It’s better than Chaos Rising but by capping off a promising mini-campaign with such disappointment, The Last Agent retrospectively tarnishes the whole wretched endeavour.

With no challenge beyond wrestling with the horrible controls, Unbox is a failed appeal to nostalgia that captures none of the warmth or playability of the games it admires.

A decade ago Arcania would be a pretty decent RPG. Time has not been friendly to this game and repackaging something that was never a classic to begin with is a misguided move.

Do yourself one instead: if you’re thinking of investing in a digital Magic experience, get last year’s instalment and avoid this soulless excuse for a game. Shame on you, Wizards of the Coast.

No-one expects Tearaway levels of interaction anymore, especially not when there is also potential PlayStation TV integration to consider, but every physical interaction with The Muppets Movie Adventures feels more like a progression blocker than fun.

There’s little to recommend. The presentation is wonderful, but it is let down by everything else.

Two positive things to take away from everything is that it is arguably the best game Spark have ever produced and is not as bad as Aliens Colonial Marines.

A colourful but tedious experience that never lives up to the excitement or intrigue of its idols.

For all its flaws and the questionable attempts to modernise the Pac-Man format, you can’t fault Pac-Man and the Ghostly Adventures for being a run-of-the-mill, inoffensive (except for the biting) platformer.

It’s short but not particularly sweet. There are many other games that evoke the same feelings as The Gardens Between, but they do so far more effectively.

The Dwarves had so much potential and even though the game looked great for a Kickstarter game, considering their lack of budget and the story it had to work with was a spectacular one, developers KingART just somehow managed to miss the mark.

Terminator: Resistance continues the trend of bad Terminator games and is better off being Terminated into the bin. You won’t be back to play this one, that’s for sure.

I cannot in good faith recommend people pay for Marvel’s Avengers. At it’s absolute best, the game is fine. More often that not, it does not reach those modest heights. The live-service approach to a franchise that does not suit it has rendered so much of it bland and lazy when that’s the last thing a game of this nature should be. This may be a game that we come back to in the future and find a completely reworked, satisfying experience that doesn’t put all its effort into blocking the player from enjoying themselves but not right now. At launch, Marvel’s Avengers is an imperfect and frustrating mess.

Rush Bros has some good ideas behind it, but the execution leaves a lot to be desired; for a game that claims to be a blend of two genres, there’s surprisingly little content from either.

Gleamlight tries to mix-up a formula that we've seen before, and falls some way of short. Despite some interesting features, it's biggest problem is that it's not fun to play.

The setting is decent, the atmosphere can be good in an intimidating way but as it’s a first-person shooter with awful combat and an even worse frame rate it’s impossible to recommend.

A narrative game that doesn't have enough time to tell the story it's trying to tell, leaving characters and plot lines feeling unfinished. Whilst it has a lot of interesting ideas and some nice mechanics, none of them feel fully realised. Twin Mirror is bursting with potential, which is why it feels so disappointing.

A lack of visual flair or narrative complexity leave Anamorphine feeling dull and long winded, the cursory way it touches upon difficult emotional issues born out of interpersonal problems and substance abuse comes off poorly as a result.

It is a shame that the direction that Rebellion have taken the series is an ill-advised one and a direction that is a puzzling as it is pointless.

Coast Guard has its moments where you start to enjoy yourself but slowly the little niggles start to add up and end up distracting you more and more.

This game tries to hitch a ride on the nostalgia train without paying the due fees first. For hardcore Star Ocean fans only.

Overall taking into account the target audience, Disney Planes still feels rushed and lightweight.

Infliction: Extended Cut derives almost all of its best ideas from much better games, making the whole thing feel like a chore rather than an ordeal. It simply does not cut it.

A poor ending to the weakest season to date, bogged down with inconsistent characterisation and a plot that ignores or discards many key threads.

Meridian: New World feels like a game that has fallen out of early access far too early.

Unfortunately Mickey’s reputation as a gaming character takes a battering from this version of an already poor game, one which does nothing different and better than what already existed. Indeed the developers should probably have not bothered. If you’ve already had the misfortune to experience this tale on home console there is no way you would want to come back and no reason to do so. If you haven’t, it’s still not going to bring you any joy. We did have high hopes for Mickey’s gaming career but that hope does not survive even five minutes into this title.

While it looks and sounds great, Perfect Universe sadly fails as a collection of pick-up-and-play minigames.

A distinctly below average hack-and-slash game with better examples of the genre already out there.