The New York Times' Scores

For 20,323 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20323 movie reviews
  1. There is surprisingly little emotional amplitude in the film.
  2. Clearly, this is an affair to forget.
  3. Flagrantly old-fashioned, triple-hankie tear-jerker.
  4. A supernatural soap opera.
  5. Consistently amusing and smart in its choice of targets, but it lacks the manic edge of some of Waters' earlier movies.
  6. A desperate, broad comedy.
  7. Feels like an early rehearsal for a play where all the movement is being coordinated but the underlying emotional notes have yet to be set.
  8. Can't redeem the moves toward its predictable happy ending. But the movie has a protagonist who has a great time getting there.
  9. Like most movies that examine specific ailments, this gawky, occasionally touching film has the feel of a dramatized case history whose purpose is to educate as much as it is to tell a story.
  10. That they're English and elderly apparently makes their antics screamingly funny to people who would turn up their noses at similar humor in a film like "Scary Movie."
  11. It is surprisingly timely.
  12. Looks like a big-budget version of a Miller's Genuine Draft commercial.
  13. Endure the long, slow, unraveling of this movie, which can't even muster the intelligence to be pretentious or the bravado to be amusingly bad.
  14. One of the best entertainments this season has yet offered.
  15. Isn't quite as much fun as it could be.
  16. Half a movie at best. The broad humor at times derails Mr. Murphy's performances, but the movie provides a vehicle for him to display his reach.
  17. Leconte's visual instincts are so impressive that they outstrip his story, leaving us flushed and dazzled, but also, as after a long night of champagne and baccarat (to say nothing of other irresponsible pleasures), hungry, tired, and homesick.
  18. As well done as it is, Wonderland feels predictable. There is no sad turn in these characters' lives that you cannot see coming about an hour before.
  19. Its effects seem more like those of a poem or a piece of music than a movie. Requires the reverent darkness and communal solitude of a theater.
  20. Mr. Baldwin's attack -- there's no better way to put it -- is unforgettable. He's the first shrunken narrator with a serial killer's swagger.
  21. A freshness and intensity that recall the television series "My So-Called Life."
  22. It's more of a mash note than a formal documentary, and there's nothing wrong with that.
  23. Impressive, unsettling, deeply felt film.
  24. The film has a richer, more various visual texture than most documentaries, combining still photographs, black-and-white video and Super-8 film, sometimes with wild sound or none at all.
  25. Such an amalgam of fairy tales, old movies and tabloid stories that it never develops a life of its own.
  26. By the end the most vivid figure on the screen is the lovable doggie who goes wherever dangling fingers are waiting to give the happy pooch a scratch.
  27. Your attention is rewarded by a film of surprising depth and a few deep surprises.
  28. In the end, Loser disappoints.
  29. As good as cut-rate animation that seems to consist of screen savers can be.
  30. Glazes over faster than a Krispy Kreme doughnut, and neither is very flavorful after sitting around for a while.

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