The New York Times' Scores

For 20,323 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20323 movie reviews
  1. May feel redundant, but it is stylish and intelligent.
  2. The movie doesn't turn out to be as benignly right-wing as it initially suggests, though the plot turns can be spotted a mile away.
  3. Clouds is about the dumbest intelligent movie I've ever seen.
  4. Deteriorates into a gory shoot-'em-up gangster movie with a quick-fix ending that leaves many threads dangling. It could have been something more.
  5. A dreamy, impressionistic inquiry into the legacy of the 1960's, but it's less concerned with history than with mood.
  6. It's not one of Kurosawa's great films.... But it is, within its own proportions, nearly perfect.
  7. The action is the best thing in the picture.
  8. Bottom-feeding monstrosity of a comedy.
  9. In its harshly realistic scenes... it stirs your blood.
  10. Dark Days illustrates even the worst nightmare can have descending levels of horror.
  11. Ludicrous, impenetrable and headache-inducing.
  12. Eventually becomes preaching that is likely to tax the credibility of the unconverted.
  13. Finds a sprawling, vivid middle ground somewhere between documentary and myth.
  14. Never quite comes to dramatic or comic life.
  15. A mildly amusing Japanese appropriation of 1950's American detective movies.
  16. Intelligent, insightful, touching.
  17. Seems a little too desperate to be liked.
  18. Some of it is, I'll admit, pretty funny.
  19. Bland, unrevealing.
  20. Does an almost dismayingly good job of conveying its characters' grim, bare-bones existence and the stultifying sexual and religious taboos that the lovers flout.
  21. Slight but bright and charming.
  22. It is Ms. Dunst who carries the movie and unifies its disparate elements. She's a terrific comic actress.
  23. Finally fails to escape the conventions of the Hollywood cinema it so proudly deplores.
  24. In spite of its many flaws, the film never loses its focus on its fascinating central figure.
  25. Mr. Singh may have an artist's temperament, and he shows signs of being a director
  26. Likable but muddled screen biography.
  27. Their comedy gives audiences that have never seen anything like it a hilarious window on a new world.
  28. A youth comedy so relentlessly sordid and depressing that it's likely to send its audience straight into the arms of the nearest psycho-pharmacologist.
  29. This is one of the best-photographed pictures of the year, but not ostentatiously so; the look is organic to the less-than-glamorous badlands of Sunnyside, Queens.
  30. Ultimately as sycophantic as it is needling.

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