Despite its shortcomings with performance and AI pathing, Total War: Pharaoh has been one of the most enjoyable Total War games I’ve played for quite some time. Its refined focus on a smaller period of history has allowed for experimentation elsewhere, with dynamic weather and terrain, resource generation on the campaign map, and a wave-based invasion system with the Sea Peoples that constantly keeps you guessing. I hope that some of these mechanics can be taken and expanded on for future, main series releases for Total War.

Compared to other puzzle games, Superliminal doesn’t necessarily feel like it stands out. However, its use of perspective is incredibly well-executed, and provides a nice mental exercise for those willing to give it a try.

It’s a gorgeous pixel-art game that liberally borrows from Diablo in all the right ways, and as a big fan of both ARPGs and roguelikes, Dragon is Dead was a refreshing mash-up of both that ends up being greater than the sum of its parts. It doesn't quite hold up into the end game, but by that point I’d had so much fun cosplaying as a certain Norse deity that I found it hard to complain.

Alder’s Blood feels like a love letter to a genre which ironically doesn’t get all that much love anymore. Sure, there’s no shortage of turn-based strategy games on any system, but games this well-designed are few and far between in the indie space, and it’ll be quite a while before something as well done as Alder’s Blood hits the eShop for a price point as low as twenty dollars.

With a beautiful atmosphere, loveable characters, and intuitive controls, Void Terrarium is a great dungeon crawler for those looking to dip their toes into the genre. Unfortunately, it lacks substance beyond that, rendering it a pretty unremarkable entry in the rougelike game canon.

Biped is a great game that is great fun for two players. However, potential buyers needs to be alright with only playing locally, a short amount of content, and the potential for a level editor to be far off from release. For these reasons it might be best to wait until more concrete news becomes available, but if those are not huge problems, Biped is a real treat.

Dungeons 4 is a complete package that delivers a way to embrace your dark side, build your very own evil empire, and see the forces of good reduced to dust. It heavily focuses on resource management more than strategic combat, which may be off-putting to some, but there’s a lot of challenge here, and combat is equally as satisfying. Just watch out for the unicorns. They’re more fierce than you’d think.

If you want a charming, easy-to-follow game about managing a supermarket, and don’t mind if the story isn’t the most engaging, then this is a fantastic pick and I definitely recommend this. If you want super complex storefront mechanics or need a deep, well-developed plot, then you might find this one underwhelming.

Phoenix Point stands out in the tactical-RPG genre, even from obvious comparisons to XCOM, because it so fearlessly explodes the management systems on the battlefield. Even among tactics fans, it's clear this isn't a game for everyone, but if you're looking for something to really sink your teeth into, Phoenix Point is it.

Steamworld Build is a great addition to the series, providing a unique but refined take on the city builder genre. Anyone looking for a more complicated, hardcore experience might find it a touch underwhelming, at least until the game really starts to find its feet. Even so, its forgiving nature and slow but consistent feed of gameplay mechanics make it especially appealing to more casual players or folks new to the genre.

Ultimately, the best way to look at Saints Row The Third Remastered is as the best version of a 2011 video game. There are things that haven't held up, certainly, and some visual elements are definitely outdated. But for all its warts, both in the ideological and technical sense, The Third represents a better era for gaming. An era before the line between games-as-a-service and single-player experiences were blurred. An era before Ubisoft singlehandedly made open-world games less interesting. An era before Borderlands would set the standard for video game comedy with its egregious blend of yelling humor and memes.

If you're feeling the need to have your concept of reality stretched a bit, then spending some time in this world should stimulate the same parts of your brain as a designer drug. But in the end, Wattam feels like a bunch of toys playing themselves rather than a cohesive game.

Overall, I left Afterlove EP feeling more confused and frustrated than I was moved. It has a lot of interesting things to say about moving on from loss, the vicious hold that grief can have on us, and how art and love are intertwined, and its character writing is excellent, but the whole experience felt too unfocused and directionless to say anything concrete.

If you played Left 4 Dead, you’ll feel right at home. Back 4 Blood is a more mature and more bad-ass version of L4D, elevating every mechanic from the former series and making it better while adding in new features that makes playing far more rewarding.

There’s plenty to enjoy about Wuchang, but it is not a game for the casual soulslike enjoyer. It’s a game for the soulslike sickos. I’m usually right there alongside them, but frustrations upon frustrations sour the whole experience.

