The New York Times' Scores

For 20,312 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20312 movie reviews
    • 48 Metascore
    • 40 Critic Score
    An 87-minute documentary on the life, work and thought of George Condo, a garrulous painter with a mischievous sense of humor and an eccentric, quasi-mystical view of art and the world it inhabits.
  1. The moment the movie loses its lighthearted spirit is the moment it loses touch with reality
  2. There is a lot of violence, but not much action; a plot involving vengeance, jealousy and double-crossing, but not a great deal of suspense.
  3. A dreary crash of malapropisms and slapstick maimings wrapped very loosely around a murder mystery.
  4. Wants to be sweet and dark at the same time, but it is as distant as a planet's satellite.
    • 11 Metascore
    • 20 Critic Score
    Feels like a very long late-night comedy sketch that occasionally veers beyond tastelessness toward something worse.
  5. Mendelsohn's fusion of science fiction and Chekhovian melancholy finds a fresh perspective on a familiar theme.
  6. The brusque realism of Kragh-Jacobsen's style -- his careful suppression of style -- allows a surprising sweetness to emerge.
  7. Cartlidge's beautifully still performance, mournful one moment, defiant the next, lets you see into Claire's soul without editorializing or begging for our empathy.
  8. Ordinary lives have become an ordinary film.
  9. Sivan has accomplished something extraordinary: he has given political extremism a human face.
  10. The movie is staged like a pit stop -- Reindeer Games goes from being fun to being laughable.
  11. Another high-concept Irish Spring comedy.
  12. With so much going for it, how could the movie be such a dud?
  13. Simultaneously fascinating and vexing in ways that might tax informed devotees of both baseball and film.
  14. Is, in the end, a boisterous love song -- a funny valentine to London, to chaos and to human decency.
  15. Reflects the sensibility of the generation it holds up to critical scrutiny, and it's a cunningly ambiguous act of self-portraiture.
  16. A chilly machine-tooled comedy.
  17. Underwhelming, amusing only in fits and starts.
    • 73 Metascore
    • 80 Critic Score
    A splendid, assured piece of storytelling.
  18. Shrewdly taps into the lurking primal terrors of anyone who ever had to sleep with a night light.
  19. Forlorn melodrama, which is low on drama and high on mellow.
  20. Sheds heat but insufficient light.
    • 34 Metascore
    • 20 Critic Score
    Fails both as arrested-development farce and as teen-age romantic comedy.
  21. An adequate piece of children's entertainment, though it seems better suited for home viewing...than for the big screen.
  22. Not a terrible movie, just an insubstantial one. All of DiCaprio's charisma and the director's savvy are used to divert us from the fact that there's not much going on.
  23. One long, 1980s-style inspirational cliche.
  24. One of the most subtle and inspired comedies you'll see this year.
  25. Funny and brisk, with enough good lines to make the comedy more satisfying than the somewhat routine but still unsettling jolts to the spine.
  26. Like its title, it's a clumsy contraption.

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