As a wrestling fan, I want to create five-star classic matches, with back-and-forth action, near falls, and iconic moments, but ultimately WWE 2K23 cannot facilitate that. Messy and overly complicated controls hamper those efforts, but it’s 2K’s obsession with players winning matches that ensure this professional wrestling game misses the point entirely.

Despite the promising names behind the title, Dark Rose Valkyrie stumbles over its own ambitions. Perhaps unsurprisingly, the parts of the game that were the responsibility of the Tales series veterans, the art and the writing, were the most successful, but where other collaborations have been able to balance each party’s strengths an diminish their weaknesses, that’s not the case here.

Despite its clear and comprehensive flaws, Wanted: Dead is still weirdly likeable, and will undoubtedly find a similarly strange and unique fanbase to worship at its feet.

Manic Mechanics is a reasonably sufficient attempt to do Overcooked! in a garage, but lacks the magic that made its influence such a classic. Entirely disposable fun for a weekend then, just don’t be expecting your friends to be begging to play more next week.

First person shooters come and go – and whilst Bodycount isn't likely to leave that deep an impression on the world after it's all over, it does leave a bloody wound accompanied by a ridiculously brash round of machine gun fire. A brave attempt, then, but one seemingly too hampered by its faults to really shine.

Bright Memory is a rare good-bad game that's enjoyable partly because of its oddities and flaws, but there's signs that its sequel Bright Memory Infinite could actually just be good.

Foamstars is a vibrantly inventive take on the hero shooter and Splatoon, though the bubble will quickly burst for those who can’t gel with its floaty, fluid-based gunplay.

A colourful and silly VR shooting gallery, Dick Wilde is simply let down by being too difficult. Stick with it and, over time, you might start to see some progress. But those players wanting to kick back, throw on their headset, and have a shoot up in virtual reality may want to reconsider.

Tales of Kenzera: ZAU is an ambitious game, and this kind of endeavour should be applauded and encouraged. Seeking to harness the difficult topic of grief in the form of a Metroidvania was always a big ask. Unfortunately, on this occasion, it proved a challenge that simply hasn’t been met.

Tainted Grail: Fall of Avalon has a lot of promise but maybe it just wasn’t ready to be released just yet. It needed a bit more time to iron out some major issues like the regular crashes that can be triggered by all sorts.

Cthulhu: The Cosmic Abyss is a flawed, but interesting experience. The narrative is straight out of a Lovecraft story and it escalates into a suitably maddening conclusion. The mechanics are interesting and promising but the lack of polish across multiple platforms and the inconsistency of responsiveness made for an overly frustrating time and I was ready for the game to end quite a bit before an incredibly complicated final puzzle. I’m glad that I persevered (albeit with the ingame AI assistance) as the ending felt appropriate. If you have the patience, and enjoy the setting, then there is some fun to be had, but perhaps wait for further patches for a less frustrating experience.

Gigantosaurus is exactly the kind of licensed tripe that made licensed games practically extinct in the first place. There’s the occasional glimpse of fun, but it’s hidden amongst a cretaceous tar pit of mundanity.

Black Legend evokes a brooding atmosphere thanks to the fog covered streets of Grant and has some good ideas around party and class management, as well as its turn based battles. However, bugs and awkward camera controls, plus a lack of a strong narrative or lore makes Black Legend feel like a fog has descended obscuring its potential.

Damon and Baby is a game which is just sort of fine. It can be fun to play, but it just feels a bit repetitive most of the time, and neither the combat nor the story are engaging enough to really keep you locked in. I don't think it's a bad game, per say, but I do think it can be a bit dull, and that's just as bad a lot of the time.

CRYMACHINA has a promising story and a fresh aesthetic, but the presentation leaves so much to be desired. Convoluted and rushed world-building makes it hard to get invested, and the basic and repetitive combat encounters make it hard not to feel like the loop between gameplay and story is more of a chore than it's worth.