Darktide is built on great foundations and I enjoy playing it a lot – especially with friends. There’s a brilliant game buried deep within this Hive World, filled with exciting combat and gruesome enemies in equal measure. However, to properly enjoy those glorious moments, you have to break through the pustular skin of Darktide’s pointless upgrade systems and wade through the poisoned viscera of dull progression. I just hope that the countless obstructions in the live service elements don’t turn too many players away from the game mired underneath.

Princess Peach: Showtime is a very approachable game and tries a lot of different ideas, which makes it perfect for extremely casual players or a younger audience. It's just a shame that it doesn't capture the 'kids of all ages' feeling of Mario's adventures or the aforementioned Luigi's Mansion. It's more like Yoshi's Crafted World, which makes sense as the two games were developed by Good-Feel. Though a significant step up from Super Princess Peach, Princess Peach: Showtime tries a little too much, and that means its best performances are overshadowed by discordant notes from the understudies.

Romeo is a Dead Man is self-aware and self-referential, filled with personality. Whether it’s a compelling personality will vary from person to person, but it throws so much at the wall that surely something will stick. The combat is excellent, the enemies are memorable, and the balance between macabre and levity is well-tuned. Despite the stumbling story, there’s enough bounty in the chaos to recommend this game.

TT Isle of Man: Ride on the Edge 2 is a game for racing genre fans who enjoy more realistic gameplay. The game is easy enough to pick up and play, but it's far more difficult - though rewarding - to become a skilled racer. Although online multiplayer falls a bit flat due to the current player base, the game’s Career mode certainly makes up for it and is well-worth your time. TT Isle of Man: Ride on the Edge 2 is fast, fun, and the best racing title so far in 2020.

I can't say I've ever been fascinated by or even remotely interested in the day-to-day operation of a subway station. Yet, there I was, pouring hours into this game deciding on the best place to put my escalators and pointing elderly passengers towards ticket machines. The premise of STATIONflow definitely doesn't scream fun, but if you're big into simulation and/or management games, then you'll find a lot to love about making the trains run on time.

Dotemu has created a nostalgic slice of competitive sporting excellence with Windjammers 2. It might only offer a handful of modes, but its wide roster of characters, tight controls, and admirable dedication to what came before it meant I was entranced the moment I picked up a disc and hurled it into the air. This is one of the finest local multiplayer games in recent memory that is easy to learn yet devilishly hard to master. It’s also very sexy.

Although Nostalgaia does have some shortcomings that put it below the games it’s trying to ape, the fact that it manages to get even a little bit close is a feat of its own. Whether you’re an IP freak like me who's happy seeing a ton of love for gaming, someone looking to get into the Soulsborne genre, or a FromSoft veteran that’s looking for something new, there’s something in Nostalgaia for everyone.

Unless you really want to see an ear of walking corn fire machine gun rounds at a zombie dressed as a football player, Plants Vs. Zombies: Battle For Neighborville is far from the best option for a multiplayer shooter on the Switch.

If you have three friends who love tower defense, or you're desperate for an FPS to play on the go, then you could do worse than Hypercharge: Unboxed. It's just not the shiniest toy in the toybox.

Sega aims to please Sonic fans during the Blue Blur's 30th anniversary, trying to learn from the mistakes of Sonic games that launched this past decade and improve on them. From the enhanced graphics and extra customization, to the addition of the Tails Save mechanic, Rival Rush, and a brand new and elusive Wisp, Sonic Colors: Ultimate has proven to be the most colorful remaster in Sonic's history.It may be a rehash of a decade-old game instead of an entirely new one, but Sonic Colors: Ultimate still manages to pass the test with flying colors.

Metro Awakening is an admirable attempt at translating the post-apocalyptic shooter series into virtual reality, and at its best is a poignantly atmospheric marvel with great controls and an unrivalled sense of place. Yet it is also held back by poor checkpoints and combat, which quickly falls into a repetitive game of cat and mouse between very stupid enemies. It learns all the right lessons from masterpieces like Half-Life: Alyx without introducing enough new innovations of its own, and because of that, it suffers.

What Cities: Skylines 2 is, though, is the perfect foundation. Colossal Order has supported Cities 1 for almost a decade. It’s a game with a thriving community. There’s no doubt in my mind that Cities 2 will receive the same sort of care from its dev team. Patches, DLC, content packs, better (maybe?) mod support. It’ll all arrive at some point. It’s just not here yet. The game isn’t unfinished, it’s just unpolished, unhoned, unrefined. It’s still a gem, though.

Overall, this latest game is unlikely to disappoint fans of the rhythm genre and this series in particular. It has a good selection of songs, the control system is spot on (presumably since the team has spent years refining it), and there are some nice returns with great new features.