The New York Times' Scores

For 20,323 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20323 movie reviews
  1. The only people who could be surprised at this movie will be those who wandered into the wrong multiplex theater by mistake.
  2. Mr. Law doesn't disgrace himself here, though he doesn't have much to do, and the director, Po Chih Leong, is deft at creating atmosphere, but it's an atmosphere we've all seen before.
  3. A brilliant satire of emotional politics.
  4. By interweaving several stories, the movie suffers from a peculiar multiplier effect: it deepens its shallowness.
  5. Strange, intense and moving -- one of the few truly grown-up movies you're likely to see this year.
  6. Tedious descent into cinema hell.
  7. Clumsy when it should be light on its feet, the movie takes itself even more seriously than the comic book and its fans do, which is a superheroic achievement.
  8. Mr. Drake can be rivetingly angry, intense, frenetic, frank and touching.
  9. A washout.
  10. Like a ham-fisted high-concept public service announcement, directed with stagy deliberateness and written with tin-eared vernacular speechiness.
  11. Several times while watching the movie I laughed until the tears were running down my face.
  12. So campy it reflexively sends an elbow to its own ribs.
  13. Surprisingly enough, it often soars to heights of not bad.
  14. If you're amused by jokes involving male genitals, female pubic hair, flatulence and dismemberment, it should be a big hit.
  15. Uplifting, witty.
  16. Best and most touching when it shows how willing punk is to eat its young.
  17. Succumbs to its blockbuster ambitions and turns into a noisy, bloated mess.
  18. The Perfect Storm is no "Titanic."
  19. Despite its occasional flashes of brilliance (every Rudolph film has them), this unsavory stew never comes to a boil.
  20. Shamelessly stirring, brandishing Mr. Gibson's anguished masculinity like a musket. It may be effective, but you leave the theater feeling used.
  21. The humor in Me, Myself and Irene is often outrageous but rarely cruel.
  22. Praise will stick with you. It's more than worthy of its title.
  23. Doesn't try to cram messages of uplift down its audience's gullet. It's a great eggscape from banality.
  24. Suffers from a fatal lack of modulation. It paints a picture of inner-city life as an endless sequence of beatings and shouting matches, and in its glum cartoonishness insults the people whose strivings it means to honor.
  25. Struggles under the burden of adapting such rarefied material.
  26. Despite some gorgeous sequences. . . Titan A.E. is bland.
  27. This may be the first movie that runs under two hours and yet has no attention span. Characters are abandoned and picked up; narrative threads dissolve before your very eyes.
  28. The best thing that can be said about Boys and Girls is that it is studiously inoffensive.
  29. Delicate, quietly devastating.
  30. You probably won't feel comfortable when Humanité is over, but as you leave the theater you will feel more alive than when you entered.

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