The New York Times' Scores

For 20,312 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20312 movie reviews
  1. A very funny movie, alive with a sense of absurdity and human foible.
  2. Impenetrable mess of a movie.
  3. Combines old-fashioned boys' adventure with a heavy-handed modern lecture on parenthood. The film possesses a decent heart but suffers from a simple mind.
  4. If you're looking for laughs, give "Valley of the Dolls" another read instead.
  5. Disarmingly endearing.
  6. As it rubs our noses in our own fascination with vanity and the silliest values in life, it's charming enough to make us like it.
  7. Eloquent, understated film.
  8. Extremely good-looking people tend to be shallow, self-involved and not very bright. Let's call this statement what it is: a form of prejudice, a stereotype. It is, sadly, a stereotype that Down to You does everything in its power to promote.
    • 15 Metascore
    • 10 Critic Score
    To say that this movie is true to life is only to say that it's banal, boring and confusing.
  9. Light on originality and low on suspense though high on design and special effects.
  10. Works best when it sticks with the gentle humor and pathos of its literary source.
  11. Most of the principal female characters are either sexually voracious, sexually promiscuous, pregnant out of wedlock or angrily bent on revenge.
  12. Not especially innovative in its look or subject matter.
  13. An interestingly wild hybrid of visual styles and cultural references.
  14. It is Mr. Sabzian's poignancy that makes "Close-Up" much more than a clever reflection on film-versus-life as an endless hall of mirrors.
  15. Washington leans into an otherwise schlocky movie and slams it out of the ballpark.
  16. Morris, instead of evoking the solemnity that surrounds most films that touch on the Holocaust, has directed Mr. Death as the blackest of comedies.
  17. This intelligent, well-acted movie is not helped by the fact that its story in some ways parallels that of "Stigmata," the trashy supernatural spookfest that flared briefly at the box office earlier this year.
  18. Are they fools or heroes? Because the movie can't decide, neither can we. And without an emotional payoff, Play It to the Bone ends up stranded in serio-comic limbo.
  19. Makes the best possible argument for a cautionary drama that contemplates the absolute worst in us.
  20. It keeps its tongue firmly in its cheek, offers a few genuine laughs, moves swiftly, if not at warp speed, and is led by a talented cast.
  21. Carnal, glamorous and worth the price.
  22. Admirably high-minded and visually gorgeous but fatally anesthetized by its own grandiosity.
  23. Not since the latest fashion layout flirted with arty desolation, has misery looked this fabulously pristine.
  24. For much of the movie, the kinetic furor of the game sequences helps camouflage the weaknesses of a screenplay that is a mechanically contrived series of power struggles.
  25. What is missing here, though it might have been the first thing expected from an ostensible film biography, is an answer to the simplest question: Who was Andy Kaufman, and how did he get that way?
  26. A small, intense period piece with a tough-love attitude toward lazy, self-indulgent little girls flirting with madness.
  27. Crammed with enough melodrama to fill several soap operas.
  28. Feels too cramped, indoorsy and bloodless to catch romantic fire.
  29. Except for Williams, the sitcom-meets-sci-fi acting throughout the movie is strictly of television caliber.

Top Trailers