The New York Times' Scores

For 20,312 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20312 movie reviews
  1. More focused on surface than true revelation.
  2. Indelible, deeply disquieting film.
  3. A muddled film with John Waters aspirations.
  4. Banderas directs capably enough to keep the film lively.
  5. The film has some charm and a winning simplicity but not an iota of depth.
  6. An intense, volatile film full of sorrow and wild, mordant humor.
  7. Amounts to recycling rather than reinvention.
  8. Oddly charming.
  9. The territory where the circus sideshow meets the avant-garde...visually arresting, dramatically blurry.
  10. Though it sets out to explain why this marriage is worth saving, The Story of Us could prompt even single members of the audience to file for divorce.
  11. Overly schematic, not always believable in its crude sexual mechanics and ultimately unsensual. But it lays out the laws of erotic attraction with a brutal directness that is downright scary.
  12. A stirring, kaleidescopic documentary.
  13. Dramatically Joe the King feels unglued, as if crucial sequences had been left on the cutting-room floor.
  14. Switching gears radically, bravely defying conventional wisdom about what it takes to excite moviegoers, Lynch presents the flip side of "Blue Velvet" and turns it into a supremely improbable triumph.
  15. Plods along, never catching dramatic fire, sometimes suffering from amateurish acting and often relying on its intrusive and treacly music to impart mood and rhythm.
  16. The sardonic, testosterone-fueled science fiction of Fight Club touches a raw nerve.
  17. Affirms that soft-core porn is alive and well in cyberpunk.
  18. Deceptively silly, ultimately intelligent.
  19. Works, in its deliberately low-key way.
  20. The film confines them to an affair that is the sexual equivalent of Easy Listening.
  21. A one-joke mockumentary.
  22. Brims with understanding of the complexities of relationships, the frailties of humankind and the possibilities of joy.
  23. The impact of these stories is not in the words but in the way the mood, texture and the acting build each situation into a visually intense parable about the similarity of spiritual, erotic and aesthetic aspiration.
  24. Among Soderbergh's widely varied films ("sex, lies and videotape," "Kafka," "The Underneath," "Schizopolis," "Out of Sight"), this one actually has the best chance of becoming anyone's sentimental favorite.
  25. A comedy with several good laughs but no convincing cohesion.
  26. Stunning...a film much tougher and more transfixing than its wan title.
  27. (Shue's) sweetly likable performance is the only coherent element in a film that has the impersonal feel of a television drama slapped together in a rush.
  28. None of it adds up to terribly much beyond a rip-roaring adventure that shows off Carlyle and Miller as cynical British city cousins of Butch Cassidy and the Sundance Kid.
  29. Artfully treading a fine line between operatic tragedy and romantic comedy.
  30. An upbeat meat-and-potatoes movie.

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