Wax Heads is an impressive achievement. It delivers a great mix of varied music, great record graphical design, exquisite fictional critical texts, and narrative. The universe built around Repeater Records is a lovely one, filled with cool customers and interesting co-workers. Make sure to unlock and play all the songs that were specifically recorded for the game. While the core gameplay loop of using a short prompt to find the best record for each character is great, it can become somewhat repetitive. Playing two or, at most, three days in one session is the go-to move. Wax Heads is a great example of how a two-person team can deliver a great game, infused with passion and packing great songs.

If you’re into quirky, weird and comedic stories, then Hank: Drowning on Dry Land is your cup of tea. It’s one of those games that not only ends up making you think, but it’s exciting, engaging and it continues to bring interesting, new ideas into the mix. Being able to rewind time is a nifty feature, and it adds a lot of value to the game experience. It’s cleverly added to the point where it’s not overused, yet vital to the gameplay. Hank: Drowning on Dry Land is a short game, but a well-made one. It knows what it wants to be and it definitely doesn’t overstay its welcome. The focus is on sharing a great, relatable story and one that only gets better as you play. Granted, you can finish it in 30 minutes, but it ends up being a very fulfilling, albeit sometimes frustrating game that you will remember for quite some time.

MotoGP 26 continues to refine the series, and it has some notable additions. It’s more of an incremental upgrade rather than a massive new entry, but that’s fine. You get the latest tracks and riders from the real MotoGP, along with a great career mode, the exciting arcade control system and even Ride Off, which I found to be quite fun to mess around with. With that in mind, the fact that you’re only getting a new track when compared to the MotoGP 25 version might keep some people away. However, with yearly releases, you always want to have the latest riders and teams, so this is the superior version from that perspective. The best way to get into MotoGP 26 is to expect it as a yearly update of the roster and a new track, along with great visuals. Also, I think this is the better version for people who are into arcade racing, while also respecting veterans and offering them a pro-level control system, too.

Lunchbreak Tactics is a smart and fast auto-battler that plays to the genre’s strengths. A complete winning 12-battle run can take under 20 minutes once gamers understand the mechanics and know the type of team they want to create. The fast speed, with its cool rock soundtrack, condenses a battle to under one minute. The game looks good, and developing a team during the shop phase involves a balance of long-term thinking and luck. The only issue I have with the mechanics is that the meta-progression feels a little slow. The world-building is a little limited, but it doesn’t matter much given the engrossing gameplay loop. Lunchbreak Tactics is easy to learn, quick to play, and gets more fun as players understand it more and unlock new heroes and clans.

It will take quite a bit of time to learn the controls and get used to the visual style this game has. But, once you do, you will find yourself trying to finish the game. It’s not going to be a game for everyone, especially due to its weirdness and strange story. But it’s an artistic game, and one that brings a sense of self-expression, while also embracing horror in a way that I think is quite satisfying. Yes, it needs more polish and guidance when it comes to the lore and story, however it's a solid effort, especially as a first release from the studio.

HELL OF FEAR: Mind Breach successfully manages to bring us the intensity of survival games, along with the horror expected from titles like Dead Space. While it’s clearly an indie game, it delivers a nicely polished experience where you always try to stay alive and fulfill the different missions that appear along the way. The story here is great, but also contained to the base, so you won’t see a variety of environments or anything like that. Despite some minor shortcomings, HELL OF FEAR: Mind Breach is still a great game to play, especially if you are a fan of the horror genre. The survival elements sprinkled in are exciting and won’t deter the experience. The game is adequately priced for what it offers as well, just make sure that you go in with the right expectations.

REPLACED is a beautiful, narrative driven experience, and that’s where the game is at its best. It tells a very interesting, gripping story, and I found myself fascinated with the great locations, mesmerizing backgrounds, but also the intricate characters found within the game. Sad Cat Studios hit it out of the park here, the game is not only visually impressive with its pixelated art style, but also the well-written story. REPLACED also brings excellent social commentary, making us think twice about our society and its path forward. It’s certainly not without its small issues, like combat being repetitive and platforming not shining that much. But it’s definitely one of those games that will make you pause and look at the scenery often, while pondering about your life and your role in society. Plus, if you are a completionist, there’s plenty of lore and extra info to be found here. All in all, it’s a delightful game, but keep in mind that it’s all about the story rather than action.

