When I’m playing Shadow Corridor, I can’t help but get random chills while walking down every one of its dimly lit hallways. Even the open outdoor areas manage to give off unsettlingly claustrophobic vibes. I do think the game is probably best experienced on PC, but if you’re on the go or a glutton for punishment and feel like playing in the comfort and safety of your own bed, Shadow Corridor on Switch will provide you with a great survival horror experience. Just don’t blame me when you have nightmares.

Gloomhaven is a solid version of the classic tabletop experience that offers turn-based combat, unique classes and abilities, and detailed quests.

The best thing I can say about House of Ashes is that its story didn’t make me feel betrayed in the end. There is no “it was all a dream” twist that creates a dozen plot holes, and it doesn’t pull away from the supernatural elements at the last second to reveal that the characters were hallucinating. Rather, it uses its monsters to connect together its themes and create a closed loop that only the best horror stories can effectively execute. For once it feels like The Dark Pictures bit off exactly as much as it can chew, and House of Ashes is so much better off for it. This is where I would recommend newcomers start with the series, and it's a great indicator that the anthology is just going to keep getting better.

There is no other way to explain it other than an all-encompassing “One more iron ore, one more dungeon run.” I’m a sucker for it. I can’t help it. I am continually swept away by the tide of grinding, progression, experience bars, little chats here and there with strangers, battles over iron ore, faction skirmishers, putting a new stove in my house, and finally hitting level 60. I am a sailor slumped on a beach huffing on a bright pink flower. My flatmate says, bleary-eyed, “Go to bed. It’s daytime outside and those trees aren’t real.”

Jackbox Party Pack 8 is a great entry in the Jackbox series, propped up by Job Job and Drawful Animate. The Wheel of Enormous Proportions is one of the better trivia games when it’s not trying to be funny, and less punishing than Trivia Murder Mystery Party. The Poll Mine and Weapons Drawn are both new ideas for the series, but only Weapons Drawn really lands, and even then if you have the collective works of Jackbox, I don't think it'll come up in the rotation much. It's a solid Jackbox Pack with two great-if-not-quite-legendary games, one good trivia game, and two more experimental titles that your mileage may vary on. It's not Jackbox 3, but hey, it's also not Jackbox 6.

Right now, All-Star Brawl stands on its own two feet, not trying to be Smash Ultimate now that its DLC has dried up, but trying to show us a good ‘ol nostalgic time. It lulls you in with its lightning flash fights and accessible combat, keeping a grin on your face throughout...Basically, don’t come here because the recent Battle for Bikini Bottom remaster got you in the mood for some SpongeBob humour. Come here because you want to see SpongeBob beat the crap out of Nigel Thornberry, and find your own humour in that.

If you played Left 4 Dead, you’ll feel right at home. Back 4 Blood is a more mature and more bad-ass version of L4D, elevating every mechanic from the former series and making it better while adding in new features that makes playing far more rewarding.

Metroid Dread suffers from some minor grievances, but overall it is a remarkable achievement in not just resurrecting a dormant and beloved series, proving its authority in the genre it inhabits, or exhibiting the kind of airtight design we’d expect from a title of this calibre. It is a remarkable achievement because it is one of those few rare games that sets itself an atmospheric goal and launches it towards and through the stratosphere. This, here, is one of 2021’s very best games - we’re always in for a treat when Samus returns.

Far Cry 6 is a game that understands the importance of fighting back against fascism and taking a stand as part of your own personal revolution, yet it’s often held back by gameplay that wants to distance itself from that idea as you fawn over cute puppies and fire off outlandish grenade launchers. Yet it’s still a start, and a bold step forward for a company that has long sat on the fence of political discussion. If you’re after more Far Cry, this delivers and pushes the formula forward into exciting new territory.

The difficulty without much progression and lack of any kind of guidance can make BPM feel a bit unwelcoming, which is a shame when its mechanics feel so great to learn. It's worth diving into for the core premise alone, but don't expect to have anyone hold your hand through hell.

