I can travel back to Hell following some substantial patching but, as things stand, Agony is torture in all the wrong ways.

Yoku’s Island Express is a beauteous, aurally delightful treat that riffs off the Metroidvania template and pinball tables in a smart and playful manner. It’s somewhat tempered by the dual frustrations of the pinball mechanic’s need for constant precision and a lacklustre fast-travel system that leaves you having to cover the same ground over and over, ultimately taking what could have been an amazing game, and making it a good one.

Detroit: Become Human really is like sitting down and playing a TV box set. It's a technical masterpiece on PS4 with movie quality sound, lighting and camera work, which is backed up by some top quality action and a wonderfully evocative score. Detroit really worked for me; I was gripped by the story and connected with the characters, but I think some players may have a hard time relating to Kara, Markus, and Connor. That’s to be expected. After all, we’re only human.

It has a steep learning curve, it will punish you, it will reward you should you persevere. Dark Souls Remastered is perhaps the best point to jump into a franchise that has defined a genre, but in at least some ways it is the most definitive version we now have, even if some details still need refining in the lighting department.

Those wanting a great squad-based shooter or a truly essential Warhammer 40,000 game will have to keep searching. At a glance, Deathwing seems like a solid adaptation and it nails that distinctive Space Hulk look and atmosphere, but there’s just not enough variety or depth to keep players engaged beyond those first few encounters.

In the competitive world of online multiplayer, a game must be special to stand out from the crowd. Disco Dodgeball Remix stands out for all the wrong reasons. It proves itself to be a nice idea stretched to breaking point and beyond. I played it, so you don’t have to.

Unfortunately, obtaining that blessing requires a two-mile crawl on your knees through the jagged glass and thorny ivy that is the busted, broken, and simply not fun gameplay of Chamber of Time. Battles are aggravating and exploration is mind-numbing. For as brilliant as the narrative and artistic achievements of Chamber of Time are, it’s weighed down by unpolished game design choices that simply make it no fun to actually play at all.

As you play more of Conan Exiles and access higher tier items, it becomes more and more clear that there was serious potential here. The survival aspects of the game are fun, provided survival is your thing, and it brings some new ideas and features to the table. The thrall system in particular is interesting, but ultimately fails in its execution. Considering its price, I can’t help but feel the package and its quality is a little lacking.

If you’re looking for a compelling and atmospheric take on the zombie genre that’s more Walking Dead than Left 4 Dead, State of Decay 2 is an imperfect but enjoyable sequel to the superior original. The gameplay loop of scavenging, crafting and killing can begin to wear thin, but the human element is capable of pulling you back in. Tackling the world with others in tow may decimate the game’s carefully constructed atmosphere, but those multiplayer shenanigans will probably be wild enough to distract from the host of technical issues that simply refuse to die.

Fox n Forests is a really enjoyable throwback to its 16-bit inspirations. It takes the style, gameplay, and mechanics of early platformers and produces a game that both feels like a lost classic and remains fun and involving to play. Its main negative is perhaps an inevitable result of its close adherence to historical precedence as it is fairly short. It’s a bit short but there is increased longevity in finding all the collectables or playing through at harder skill levels, but the challenge is generally gauged well enough on normal that the latter didn’t appeal to me

Hyrule Warriors: Definitive Edition takes a great game and makes it greater, though it’s fair to say that for anyone outside of Legend of Zelda or Warriors series fans it will undoubtedly feel less special. Combat and the rhythm of gameplay can become repetitive as you progress, but there’s obviously so much affection for the source material that it almost falls over itself as it strives to keep you involved. As a love letter, and as a merging of two iconic franchises, there are few games as thoroughly enjoyable as this.

Omensight scratches so many itches for me. I love murder mystery games and branching, time-manipulated narratives so much. Action games are some of my favorite games, and fantasy worlds that aren’t just more elves and goblins are so much more vibrant. Omensight takes all of these delicious ingredients and confidently tosses them into a boiling pot together. Some of the pieces don’t come together perfectly in the end, but the final dish is still unlike anything I can think of, and I can only hope Spearhead Games delivers just as great of an experience with their next release.

The Council’s second episode doesn’t manage to hit the highs of the first, which could be down to it being smaller in scale in comparison. Hide & Seek’s murder mystery does bring you in and advances the overall plot in a big way, but at the same time it feels like more could have been made of it. There’s some story threads dangled for you to grab, but those threads could have been expanded upon more within the context of this episode.