For 20,312 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,400 out of 20312
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Mixed: 8,446 out of 20312
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Negative: 2,466 out of 20312
20312
movie
reviews
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- By Critic Score
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Reviewed by
Dana Stevens
A very funny movie, alive with a sense of absurdity and human foible.- The New York Times
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- The New York Times
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Reviewed by
Lawrence Van Gelder
Combines old-fashioned boys' adventure with a heavy-handed modern lecture on parenthood. The film possesses a decent heart but suffers from a simple mind.- The New York Times
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Reviewed by
A.O. Scott
If you're looking for laughs, give "Valley of the Dolls" another read instead.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
As it rubs our noses in our own fascination with vanity and the silliest values in life, it's charming enough to make us like it.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Dana Stevens
Extremely good-looking people tend to be shallow, self-involved and not very bright. Let's call this statement what it is: a form of prejudice, a stereotype. It is, sadly, a stereotype that Down to You does everything in its power to promote.- The New York Times
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To say that this movie is true to life is only to say that it's banal, boring and confusing.- The New York Times
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Reviewed by
Lawrence Van Gelder
Light on originality and low on suspense though high on design and special effects.- The New York Times
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Reviewed by
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Reviewed by
Dana Stevens
Works best when it sticks with the gentle humor and pathos of its literary source.- The New York Times
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Reviewed by
Lawrence Van Gelder
Most of the principal female characters are either sexually voracious, sexually promiscuous, pregnant out of wedlock or angrily bent on revenge.- The New York Times
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- The New York Times
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Reviewed by
Janet Maslin
An interestingly wild hybrid of visual styles and cultural references.- The New York Times
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Reviewed by
Stephen Holden
It is Mr. Sabzian's poignancy that makes "Close-Up" much more than a clever reflection on film-versus-life as an endless hall of mirrors.- The New York Times
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Reviewed by
Stephen Holden
Washington leans into an otherwise schlocky movie and slams it out of the ballpark.- The New York Times
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Reviewed by
Stephen Holden
Morris, instead of evoking the solemnity that surrounds most films that touch on the Holocaust, has directed Mr. Death as the blackest of comedies.- The New York Times
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Reviewed by
Stephen Holden
This intelligent, well-acted movie is not helped by the fact that its story in some ways parallels that of "Stigmata," the trashy supernatural spookfest that flared briefly at the box office earlier this year.- The New York Times
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Reviewed by
Stephen Holden
Are they fools or heroes? Because the movie can't decide, neither can we. And without an emotional payoff, Play It to the Bone ends up stranded in serio-comic limbo.- The New York Times
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Reviewed by
Stephen Holden
Makes the best possible argument for a cautionary drama that contemplates the absolute worst in us.- The New York Times
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Reviewed by
Lawrence Van Gelder
It keeps its tongue firmly in its cheek, offers a few genuine laughs, moves swiftly, if not at warp speed, and is led by a talented cast.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Stephen Holden
Admirably high-minded and visually gorgeous but fatally anesthetized by its own grandiosity.- The New York Times
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Reviewed by
Janet Maslin
Not since the latest fashion layout flirted with arty desolation, has misery looked this fabulously pristine.- The New York Times
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Reviewed by
Stephen Holden
For much of the movie, the kinetic furor of the game sequences helps camouflage the weaknesses of a screenplay that is a mechanically contrived series of power struggles.- The New York Times
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Reviewed by
Janet Maslin
What is missing here, though it might have been the first thing expected from an ostensible film biography, is an answer to the simplest question: Who was Andy Kaufman, and how did he get that way?- The New York Times
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Reviewed by
Stephen Holden
A small, intense period piece with a tough-love attitude toward lazy, self-indulgent little girls flirting with madness.- The New York Times
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Reviewed by
Stephen Holden
Crammed with enough melodrama to fill several soap operas.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Stephen Holden
Except for Williams, the sitcom-meets-sci-fi acting throughout the movie is strictly of television caliber.- The New York Times
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