Just Die Already has its charms, but the novelty wears off pretty quickly. I’d even go so far as to say this toes the line with the masocore genre. It’s a difficult game, but I did find myself chuckling often at the utter ridiculousness that I was witnessing. I could see it being a fun game to casually stream with an audience.

If it wasn't for its awful art style and attitude that screams "look how rad we are fellow teens!" then I'd probably like it a whole lot more. But as long as it adds more content, I can see this gaining an audience with players who are really into over-the-top sports games like Rocket League. Just remember the five D's of dodgeball and you'll have a fun time in Knockout City.

Biomutant is a game that's still evolving. Plenty of bugs need to be ironed out, its combat system could use another coat of paint, and it desperately needs new puzzles – they rarely move beyond a simple "match-two-colors" format. Much of the game works exactly as intended, including a robust crafting system, a fantastic suite of side quests, and an open world that's begging to be explored. Dozens of great ideas are lurking just below the jank, and so is an enjoyable game if you're able to look past them.

There’s no doubt that this is an incredibly fun way to play Capcom arcade classics - better than throwing all of your loose change at a game you’ll never actually finish, at least - but the selection available here hasn’t left me feeling inspired. The games in this collection feel like the last options, the games that could never be sold individually. Cult classics like Darkstalkers and every other version of Street Fighter are entirely missing - instead we have a bunch of Capcom arcade games that, for the most part, weren’t deserving of sequels, or any other recognition this far removed from their release. It sounds harsh, but these are the rejects, propped up by Street Fighter 2 and Ghosts ‘N Goblins. There’s fun to be had here, but without nostalgia you probably won’t find much to love.

If you're not sick of long open-world games or stories about zombies, then you should be able to squeeze some enjoyment out of this. Days Gone might be a ride that goes on for too long, but it's a mostly worthwhile journey with a few good stops along the way.

Even with those smaller issues, I have absolutely no trouble recommending Mass Effect: Legendary Edition to anyone looking for a good RPG, a good story, or just a good shooter. The effort put into the original Mass Effect is commendable, especially considering its age, and Mass Effect 2 and 3 are as great as before but with better visuals and the ease of access of all being on the same disk. Like the title says, this is a legendary trilogy, and it’s one that everyone should play.

Ultimately Shin Megami Tensei 3 HD Remaster is a perfectly acceptable port of a cult classic PS2 RPG. Playing this at the same time as Mass Effect Legendary Edition has definitely coloured my perception of what we should expect from a remaster, but despite the fact it doesn’t have AI upscaled textures and 4K60fps presentation, it’s still a masterful example of how to build atmosphere in a game while still keeping players engaged, instead of bored. It also features Dante from the Devil May Cry series, which always helps.

You don’t need to be a fan of text-based adventures to enjoy Cyberpunkdreams. For fans of the cyberpunk genre, this is a game that you absolutely need to play. While chance and luck play a large part, the experience is exactly what you make of it. You’re more or less in charge of what happens to your character based on the decisions that you make. Even in my weeks-worth of playtime, I’ve barely even scratched the surface. There’s so much lore in this game. There’s even an e-book for those interested in diving into the Cyberpunkdreams world even more. More content is planned post-release, and with a dedicated community of players, Cyberpunkdreams is one game that you need to check out.

The idea of trying to execute a medieval GTA-style heist while fending off other players is so good that I want it to work. This is just missing some kind of secret ingredient to make everything come together. Maybe after some time and the addition of DLC, this could be a worthwhile game to play with friends. Hopefully, that happens sooner rather than later, as right now Hood: Outlaws and Legends feels more like a missed opportunity than a bullseye.

I was still, however, absolutely blown away by the tabletop RPG experience that Demeo offers. Not once did I experience any sort of motion sickness, meaning I can play Demeo for extended periods of time – far more than any other VR title can boast with me. I can’t wait to play Demeo with my regular D&D group as we ease our way back into in-person sessions. As a solo adventurer, though, Demeo is perfect for when I’m in need of a quick-play session with other players from around the globe.

Its attachment to the past can hold it back from greatness, especially in regards to its dedication to bombastic set-pieces and a hesitation to explore its own ideas. Village is drenched in excellence throughout, but the occasional fumble stops it from reaching the heights of both its predecessor and the seminal masterpiece it is so desperate to imitate. There’s also not nearly enough big lady - she needs her own game.

I enjoyed my time with The Colonists. It's an easy, breezy game that doesn't intend to punish you by having Gandhi constantly declare war on you. The fact that it has a decent campaign starring lovable little robo-ducklings is just the icing on top. So if you want to chop down some trees and watch a little robot fisherman provide for his village, The Colonists should make for a delightful bit of strategy fun.

It's interesting to get a look into the past that's as well cared for and presented as Shadow Man Remastered. Maybe I didn't find a new favorite, but there's no reason why you might not end up loving this. If you're okay with having a walkthrough ready and are willing to traipse through the same few corridors numerous times, Shadow Man is certainly a good way to kill some time between big releases.

At its core, Returnal is one of the most satisfying third-person shooters I’ve played - it’s Hades via Vanquish. It forces you to meet it at its tempo and doesn’t relent. It makes Doom Eternal seem like Baby’s First Shooter. It’s gorgeous, frenetic, and endlessly replayable. I just wish success wasn’t so tied to fortune and misfortune, which only exacerbates any frustrations you have when repeatedly trekking through areas you’ve already beaten. Even after the credits rolled, I felt satisfied, but that satisfaction was also mixed with relief - the ordeal was finally over and the chiropractor's elbow has been removed from the small of my back.