Tombwater is very good at mixing two very different inspirations into a coherent experience. Bloodborne, moved into two dimensions, supplies the core combat mechanics, the feeling of eerie transformation, the magic system, and the fire. The Wild West brings in the characters, the dusty town, and the taciturn main character. Anyone who loves both will have a lot of fun exploring this world, discovering its past, conquering its many challenges, and developing their combat abilities. It helps that players have the option to make the game easier in the Settings menu once they start their adventure. Tombwater can be frustrating at times, but its core combination of ideas is very good.

Minos continues the long-term video game trend of finding new mechanics that work well with a rogue-lite structure. Scanning a new labyrinth layout, evaluating enemy ingress routes, deciding which traps will work best on the enemies, and then watching as they die before reaching Asterion is satisfying. The extensive array of traps and challenges helps keep things fresh. But the game fails to find anything new and innovative to do with the rogue elements. And as the difficulty ramps up, it can take half an hour to puzzle out the best way to deal with one enemy wave. Minos’ trap and labyrinth shaping mechanics are solid, but the title sometimes struggles to keep players engaged with them.

Second Sun is one of those games that tries to combine multiple genres, and it does a very good job at that. The moment-to-moment FPS gameplay is very slick and engaging, and the RPG elements are also great, without feeling overwhelmed. It’s important to treat Second Sun as an indie game and time your expectations. It’s not going to be the ultimate game in the genre. However, it has a very interesting story and world. I like how Second Sun knows what it is and it manages to do all the core things right. The NPCs are interesting, the combat is very good, and the loot-based progression will keep you going even when things get repetitive. Granted, the game has a shallow narrative, and its visuals are not the best, but the gameplay stays interesting until the end. Plus, the game is not very expensive, it’s priced correctly for what it is, and it offers a good time for the 8-10 hours you need to go through all of its content.

When I started playing Constance, I had no idea what to expect. Releasing a metroidvania so close to Silksong was a gamble, but I think it paid off. Constance might not be the 30+ hour juggernaut that game is, but it has a heartwarming story and its platforming is excellent. The narrative is amazing, and the unique painting mechanic adds risk, but also rewards strategic thinking, too. You’re also rewarded if you explore, which is important for this type of game. Constance has its caveats, like limited fast travel or the main character not speaking at all during the game. However, those things are by design, and they tie into the game’s approach towards stress and mental health. This is a type of game that can help you rethink some of your choices in life, while also giving you 4-5 hours of intense platforming goodness, and it’s a breath of fresh air for the genre.

Dice with Death creates an engaging combination of dice rolling and player choice. There’s no way to control the rolls entirely and eliminate the frustration caused by the lack of luck. But killing Death using just the right mix of character, relics, and dice faces is very satisfying. It helps that the old-school presentation allows gamers to focus on thinking about their rolls, the potential combinations, and the moment when risking it all is worth it. Dice With Death doesn’t transform the Balatro-like game category, but it creates tense runs and rewards players who are unafraid to take risks.

WAR RATS is by no means perfect. It definitely has its flaws, but it does a great job at hiding them. Minor issues aren’t in your face, and you will rarely encounter them. Also, the dev team is committed to upgrading the game, and they are looking to add new gear, your own customizable nest, harder enemies and so on. So even if you played WAR RATS already, there’s definitely even more new content on the horizon. It’s clear that the developers are putting the work into creating an unforgettable experience. Plus, the sheer premise of controlling rates in battle is amazing, and it feels very satisfying to defeat your rat brethren.

Possessor(s) is a bit of a departure from the developer’s signature style, but the gameplay is great and the entire experience is very polished. It’s not overstaying its welcome, and the story they share here is quite interesting, albeit short in my opinion. I wish we spent even more time in this world, but in the end, this is a very polished, high-quality game that everyone will enjoy checking out, especially if you are a fan of metroidvania titles. Not every moment in Possessor(s) is intense, there are sometimes when you unwind and relax, and also explore the world rather than engage in constant battles. Additionally, there were a few bugs at launch, but those were solved by a few, subsequent patches. At the time of this writing, the game runs great, and I didn’t experience any crash. I wish the map was easier to manage and you had more guidance, but overall, it’s an interesting platformer with nice twists, and it stays creative without burdening players with a complex story. Instead, it seamlessly blends good story with fast-paced action, making it a solid experience even if you don’t really play this genre.