Super Monkey Ball: Banana Mania is a roll down retro memory lane with its charming classic arcade format. However, the game soon loses its shine with the sudden difficulty spike that makes it incredibly hard to enjoy in the later levels, despite the inclusion of accessibility options. This is a great choice for a party game when you want a local co-op title, but the lack of online multiplayer means the game begins to feel a little stale when playing alone, despite the wealth of levels, modes, and unlockables.

I’m enthusiastic for the future of Lemnis Gate. You can play for hours and never see the same map twice, and you can play for an eternity and never have two identical matches. There is so much depth and strategic potential that it feels like you could spend a lifetime learning the game and inventing new strats and synergies. The turn based, asymmetric nature of the game makes it feel like a competitive shooter for people that don’t like shooters, and I’m always impressed when a game can cast a net so far outside of its core audience. Unlike a lot of team-based indie games, Lemnis Gate can theoretically survive with a much smaller player base thanks to only having 1v1 and 2v2 game modes. Despite its inaccessible premise, Lemnis Gate has a lot going for it and I’m excited to see how deep the wormhole goes.

If cyberpunk was the genre of 2020, time loops are undoubtedly the flavor of the second half of 2021. Aeon Drive subtly throws its pixelated hat into the proverbial zeitgeist with its fast-paced, pinpoint-accurate platforming that is as addicting and, at times, satisfyingly frustrating as any quality masocore title out there. Aeon Drive is a speedrunner's dream, offering hours of replayability for completionists and those looking to have their name atop online leaderboards.

FIFA 22 is just like any other FIFA game. It’s a very, very good football game, and with NBA 2K taking its eyes off the prize in favour of the State Farm drip, it’s left with a tap-in to be 2021’s best sports sim. HyperMotion makes a difference, create-a-club adds some personality, and everything else is the same. What more were you expecting?

Death Stranding remains a bizarre masterpiece on PS5, and the director’s cut only further cements that reputation with a number of worthwhile new ideas that enhance the act of delivering packages across a picturesque landscape of nothingness. The story of Sam Porter Bridges is overblown and wondrous, taking hold of you and refusing to let go as you’re dragged into an adventure that takes the medium to places it has never been before. It’s mindless self-indulgence of the highest order, and it’s rare to see a game deliver upon its overarching ambition in such a bold, uncompromising way in the modern era. For that very reason, it deserves to be celebrated.

They say every journey starts with a single step, but in the case of Sable, the journey starts with the arduous task of assembling a motorbike. Sable is a game that looks gorgeous and occasionally does gorgeous things, but too often it's a drab and lifeless affair. It’s a game that knows exactly how it makes you want to feel, but it doesn’t quite have the gameplay to pull it off, and that means it’s constantly fighting with itself.

Kena: Bridge of Spirits is a very good game that feels like it’s already been left behind by modern genre conventions. There’s nothing all that frustrating in that - we shouldn’t expect games, especially those made by studios the size of Ember Labs, to be constantly groundbreaking, but so much of Kena feels borrowed from elsewhere that it’s difficult to call it great. It’s a solid, enjoyable experience, and charming enough that you won’t care that you’ve played versions of it before. It doesn’t reinvent the wheel, but it’s a pretty nice wheel nonetheless.

From milking bugs to slaying frogs with jetpacks, Tails of Iron is an off-the-walls, brilliantly intuitive sidescroller, but it has a heart and keeps you gripped from start to finish as you slaughter a conveyor belt of would-be challengers. It’s not about avenging your father, not entirely - it’s about family and community. Vin Diesel would be proud. Sadly, it’ll probably get lost in the busy end-of-year shuffle among the triple-A powerhouses. But in the downtime between releases, make some room for Tails of Iron - it’s one of 2021’s best.

