The Elder Scrolls: Oblivion Remastered remains a good game after all these years. In fact, having received a paint job, it’s even better. I’m happy that one of my favorite RPG series is getting one title remastered and modernized so that players who haven’t yet “violated the law!” Oblivion is the kind of game where you play as someone in a big world overcoming odds and ends. You get to shape your destiny and become whoever you want through multiple playthroughs. It’s an Elder Scrolls game that stands the test of time and has the potential to turn more gamers into fans of the series.

The journey through its levels is great, the action is excellent, and they do offer a curveball when it comes to new mechanics and challenges, which I liked quite a bit. All in all, Captain Blood is definitely worth it, especially if you miss those Xbox 360-era hack and slash games. It’s like someone locked it in a vault and released it 20 years later.

Synergy puts an interesting new spin on some well-known gameplay mechanics. I like how alien the world feels and the way the systems encourage players to pay attention and discover ways to exploit the environment without destroying it. Sure, sometimes water is needed fast and gourds should be ripped out of the ground, but that doesn’t translate into a solid production chain. The game also looks great, with a unique art style and a lot of attention to detail. Tighter integration between the environmental analysis and the expeditions would have been cool. Synergy’s systems have depth, the scenarios are challenging, and the mechanics offer just the right mix of familiar and innovative.

Blades of Fire might not revolutionize the genre, but it doesn’t need to. What it offers is a polished, confident, and deeply satisfying action experience grounded in clear design principles and executed with purpose. By drawing inspiration from giants of the genre and combining those ideas into a streamlined, compelling whole, MercurySteam has crafted a surprise that deserves attention. Whether you come for the satisfying weapon crafting, the intense yet accessible combat, or the story of rebellion and divine legacy, Blades of Fire delivers a memorable journey. It’s not bloated, it's not pretentious, it’s just good game design, executed with passion.

Tempest Rising is the game we’ve always been waiting for, ever since EA stopped working on mainline C&C games. It has great factions, a really interesting story and there weren’t any major performance issues for me, either. The game runs great, the music is extremely good, and the visuals are up to par with what you would expect from this type of game. Should you try Tempest Rising? If you want a fast-paced strategy with a bunch of tactical options, it’s certainly a great option to consider. I enjoyed my time with Tempest Rising and low-key hope they will do an expansion soon. This type of game is not as common these days, but it’s definitely a breath of fresh air amongst all battle royales and free to play, battle pass-dependent titles.

It’s one of those games that seems rather simple and straightforward in the beginning. Yet once you go through it, you’ll start questioning your morality and choices. And that’s where Beholder: Conductor shines, to be honest. It has a deep story, lots of ways you can spend your time on the train, and many unexpected moments. I found myself glued to the screen, trying to figure out how the story might progress, and ended up being completely wrong with my expectations. It’s an excellent game with some creative ideas, and it certainly fulfills that dream of becoming a train conductor. Plus, it also serves as a great spin-off to the Beholder series as well.

Rather than offering answers, the game poses difficult, open-ended questions. What does it mean to understand someone from another world? Can we truly listen without threatening our own sense of self? And is it possible to embrace change without perceiving it as loss? These are not the questions most video games dare to ask, let alone explore meaningfully. In the end, Two Falls is more a storybook than a game, one that takes your hand and guides youthfully through a conversation between cultures with deliberate but slow steps. It may not win over those seeking adrenaline or challenge, but for players open to introspection and narrative depth, it delivers something rare: a story that respects intelligence, honors emotion, and celebrates the uneasy beauty of meeting someone halfway.

Tower Dominion is not the most complex tower defense game out there, nor the prettiest or with the flashiest graphics. Instead, it takes a more basic style and approach when it comes to the genre. Yet what you have here is not only very fun to go through, it’s all presented in a very addicting and fun package. The game does an excellent job at keeping you glued to the screen, and each level doesn’t overstay its welcome. The fact that you have lots of stuff to unlock offers incredible replay value, especially with the 30 heroes you can find, the blueprints you unlock and so on. If you’re looking for a game to play in-between those intense online shooters/battle royales, or if you love the tower defense genre, I think Tower Dominion is a very good option. It’s one of those games you come back to rather often, trying to unlock new buildings and experiment with heroes.

DOOM: The Dark Ages is a masterclass in how to evolve a classic franchise without losing its identity. It’s still the frenzied demon-slaying bloodbath fans adore, but now it’s wrapped in a darker, more atmospheric package that respects both gameplay and story. With creative new weapons, a cinematic presentation, massive set pieces, and deeper lore, this is more than just another DOOM game—it’s a celebration of everything the franchise can be. Whether you’re a long-time fan or new to the series, if you crave high-octane action, heavy metal carnage, and just the right touch of fantasy madness, The Dark Ages demands your attention. DOOM has once again reinvented itself—and somehow, it still rips and tears.

Empyreal is a game built with care and ambition, but one that doesn't quite know what it wants to be. It aims to balance a carefully curated single-player story with the replayability and variety of a multiplayer RPG, and in doing so, it falls short on all fronts. The result is a product that plays it safe in too many areas, delivering an experience that’s competent but rarely compelling. For players who thrive on loot grinding and don’t mind completing familiar gameplay loops over and over again, there’s value to be found in Empyreal. But for those seeking a bold, story-rich action RPG that breaks the mold, this is one expedition that is worth skipping.