New Pokemon Snap has issues when it comes to tedium between courses, arbitrary solutions, and boring, barely functional extra mechanics, but the courses and Pokemon are legitimately incredible. The Photodex is a marvel, multiplayer creates healthy competition for replayability , and just being able to inhabit Lental is a spectacle in and of itself. I’m not sure I’d recommend it to someone who can’t tell Bagon from Beldum, but if you’re a born and bred Pokemon fan, New Pokemon Snap could be your sleeper hit of the year.

While the VR medium definitely makes the game scarier, there’s absolutely nothing about Wraith that wouldn’t have worked just the same in a normal game. The hide-in-seek genre of horror games has been done to death, and Wraith would have been much better served by more scripted encounters, on rails scares, and fewer (or no) fail states. Once a monster catches you and sends you back to your last save, it loses almost all of its power to scare you. Wraith stopped being scary when it started being tedious. It’s one of the most disappointing horror games I’ve played because I loved the way it started, but its strong introductions never developed into anything more compelling.

Battle Axe is a hard game, but it never felt frustrating or unfair to play. I can appreciate a game that takes a lot of practice and technical skill, but my favorite thing about Battle Axe is the way that it engages your memory and map knowledge. Once I mastered a particular level’s layout, I felt like the hero of a time loop movie, casually advancing through each zone and deflecting attacks with ease. It’s a beautiful game created by developers that have a genuine love and talent for pixel art. Visually speaking, Battle Axe is pixel perfect. My biggest problem with the game is that I want more of it, and that’s never a bad problem to have.

When I wrapped up my experience with Nier Replicant, I realized it was the most satisfied I’d ever felt after working so hard for a particular ending. Yoko Taro asking me to relive the same experiences again and again wasn’t a repetitive journey, but a more meaningful reflection on a cycle of hate, pain, and trauma. Nier Replicant is Yoko Taro’s best work, brought up to modern standards, and finally delivered in the presentation its tale always deserved.

Bugs aside, it is an astoundingly well put together experience, balancing player choice, opportunities for chaos, deep introspection, and a thorough exploration of politics. That’s on top of the sordid and twisted murder at the narrative’s heart, too. I’m not necessarily a fan of all of the design choices - it’s often both too open ended and too restrictive - but I understand them all, and I wish it was less of an exception to the rule. I can’t fault its narrative, or even its design, despite my disagreements. If someone told me they consider it a perfect game, I wouldn’t have anything besides personal preference to come back at them. But with the fiddly game design likely to block off even more players than the already niche themes, I can’t help but wish a game so focused on socialism could have been more welcoming to the masses.

Had the characters been a little more charming, had each day’s play lasted slightly longer, and had there been something - anything - else to do outside of each day’s central tasks, Cozy Grove would be a much stronger game. But in such a crowded genre where everyone is struggling to emerge from the shadows of Animal Crossing and Stardew Valley, it’s hard to recommend a game like Cozy Grove.

Silicon Dreams is a tremendous detective game. The way you grill these androids for information is highly engaging. I was surprised many times by the responses I got from my interrogations and the narrative continued to get more and more compelling as I went on. If the idea of delving into the minds of androids to see what makes them tick sounds like a fun time, then you should experience the dystopian nightmare that is Silicon Dreams.

When you fail a Trial of Fire, you learn and you move on. The thing about this game is that every single run is better than the last one, even if it’s decidedly more short-lived. In fact, that’s actually a blessing in disguise - more time for another go before bed, eh?

Tasomachi: Behind The Twilight doesn't have anything that would make it worth playing over any of the much better 3D platformers available right now. Hopefully, the developer releases the soundtrack online so I can listen to these tunes without having to perform any more menial tasks for fog-ridden feline folk.

A Gummy’s Life is solid for what it is. It definitely feels like a game that belongs on the Switch, even more than it belongs on PC. The overall experience is great for younger players, but can be equally as fun as an option for family game night. Nice and juicy.

Oddworld: Soulstorm is clearly a labour of love, and I can see that in everything it does. The ambition that bleeds into its story, characters, and gameplay are all evident, but the execution is just sorely lacking everywhere it matters. Perhaps my perspective on past games is warped by nostalgia, but this isn’t the road I imagined Abe and company going down. It’s in the right direction, but they’ve veered off course and landed themselves in a ditch.

Outriders would have been a much better game had the campaign been half as long and the end game had twice as much content. I had fun exploring the dozen or so environments throughout the story mode, but the game doesn’t start firing on all cylinders until the gear you get becomes meaningful. The disposable nature of gear during the campaign/leveling process makes the game feel a lot more shallow than it actually is, and getting players to that end-game grind sooner would likely have exposed a lot more players to the best that Outriders has to offer. I hope that Outriders gets DLC, but only if it’s content that builds out the end game even further. If an Outriders expansion is just another story-driven campaign, I likely won’t even bother playing. If I do, I’ll almost certainly set the difficulty to easy, skip all the cutscenes, and rush to the new end game. If you’re playing Outriders for the first time, I highly recommend you do the same.

I don’t think I’ve ever referred to something vague as “charming,” yet that’s exactly what Narita Boy is. There’s certainly an underlying emotional narrative, but progressing through the game itself is so “out there” that I couldn’t help but want to uncover more of the Digital Kingdom and the life of The Creator. The 80s aesthetic makes the experience that much better, allowing me to revel in my own sense of nostalgia while playing.

I like the idea of creating a title that feels like a less complicated version of Civilization, but it seems easy to create a game that dumbs things down too much. It was hard for me to get immersed in ruling my kingdom in Conqueror 940 AD since the gameplay was so barebones. At times, it almost felt like I was feeling out a spreadsheet rather than ruling a kingdom. It's possible to take something like Crusader Kings 3 and make it more accessible for a general audience, but Conquerer 940 AD's buttons and toggles don't make for an exciting game of political intrigue.