Severed Steel feels like playing the Deathloop trailer. Not the actual game, specifically the trailer. Specifically the run shoot kick montage that comes in right at the end. Slick, stylised, and never slowing down for a second, Severed Steel looks set to launch without much fanfare, but if you want a game that gives you a great time and then leaves you alone, give it a try. KILL. THEM. ALL.

Lost Judgment delivers another fantastic thriller that ups the ante when it comes to its intricately woven plot and interesting cast of characters, all while making you question where the line is drawn between the law and true justice. And when all is said and done, you can sit and celebrate with some sushi.

NBA 2K22 is an almost impossible game to rate, because it’s a damn good basketball game at its core. The biggest problem is how it tries to be anything but a basketball game, and while that doesn’t damage the overall quality on the court, it makes it hard to root for it. It’s the ‘03 Lakers, and I hate the ‘03 Lakers.

I do truly wish I could call this a diamond in the rough or some classic in the making, but that’s just not the case. Aragami 2 is fine and while I am likely to revisit it one day, I wouldn’t say you need to rush out and play it right now.

I’m not going to say “buyer beware” in regards to the Switch version of Skatebird. By all means, if you have younger gamers or Switch is your primary gaming device, then playing Skatebird on Switch will probably be just fine for you. However, if you have the option, go with the PC version of the game, especially considering that the game is coming to Xbox Game Pass next month. Even though many of its tropes are a bit played out within the genre, Skatebird is a game that knows it’s silly, and embraces it in a way that makes it fun to play (on PC).

All of that said, denouncing Eastward’s strengths and successes for any of the above would be disingenuous. It is a remarkable game that, while retro in ambition, will paradoxically go on to inspire the drive and uniqueness of future projects. It is clever, vibrant, and unapologetically original, and unless some magnificent twist of fate occurs over the next three months, it will undoubtedly go down as one of the best games of the year.

Deathloop feels like your first bite of a cheesecake after being stranded on a desert island and living off seaweed for six months. In a sea of shotgun-spread triple-A games that are all too familiar, Deathloop is a precision 50. cal bullet of originality right through your eye socket.

Pathfinder: Wrath of the Righteous is exactly what I’ve been looking for in terms of a video game version of a traditional D&D campaign. I haven’t been able to play D&D with my group in over a year and a half, but Wrath of the Righteous scratches that itch, and then some. This is easy for me to say as a more casual tabletop RPG player. However, I’m confident in saying that Pathfinder: Wrath of the Righteous is rich and robust enough that even the most battle-hardened tabletop RPG veterans can have a blast while saving Golarion.

Lost in Random is an okay 15-hour game, front-loaded with seven fantastic hours. It’s worth playing even if you don’t make it to the end, simply because there’s never been another game like it. Disney goths will delight in its charming blend of cute and macabre, and there are some legitimate thrills to be had with the combat system for strategy-brained players like myself. If it had continued to innovate with new battle mechanics and more cards to collect throughout the entire game, it would be an easy contender for game of the year for me. Unfortunately, it rests on its laurels too early, and the game as a whole suffers for it. I would be eager to return to Random were there ever a sequel, but I don’t think I’ll be revisiting Lost in Random again anytime soon.

You will be forced to make hard decisions and live with them as Alex Chen, some of which will have an irreversible impact on the narrative. Yet there’s no harrowing conclusion to be uncovered here. Much like real life, each revelation is a punch you must roll with, whether it’s losing a loved one or conjuring up the courage to confess your love to a crush. No matter how trivial or monumental, True Colors makes each moment matter as it forms the identity of a woman I came to care for and relate to in ways that few games have managed to achieve. This brings me back to the sibling bond between Alex and Gabe, and how it feels like a virtual replacement for the bond between myself and the brother I wasn’t able to bid farewell to. I had that chance here, and I can’t describe how much that means to me. Without being overly poetic or needlessly saccharine, I’m glad more games are engaging with how we can learn, grow, and love as human beings, and the rewards that come with accepting such hardships along the way. Life is Strange: True Colors truly is something special.