The New York Times' Scores

For 20,323 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20323 movie reviews
  1. You have to admire the effort its attractive cast expends pumping life into stilted, flowery dialogue that confuses pretentious attitudinizing with profound insight.
  2. Despite its ultimate lack of intellectual substance, Me and Isaac Newton is still inspiring. All seven of its subjects are fascinating, and most are extremely likable. Mr. Apted has done them all a huge favor.
  3. Immerses you in violence and agony, but it may leave you with a curious feeling of detachment.
  4. Not only is it excruciatingly boring -- but its central premises are so banal and dubious as to border on offensiveness.
  5. It never pretends that it's anything more than trashy, cheesy fun. But even trash -- especially trash this expensive -- should at least be well made. Sure, it's easy on the eyes, but would a little brains be too much to ask?
  6. (Fishburne's) performance here, witty and profane, vulnerable and strutting, nearly holds the movie together.
  7. Mr. Bader was lucky to get a good cast.
  8. Not often does a family film come along that is literate, clever, mischievous and just plain fun.
  9. It is essentially a personal reminiscence of daily life that captures with an astonishing precision exactly what it felt to be a 12-year- old boy growing up in a particular time and place.
  10. Because of its relentlessness, its crawling pace (the 77 minutes pass like 2 1/2 hours) and its sometimes confusing story, A Time for Drunken Horses may not be for every taste, but it's still an affecting, and in its way beautiful, movie.
  11. Has occasional moments of heat, but not much warmth. And while it is pretty enough to look at, real beauty eludes it.
  12. Stardom makes its metaphor of 15 minutes seem like a lifetime.
  13. A clever if muddled collection of riffs on the "Blair Witch" juggernaut, dressed up with intellectual pretensions by Joe Berlinger, who directed this film with a chortling zest.
  14. A weak-witted comedy.
  15. It's a meal you may feel you've eaten before, but you nonetheless walk away stuffed and happy.
  16. So poorly written, badly acted and ineptly directed that it denies you even the modest pleasure of making fun of it.
  17. This dream of a movie is set in such a place; with its delicate shifts of tone, it could be a fairy tale by Faulkner
  18. It's more a piece to admire than to be involved by, yet it's easy to imagine children hypnotized by a hero tinier than they are when "Kirikou" is continually loaded into the VCR.
  19. Powerful, insightful, important and emotionally wrenching.
  20. Silly, heavy-handed film.
  21. For all its incongruities, The Yards is a serious film that strives for a moral complexity and a textural density rarely found in contemporary dramas.
  22. Works hard at being charming, but comedy is best when it looks effortless.
  23. Has enough going on to make it a classic. You'll want to own it.
  24. Even better on a second viewing because the film is such a pure expression of the director's love for the music, a love so infectious it should leave you elated.
  25. It's so enamored of its own upbeat view of human nature that it expects you to overlook its stick-figure characters, its creaky plot machinery and its remorseless assault on your tear ducts.
  26. Outrageous fun.
  27. For juvenile filmgoers and families in search of a more-than-twice-told tale with uplifting messages about the rewards of perseverance, the virtues of animals and acceptance of the handicapped, MVP will do.
  28. A candy-colored, unabashedly sentimental movie.
  29. Well acted, but it doesn't enrich its metaphor beyond giving an old story a sour contemporary resonance.
  30. Brilliant film of nature has been warped into something jarringly unnatural.

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