Speedball 2 HD is a purchase for those who want to rekindle the early 90s, the glory days of gaming, the Amiga, the Master System, the Atari… however the resultant fire will barely light the soul, sizzling out all too quickly.

A low point for the series, both in gameplay and narrative cohesion.

Space Hulk: Deathwing Enhanced Edition has a few enjoyable moments, especially in multiplayer, but, despite a few graphical improvements, and some technical fixes, it does very little to improve on 2016’s original. The game is simply a old, boring and downright lacklustre first-person experience.

While it has genuinely great moments, Suicide Guy has a few too many bugs as well as being incredibly short. The physics themselves don't always work as they are supposed to, a definite issue in a physics puzzle game. Not a bad game, but not a good one either despite it's high points.

A serviceable Mario Kart clone that is fun enough but lacks any real personality and won't challenge most gamers.

The Crew promised so much, but delivered so little.

A game full of more than it's fair share of style unfortunately lacks any of it's fair share of substance. It may be worth a look if you are a long time fan of the series but there are much better examples of this style of game for everyone else.

A triumph of hype and tech over engaging gameplay. The latter is short-lived with No Man's Sky.

A fine-looking but hard-wearing shooter that has a lot of ideas but ultimately fails to rise to the occasion.

As it is we have something that is good for little more than use as an interactive movie.

Despite Appalachia's appeal, Fallout 76 is broken mess of a game that, in its current state, feels nothing more than a shamefully unfinished cash-grab that isn't fit to use the Fallout name.

In trying to encompass so many game mechanics in such a short title How To Survive ends up feeling rushed and unfinished, a perfunctory title that never manages to rise above adequacy.

In the end, despite some good work in combining RPGs and side-scrolling beat ‘em ups, it’s difficult to recommend Battle Princess of Arcadias to anyone but the most ardent fans of either genre.

Unpolished to the point of seeming unfinished in places, The Golf Club isn’t a rival to the EA Sports Tiger Woods franchise but is more of a throwback to the hardcore, simulation days of Links.

What should have been a ramp up in excitement for the finale descends into dull, familiar tropes with bizarre characterisation.

Kirby Fighters 2’s repetitive single-player gameplay and online issues make it hard to recommend. You might like it if you’re a die-hard Kirby fan but it’s lacking in quite a few ways.

Although it means well, and has bags of character, My Night Job just doesn't have the depth to keep the player hooked and its gameplay becomes repetitive very quickly.

Disney Infinity 2.0 is lacking in content, even after you have paid out in excess of £120 for all the available playsets, and sadly what content there is is bland, repetitive and generally uninspiring.

With Batman, Telltale took a huge gamble by reimagining established heroes and villains, and skewing the comic’s plot in a different direction. It could have been a tremendous success but, lacking the foundations of a story worthy of its characters, the end result is storied and often incohesive, even within individual chapters. Gotham deserved better.

Sword Coast Legends is a decent game with a compelling story and some rather excellent voice active. It's brought down heavily, however, by excruciatingly long load screens and the chance of hitting a game-ending bug.

Ken’s Rage 2 is a passable, sporadically enjoyable game that’s undermined by drab visuals and a campaign with a padded second-half.

Some nice mechanics here but flawed in almost all aspects.

With the procedurally generated maps there’s plenty of replay value and there’s something rather rewarding helping you tribe earn the stripes and conquer each level. However the issues with crashes on the low-end of the graphical scale are a concern especially as this will be a tempting game for those who game on the go.

The one gameplay twist to the episode - a button prompt reading of the Night’s Watch vows - can be achieved by watching the exact same scene in the TV show and pressing a button every time someone starts a new sentence. This summarises the problem with The Sword in the Darkness - there is nothing new here.

Whilst the game certainly has some pitfalls and it would have been nice to see more of the Regular Show characters and personality injected, the varying styles of gameplay are entertaining and the inventive concept has to be admired.

Chaos Rising is probably the most fun of the three episodes so far, but their similarity in everything from structure down to animation does little to endear the player to these hastily-sketched caricatures.

It’s worth a few laughs for the odd hour or two, and possibly more if you’re the kind to tinker with ragdoll physics and game mechanics to comic effect.

It tries to ride the coattails of the previous title, but stands wobbly on its own two feet.