Neverending Nightmares doesn’t go for the big set pieces, but relies on you to fill the gaps with your own imagination before unleashing some horror on you. Its slow pace combined with ominous sounds and music help to build tension in environments that gradually fall apart, as Neverending Nightmares masterfully gives off a sense of dread in its short playtime.

Maybe it comes down to how easy and accessible Coffin Dodgers is as a racer, but there’s definitely something that’s clicked with me. Even so, it’s a disappointing effort overall, but Coffin Dodgers may prove to be a guilty pleasure of sorts for a small minority.

It’s great to explore the background of one of the comic’s more popular characters, but doesn’t significantly push Telltale’s games on from their previous highs.

LOUD On Planet X is a good rhythm game with a great track listing, but some of the issues within do need fixing.

Across Severed’s seven or so hours, you get to experience some of the best touch screen gaming around.

Alienation is a slick and polished twin stick shooter, filled with huge explosions and seemingly endless enemies to kill, but it’s let down in a lot of little ways. It’s still a great game, but I didn’t fall as madly in love with it as I did with its predecessor.

When played with a friend, some of its issues become easier to overlook, but the fact still remains that those hoping for a triumphant return will be left disappointed by this rather one-dimensional arcade rehash.

Stories: The Path Of Destinies is a charming and colourful game that is well presented with good narration. The number of paths that can be taken allow for a lot of replayability, and there’s some well crafted combat. However, there comes a point where the game does become repetitive, which can make drumming up motivation to unlock all the stories tough.

Fun and frantic, it marks a unique take on a well known genre, which, with typical flair, Nintendo have made their own.

As a game that lives and dies on its mechanics, Star Fox Zero is only intermittently successful at selling its dual screen dynamics. It’s at its best during the classic Arwing sections, but the Walker form becomes overly fiddly and the different viewpoints often cause more problems than they solve. Sadly it’s somewhat fitting that one of the final Wii U first-party games still doesn’t convince us on the viability of a dual-screen home console.

While it does not usurp the Pokémon franchise in any way, shape, or form, Yo-Kai Watch is a viable alternative for those who can get past some of the inconsistent design choices.

The Collider 2 is an excellent game when you just want to pick up and play something for a small amount of time, but investing longer stretches of time can lead to a build up of frustration, as you crash again and again.

The Banner Saga 2 doesn’t try to reinvent the wheel, it just makes the wheel bigger and keeps on rolling. Even with minor stumbles in the form of slow combat animation and initially overwhelming combat mechanics, it’s a game that excels at what it aims to accomplish.

Enter the Gungeon naturally won’t be for everyone, especially with its high difficulty and the pixel art graphics, regardless of how well crafted they are. It is, however, an excellent blend of roguelike and satisfying bullet hell gunplay that’s easy to dip into time and again.

Stranger of Sword City excels at one thing, and really flounders at the others. It’s a rewarding experience if you’re a fan of challenging RPGs and gameplay depth. If you’re a fan of well-written dialogue, engaging music or proper difficulty curves though…well….there are a lot of other video games out there that may suit you better.

I can’t remember the last time I enjoyed a game as much as Ratchet & Clank. From shootouts and platfoming to the practically perfect script. Younger kids are going to love the bright visuals and characterisations, while us big kids will be chuckling at Qwark’s jokes and the sly grin Ratchet gives to the camera when he gets his paws on a new weapon.

As a solo effort, Candlelight is a fantastic achievement and kudos must be given for that.

With much of the game centred around matches and how they play out, Lacrosse 16 leaves much to be desired. Clearly, a lot of dedication has gone into making this the most polished adaptation of the sport you’ll ever get your hands on. However, that’s not enough to gloss over its two largest oversights: frustrating controls and an almost nonexistent learning aide.

Dark Souls III offers more of the same intensely difficult combat, ambiguous overarching story, and some striking locales and bosses in the franchises’ history. The only real objective criticism on the PS4 version is that the combat doesn’t feel responsive enough thanks to the 30FPS cap and frame drops.

At its heart, Stikbold’s a fairly simple game of hitting people with balls, but it has a bunch of fun and silly ideas alongside that which turn it into a manic little party game to while away a few hours.

An engaging and enjoyable narrative experience, and it makes the most of its stellar cast, pushing the boundaries of storytelling in games and presentation. However, it won’t be for everyone, particularly those who don’t like to be led by the hand or don’t want to spend an extended amount of time watching content rather than interacting with it. It also falsely makes you feel like you have a choice, but then, that’s much of its point, and despite a few missteps this is a story well worth experiencing.

Fans of dystopian fiction, or good stories in general, would absolutely adore Hope’s journey. The execution leaves a lot to be desired.

It’s a shame because Kholat has one of the best horror game set-ups we’ve seen for quite some time. Not only that, the team at IMGN.PRO has clearly put effort into sculpting an spooky collection of vistas each dripping in atmosphere. Sadly, wedged between these tense moments is way too much filler. The mind-numbing map reading and navigation would have been easy to overlook if that only made up a small portion of the game. Instead, it forms this drab and unappealing bedrock that threatens to drag Kholat down whenever there isn’t something scripted happening on-screen.

The boring story is filled with forgettable, two dimensional characters, and while there is passion between the main characters, it feels forced rather than natural. The gameplay isn’t ground-breaking either, but it is at least competent at delivering a mindless hack ‘n’ slash that is fun to play and worth a look.

Dirt Rally gets Codemasters back to their roots, with a game that focuses on rallying through and through. It’s tough and unforgiving of your mistakes, but that’s what rallying is about and it makes getting to grips with the car’s handling, measuring your approach to a stage and coming out on top all the more satisfying.

For all the similarities we’ve drawn between the two, the 2D style of combat is enough of a differentiating factor to give this game legs. With these it manages to sprint well ahead, feeling more like a full-bodied homage as opposed to a cheap knock-off.

Sheltered is a well crafted game that is quite tough at first to make progress in, but once you’re used to its systems there can be a rewarding experience.

As a 3D action game, Estival Versus manages to tick most boxes, but it fails to deliver anything which could be labelled as ground-breaking. While in no way poor or unenjoyable, it does little to put this franchise on the map. Still, for fans of previous entries, there’s plenty of meat on the bone, bundled together in a respectably polished brawler.