Pure Pool Pro is a good pool game, and maybe one of the better releases in the genre for the past few years. It’s not trying to be the be-all, end-all of pool, and it does lack some pool types like one-pocket, bank pool, blackball, bumper pool and so on. However, it sticks with the most popular pool types, and it succeeds in offering a realistic, challenging, yet fun depiction of pool for those who want to play at home. It has great visuals, the gameplay is very engaging with a great dose of realism, and there are also plenty of people to play against in the online world. But even if you like to play on your own, there’s a hefty campaign mode where you can grind stars in each level and unlock cues or balls. The lack of key pool types forced open mic and AI that feels overwhelming at times will cause some issues. But once you get past that, you’ll have a wonderful pool game with plenty of content.

Despite being short, Darwin's Paradox is a game that has a lot of heart. It’s very fun to play, intense at times, and very emotional. The traversal options and various octopus’ abilities are very exciting to use, and the best part is that you have a plethora of different platforming challenges and puzzles along the way. The game’s ending was a standout for me, but the entire experience feels great and it’s really well polished. I’ve always enjoyed cinematic platform games, and Darwin's Paradox is certainly one of the standouts in this genre. It’s very well-made, it has excellent attention to detail, and the environmental comedy is strong in this one, too. Hopefully we’ll see more of Darwin, because this story feels like the beginning of a potentially long series of adventures. I’m in if that’s the case, because I like the world and characters, and I want to see more of it.

Xenonauts 2 is a great modern take on the ideas of classic X-COM, made popular, focused on complex systems, solid tactical battles, and an escalating challenge. Players will handle shadowy political influence campaigns, research and manufacturing, base building, aerial interception, and, of course, tactical battles. The game is mechanically sound, tense, and rewards good planning and careful execution. Each turn-based engagement, whether against humans or aliens, is engaging and tense. Xenonauts 2 isn’t accessible or dynamic enough to bring in new fans, but it will satisfy anyone who loved the first X-COM or the Long War mod for modern XCOM.

If you always wanted a fun WWII-themed tank game, then Sherman Commander is definitely right up your alley. Sure, it’s more of a simulation and crew/team command game rather than an arcade tank title, but it works well and it has amazing destructible environments. I enjoyed the campaigns, the open-ended nature of these maps and the tactical freedom that comes from this game. On top of that, the atmosphere is very immersive, and it pulls you in. Of course, no game is perfect, and Sherman Commander certainly has some detractors. It has some visual issues, especially with aliasing making it difficult to identify targets, and its voice acting for friendlies is not the best. However, those things were not a major deterrent, at least in my case. I enjoyed blowing up other tanks, destroying buildings, while also refreshing my WWII knowledge during these campaigns. It’s a fun game for tank enthusiasts and history buffs, even if it does need a bit more polish and it focuses too much on micromanagement sometimes.

Screamer is an exciting arcade game that likes taking risks, and for the most part, it succeeds in what it tries to achieve. The driving system, albeit annoying at first, grows on you, and eventually you feel like you’re one with your car. The game world is beautifully made, and the anime parts of the game are nicely done, too. Moreover, the game’s performance is great, I never experienced any major frame drops, crashes or something that would impede the gameplay. However, Screamer has a few issues. The story mode has forgettable characters and it’s not the strongest part of the game. Also, I felt that the sound design was not ideal. But as a complete package, Screamer is definitely an arcade racer that everyone needs to try out. The sense of speed is there, being able to attack others and work to load up your skills, that feels very satisfying. The game is very rewarding to play, and you will soon get past any of its mishaps.

Project Songbird will divide gamers, but it’s worth playing. The story premise is well-worn, but it works, and Dakota is a cool character to work with. The narrative goes some weird places, even if the final third doesn’t deliver on the initial promise. The atmosphere is great, especially when players get to run through Dakota's record collection as she delivers her critical evaluation. I wish the experience leaned more on these elements, including the nature sound recording and the photos. The nighttime puzzle sequences and the creature avoidance fail to be as engaging. These sequences, apart from a few jump scares, also don’t deliver on the promise of some solid horror. Project Songbird is worth playing for the story and the vinyl records, as long as players are willing to overlook some clunky gameplay elements.

The Mega Man Star Force Legacy Collection is an excellent package featuring 7 fun games that will eat up many hours of your time. Capcom is very respectful to the source material, and the updates they made, like better visuals and remixed soundtrack are tasteful. Plus, you can always revert to the original versions, if you want. The games have a fun story overall, but there are some pacing moments and weaker villains at times. However, they do a great job with the combat, which is very compelling and you will find it extremely enjoyable. The addition of multiplayer is also exciting, because playing against other people helps you improve your skills, while also learning from mistakes. Even for someone new to the Star Force series, this collection was a lot of fun to play, and it has that hook which keeps you playing for hours. I am confident that fans of the originals will have a blast with this game as well.

