The New York Times' Scores

For 20,312 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20312 movie reviews
  1. Vacillates between cutesy Disney-style anthropomorphism and "Born Free" exoticism.
  2. With its pointed narrative, the film makes its case with a minimum of pushiness and a subtle nod to its crowd.
  3. As tightly plotted as a standard French farce.
  4. For all its narrative glitches and its homemade quality, Thirteen evokes the rhythm, texture and tone of Nina's world in a way that a more carefully scripted film never could.
  5. The movie is essentially pro-Ecstasy. No matter how much the D.J.'s may claim that their electronic sounds produce the euphoria of a good rave, the movie clearly implies that Ecstasy is the key that unlocks it all.
  6. It's hard to take Passion seriously because it brings to mind the kind of shallow psychology that wouldn't be out of place in a history short about Sigmund Freud on "ABC Schoolhouse Rock."
  7. Its message is quite simple and all too familiar: when it comes to sex, all men are little boys.
  8. A refreshing movie that's so good natured, so confident of its ability to provoke not queasy awe or numb exhaustion but pure delight.
  9. Dreamy touches can't compensate for the film's main flaw, which is that the relationship between the two main characters never really develops.
  10. Once the basic conflict is established, the story plods along, alternating between preposterous -- in a bad way -- speeches and even more preposterous -- but in a good way -- shootouts and slugfests.
  11. With a neck-snapping jolt, turns into the scariest exercise in cinematic sleight of hand since "The Blair Witch Project."
  12. It's a bit like "The Sixth Sense," but without the melodramatic comfort of the supernatural.
  13. In this sweet, funny wisp of a movie, Mr. Allen shucks off his fabled angst and returns in spirit to those wide-eyed days of yesteryear, before Chekhov, Kafka and Ingmar Bergman invaded his creative imagination.
  14. Bad taste is timeless. And sometimes it can be so funny that you can't help laughing.
  15. It conveys plenty of wonder while mostly avoiding any saccharine preachiness.
  16. As luxuriant and intoxicating as a theme park ride; more remarkably, it feels like a real movie.
  17. Upbeat.
  18. By the end, even the irrepressible Mr. Foxx seems tired and defeated, and we can only hope he perks up in time for his next movie.
  19. Its frank good humor stands in sharp contrast with the strange combination of timidity and exploitiveness of more widely distributed recent teenage comedies.
  20. Sexy and infectious in spite of itself.
  21. New York becomes a complex character in this vital and sharply intelligent film.
  22. A confusedly misconceived hybrid of interracial buddy comedy and imitation Marx Brothers farce.
  23. It may be a bit early to make such judgments, but Battlefield Earth may well turn out to be the worst movie of this century.
  24. Grandiose and silly.
  25. Easy to like and difficult to admire.
  26. But most of the movie's notes are appallingly right.
  27. The purity and breadth of this meticulous study are all the more gratifying in view of its unprepossessing style.
  28. Avoids succumbing to the preachiness that is the bane of so many family films, and for a movie like this, that's no small feat.
  29. Advance word of mouth has suggested that Ms. Basinger...turns in a performance comparable to Meryl Streep's in "Out of Africa." Would that it were so. Ms. Basinger certainly works hard at her role.
  30. It reminds us that Italy is beautiful, that Fascism was a dreadful nuisance and that Sean Penn is a great actor, deserving of better vehicles than this vintage lemon.

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