For 20,312 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,400 out of 20312
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Mixed: 8,446 out of 20312
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Negative: 2,466 out of 20312
20312
movie
reviews
- By Date
- By Critic Score
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- The New York Times
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Reviewed by
Janet Maslin
Made with such overriding jubilation that its coarseness is mostly liberating...well worth admiring for its sheer glee.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Would seem hokey if it didn't have powerful, extraordinary central performances and cinematography that lends the English landscape around Cornwall a mythical cast.- The New York Times
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Reviewed by
Janet Maslin
Eminently likable...a splendid performance from Alec Baldwin in a far cry from his usual roles.- The New York Times
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Reviewed by
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- The New York Times
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- The New York Times
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Reviewed by
Janet Maslin
Depp moves through the film suavely and imperturbably, never letting the particulars bog him down.- The New York Times
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Reviewed by
Stephen Holden
The story is a clever sitcomy contraption, the dialogue is pedestrian.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Gives you the delirious thrill of ripping off your enemy's head and watching the blood gush by providing a ringside seat.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Janet Maslin
Treats its characters seriously and doesn't resort to the obvious very often.- The New York Times
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Stephen Holden
A lightweight comedy that has more than enough laughs to justify its silly, scatterbrained premise.- The New York Times
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Reviewed by
Janet Maslin
Newly benign and noticeably clumsier than the hits (Williamson) has written.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Brokedown Palace is good enough so that you wish it were better.- The New York Times
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Reviewed by
Janet Maslin
Smoothly directed and acted with glee... showing quick-witted comic spirit.- The New York Times
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Reviewed by
Janet Maslin
The cast never has much chance to shine. And the main attraction is kept all too understandably under wraps.- The New York Times
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Stephen Holden
For all the real problems faced by its characters, Better Than Chocolate is finally a comic rhapsody to romantic love, the possibility of happily ever after within an all-accepting subculture.- The New York Times
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Reviewed by
Dana Stevens
As sublimely warming an experience as the autumn sun that shines benevolently on the vineyard owned by the film's central character.- The New York Times
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Reviewed by
Janet Maslin
A terrific offbeat cast operating on one shared, loony wavelength.- The New York Times
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Reviewed by
Janet Maslin
Hard to believe that real emotion was involved anywhere in this story.- The New York Times
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Stephen Holden
With a cackling nihilistic glee, the movie rubs our faces in the stinking, screaming muck of raw human appetite and insists that that's all there is.- The New York Times
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Reviewed by
Janet Maslin
Summons the stock characters of behind-the-scenes theater stories and affectionately invests them with new life.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Because it unfolds like a garish hybrid of Simon Birch and What Dreams May Come, with some horror-movie touches thrown in to keep us from nodding off, "The Sixth Sense" appears to have been concocted at exactly the moment Hollywood was betting on supernatural schmaltz.- The New York Times
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Reviewed by
Stephen Holden
An uproariously dizzy satire...Hedaya has created the year's funniest film caricature.- The New York Times
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Reviewed by
Janet Maslin
An eerily effective film...Twin Falls Idaho has style, gravity and originality to spare.- The New York Times
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Reviewed by
Janet Maslin
More often, the film is like a ride through a car wash: forward motion, familiar phases in the same old order and a sense of being carried along steadily on a well-used track. It works without exactly showing signs of life.- The New York Times
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