Aether & Iron is one of the most atmospheric video games I've played in recent memory. Even characters who show up for a scene or two seem to have an inner life, and the aether-powered New York is an excellent example of alternate history. After a while, I started playing in shorter sessions, completing only two or three quests at a time, to extend my time with the game. Car combat is a good gameplay system, adding variety and tension, but the mechanics do not match the storytelling. The vehicle customization is a little fiddly, while the idea of environmental dangers for flying cars is a little incongruous. These are minor issues for Aether & Iron, which is impressive in its ability to marry a cool world and strong characters with decent, if not innovative, gameplay.

Legacy of Kain: Ascendance does a great job at bringing us more Legacy of Kain lore, a new character and some interesting mechanics. After the Defiance remaster, I was not expecting to see yet another Legacy of Kain game being released, especially one that’s new. I think this is a great addition to the series, and the game does an excellent job at introducing Elaleth, along with some other characters. The story will be very familiar to fans of the series, and it certainly adds some nuanced stuff I did not expect to see. Moreover, the gameplay is very fast paced, engaging, even if at times it can become frustrating if you opt for a higher difficulty level. If you want to acquire all achievements, you will get quite a bit more gameplay out of the game, as it can take you 7-10 hours depending on the play style. Even if the game’s story is short, I found it very fun, and I am looking forward to replaying on a higher difficulty level, to spot any lore that I missed along the way.

GreedFall: The Dying World has a strong combat system, more versatile and expansive when compared to the previous game. It feels more tactical, and you have to consider different weapon types, status conditions, team composition and so on. Granted, the enemies can feel generic, but you have an expansive skill tree to ensure that you mix things up as you go along. I also enjoyed the great world building, and bosses were a highlight for this experience. The team at Spiders surpassed themselves by creating an even better game than the first GreedFall, although this title has shortcomings. There are pacing issues with the story, the romance arcs are weak, and some areas/character arcs felt unfinished. It takes a bit to pick up and feel great, but once it does, you will find yourself spending many hours in this interesting world.

The Spirit Lift is a joyous and easy-to-play mix of runs and card combat. It uses familiar mechanics well, giving players multiple ways to engage with a solid group of enemies with unique designs. Its characters and their unique sets of cards can be mixed and matched in varied ways while players uncover more of the narrative. The exploration elements don’t add much, and the game needs more events and choices. But the characters and the atmosphere fit well with most of the gameplay. The Spirit Lift doesn’t try to revolutionize the genre but finds smart ways to stand out.

As a package, Rebel Engine does a great job at offering you intense, fast-paced FPS gameplay. The game has a lot of heart poured into it, and you can see that from the visual style to the overall design, music and intense gameplay. They did a great job when it comes to the enemy variety as well, along with the boss design. It’s one of those experiences that can feel cringe at times, but it also pushes the boundaries when it comes to gameplay intensity and attention to detail. Although it’s by no means perfect and it has its fair share of minor issues, I think everyone who loves FPS games should try Rebel Engine. It’s an ode to a long-lost era, it’s a great, albeit short experience, and the game continually pushes the boundaries with even crazier boss battles and encounters. Yes, it might not be very long, and it has its downsides, but for the most part it does its job as intended, and you will have a blast with it, which is what matters the most.

Valor of Man creates a winning combination of turn-based tactics and rogue elements. The four heroes are well-chosen and have a ton of variety to keep engagements fresh. Solid design for normal enemies, elite, and bosses helps. Pick a tactical approach, build up the squad to emphasize their strengths, and have fun solving a variety of tactical puzzles. After my second run, I no longer paid much attention to the narrative interludes, which suggests a certain narrative weakness. The node map is also disappointingly standard. Valor of Man’s combat is good enough to compensate for other weak points, as long as players are already interested in turn-based combat.

We’ve seen a lot of horror remakes recently, for Silent Hill or Resident Evil, and it was expected that Fatal Frame will see its remakes at some point. I am very glad that they chose Fatal Frame II, and while I was not accustomed to the series and its gameplay, it certainly managed to grow on me as I played. It’s also nice that the remake is more of a reimagining of the original and not just a remaster. Plus, the great thing is that Fatal Frame II: Crimson Butterfly Remake performs very well, there were no crashes or major bugs. It’s a great release, and the fact that new horror fans get to experience this classic with all these bells and whistles is exciting. The best part is that they added some much-needed quality of life features and new story content, so even veterans will be compelled to try it. Sure, it will take a bit to get used to combat and lore, but it’s a journey worth embarking on.