The New York Times' Scores

For 20,323 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20323 movie reviews
  1. It's the central story that's lacking.
  2. Sublime in its involvement with the yearning of mankind to explore the heavens.
  3. The movie's sexual politics are as contrived as its plot, which veers off into one of the surprise endings of which Mr. Altman is so fond.
  4. A cast that chews the scenery with such obvious enjoyment that you're happy to put up with its tin-eared oratory and preposterous plot turns for the sake of a good ride.
  5. Anchors its melodramatic formula in tough, heartfelt realism.
  6. Has some funny, dirty-minded jokes, a few amusing cameos (including Julianne Moore in clown makeup) and a soundtrack loaded with juicy cuts of mid-70's vintage soul and funk.
  7. Willem Dafoe steals the picture with his comic timing.
  8. The power of Ratcatcher comes from its hushed lyricism and Ms. Ramsay's talent for conveying emotional complexity.
  9. Suffers from clumsy exposition and uneven acting, except in the case of Eddie T. Robinson.
  10. One
    The film's spareness and lack of words seem affected and ultimately unrealistic. At such moments, its refusal to put things into words and its crushing sense of gloom turn self-defeating.
  11. Illustrates the underlying fear that when energies that should be directed toward warfare are diverted into passion, unity is impossible.
  12. Unabashed, and often quite diverting, technological overkill.
  13. Experience filmgoing joy.
  14. Spike Lee has grabbed a tiger by the tail in his scabrously risky new comedy, Bamboozled. The wonder is how long he succeeds in hanging on.
  15. So minimally plotted that not only does it lack subtext or context, but it also may be the world's first movie without even a text.
  16. Too much soap opera colors its love story, and the industrial- strength dancing by booted men that is its centerpiece falls short of exhilaration.
  17. Comes off as noisy and ill conceived, long on morphing monsters, short on storytelling talent and uneven in its efforts at animation.
  18. In exchange for three hours of your time, Yi Yi will give you more life.
  19. This is a high-concept comedy, and none of the jokes are forced, which makes Meet the Parents a singular achievement.
  20. Be warned: it's a downer, and a knockout.
  21. Teeters from a noisy sitcom (only one step removed from "The Beverly Hillbillies") to brickbat satire until it collapses in a pool of redemptive mush.
  22. Emerges as an engaging if occasionally hokey inspirational melodrama about the importance of community in the face of life's disappointments.
  23. The movie belongs to Ms. Rodriguez. With her slightly crooked nose and her glum, sensual mouth, she looks a little like Marlon Brando in his smoldering prime, and she has some of his slow, intense physicality. She doesn't so much transcend gender as redefine it.
  24. If Remember the Titans is corny, it's unabashedly, even generously so.
  25. In a very real way, The Great Dance constitutes an act of preservation and a requiem.
  26. May not be dispassionate filmmaking, but it is certainly entertaining.
  27. This comic jigsaw puzzle is crammed with deliriously funny little bits.
  28. Terminally whimsical, it generates a steady current of humor, much of it off-color.
  29. Remains a sadly earthbound thing, mired in a dismal realism that lies far from its natural environment.
  30. Because Chutney Popcorn knows its characters deeply enough to let them determine events, it rises above formula. It is also unusually well acted.

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