Phantom Breaker: Battle Grounds Ultimate is a renewed take on a beat 'em up that probably felt a little outdated back when it launched in 2012, and while the revamped graphics and the engine are both nice, they're not enough to make this feel like a game that's really worth sinking your time into. It's a fun five minutes or so here and there, but it's just not doing enough to really make it an enjoyable time.

This episode is about as close to being filler as it gets for Telltale – sure, a couple of the plot threads are enjoyable, and one of the new characters is quite interesting – but these moments are few compared to the abundance of boring references and pointless tasks to be done.

Aokana is a wholesome underdog story ruined by panty shots and sudden nudity. This being said, if you can see past the fan service, the distinctly unlikeable protagonist and one note characters – OK, that's a lot to look past – this actually comes together to create an engaging tale of overcoming fears and the power of friendship, and you can't help but root for them.

Made in Abyss: Binary Star Falling into Darkness retains very little of the heart and soul that made the anime and manga it's based on so appealing and engaging. There's a promising survival RPG campaign in the Deep in Abyss mode, hampered by some annoying game design decisions, but the fact that you're forced to trudge through a barebones adaptation of the anime in order to unlock it just makes a bad experience even worse.

Dying Light 2: Bloody Ties distills all the highlights and flaws of the main game. If you want a little more story and a bunch of new timed trials to tackle, it’s only £8, but it won't change your mind about the game. If you originally came to Dying Light 2 for zombies and are disappointed, this won’t change your mind, and if you’re here because you want to fight like a gladiator in an arena, this definitely isn’t the place for you.

Lacking the precision required to tantalize the more serious racing fan, but perhaps too much of a challenge for many, V-Rally 4 is packed to the brim with nice ideas and potential, but just as many annoyances. Sadly, in this competitive marketplace, it is stuck in a ditch. The strange layout of the career mode and iffy handling model do their very best to put a downer on things, but I really hope Kylotonn has the resources to build upon this effort and provide something that can take the fight to the very best racing games in the future.

The sound is awful, the fighting is incredibly repetitive (no combos, just mash square and triangle) and worst of all, it’s very glitchy: on one occasion I got near the end of a level, only to actually get stuck in the graphics.

Pewter Games’s title has all the ingredients for a great game but it is let down by a plot that feels cobbled together and a very short play time.

Onimusha 2: Samurai’s Destiny is a highly influential classic, one that deserves a lot more love from Capcom than this drab remake has to offer. There was a brilliant opportunity to spoil the player with behind-the-scenes developer content here, but that chance has been squandered. Instead, you get to swap weapons with a button press rather than by going into the menu and sharper visuals. You're best off saving your money and digging your PS2 out of storage, I say.

Tchia is clearly a labour of love as Awaceb try to bring their culture to the rest of the world and show off what it has to offer. I absolutely love that tone and feel, but the way Tchia is packaged and paced means that it is ultimately feels like less than the sum of its parts.

Star Ocean: Integrity and Faithlessness carries a weight of expectation that it is incapable of satisfying. A legacy JRPG franchise, published by Square Enix, should have some meaning, but here it translates to pure mediocrity. Series fans may find some brighter elements to latch onto, but for JRPG stalwarts there are far better examples of the genre.

Does The Legend of Heroes: Trails of Cold Steel IV have a great story that's a worthy capstone to a ten-year JRPG saga? No, it doesn't. As a standalone experience, it's an impenetrable mess of fizzled out character arcs and bloated cutscenes. Despite all that, Trails of Cold Steel IV has addictive gameplay, dope music, and gorgeous character designs. If you want a fun and grind-heavy JRPG with a wild amount of options and battles, but don't mind turning your brain off to ignore the story and glaze over poorly-written cutscenes, then this is one's for you.

Limited tools aside, the construction process is the best thing the game has going for it, while the multiplayer just seems to play second fiddle; there’s too much focus on the creation and not enough on making the game fun. I’m sure they’ll add things to it, but the progression is just a tad on the frustrating side.