Deck of Haunts delivers an original take on the deck-building experience. It gives players the dual task of building a deep maze of scary rooms while putting together an effective set of cards to take down nighttime invaders. I like the snippets of lore revealed by the cards and events, but the world-building isn’t impressive. The title’s biggest issue is the limited meta-progression. Players unlock new cards when they finish a run but, after winning a few, the motivation to start over diminishes. Deck of Haunts has good ideas and good execution but might struggle to hold the players’ attention in the long term.

The Horror at Highrook is one of those games that has a unique mechanic, and it harnesses that very well. Yes, it might not be for everyone, but if you enjoy Lovecraft’s storytelling and visual style, you’ll find yourself right at home here. It also appeals to card game lovers, because you can find task cards, tertiary/buff cards, along with cards that have random effects. It can be a challenge to make the most out of all these cards, but that’s what sets the game apart. At the end of the day, The Horror at Highrook does a stellar job at carving a great niche for itself. In a world filled with games that copy each other’s style and mechanics, The Horror at Highrook is a breath of fresh air. Yes, it takes a bit to understand its mechanics, but once you do, you’ll find yourself spending hours trying to keep the investigators alive and unlocking more of the story. It’s a worthwhile journey, one that will require patience, yet it’s totally worth it.

Best Served Cold has engaging mysteries, engaging characters, and limited gameplay. I like the setting, with its mix of historical inspirations and escalating social tension. And all the characters are fun to chat with, even if the killers tend to be a little predictable. This is a good narrative to experience alongside your choice of a cocktail. Unfortunately, actually mixing drinks is not exciting at all and serves most as a short pause for players to consider how they plan on steering dialogue. Still, some of the recipes are interesting enough that players should try mixing them in the real world. Best Served Cold is an enjoyable detective game that neglects its bartending side.

In the end, Revenge of the Savage Planet doesn’t pretend to be a groundbreaking epic. Instead, it knows exactly what it is — a compact, weird, satirical space romp that pokes fun at genre clichés while delivering a solid gameplay experience. The mechanics are simple but polished, the humor outrageous but purposeful, and the world design vibrant enough to keep you wandering just a little longer than you intended. It may be a “metroidvania lite,” but in a sea of overly complex open-world titles and self-serious sci-fi shooters, Revenge of the Savage Planet stands out by refusing to take itself too seriously — and in doing so, it delivers something genuinely memorable. Not revolutionary, but certainly worth the trip.

If you like city builders and you want to test yourself as you create the ultimate city, Memoriapolis has it all cut out for you. Yes, there are a few performance issues, and the learning curve is steep at times, but the game is a very competent city builder that carved its own niche, and which (I hope) will continue to grow with more maps, buildings and new features. But even now, with the 1.0 version, the game is totally worth checking out, especially if you enjoy city building and urban planning.

If you enjoy games like Slay the Spire, I think SpellRogue is a must-play. And even if you’re new to deckbuilders, the card game + roguelite approach is novel, interesting and quite exciting. You can sink dozens of hours into this game and never feel bored. It has everything you need, from tactics to engaging gameplay and, what matters the most, tons of heart poured into its development.

StarVaders starts off a little slow and it seems that enemies are much too numerous for one robot equipped with a hand of cards to deal with. After a few runs, it becomes clear that it has depth and variety, as well as a ton of style. Combat is fast and tense, with plenty of surprises. The narrative isn’t very original, but the promise of new cards and enemies is enough to start another run. StarVaders is one of the best run-based video games I’ve played recently, one that rewards planning and careful choices while also creating plenty of delightful chaotic moments.

Steel Seed is not a flashy game, it does have some generic moments, but it’s a lot of fun to play. The game world is very well made, the main character and her drone sidekick are great as well. And in the end, the journey that Steel Seed takes us on is amazing, very exciting and it also has its surprises.

Inhuman Resources: A Literary Machination is a fun and very well-written adventure that relies a little too much on blocks of text. It will be a great experience for any fan of strong narrative and carefully constructed universes. The company’s activity doesn’t always make sense, but characters are fully realized and it’s a pleasure to spend time with them, even when they ask the player to do horrific things. As good as the story is, supported by a solid presentation, the gameplay is limited. The mini-games associated with each certification are nice but more are needed. Many players might struggle to become immersed in this fictional universe. Inhuman Resources is best enjoyed in small doses, taking in the horror elements and pondering the best way to act ethically.

Maliki: Poison Of The Past is a fun, cozy game with a great story and some funny characters. Not everything lands perfectly, especially since some of the gameplay mechanics can be difficult to understand from the get-go, and they aren’t explained very well. On the bright side, I didn’t encounter too many bugs, although there are some things like the lack of a map, which can make finding ways to progress onward a bit difficult. Yet despite that, I think Maliki: Poison Of The Past is worth a shot, especially if you’re into old-school JRPGs. It has a lot of charm, it’s very fun to play, and it does an excellent job of introducing the new time manipulation mechanic. If you enjoy JRPGs or just want a good cozy game with an appealing story, definitely consider giving Maliki: Poison Of The Past a try.

Wadjet Eye Games is known for delivering exceptional, fun and very creative point-and-click games. Old Skies is certainly one of the best, although I still feel that Unavowed was better, at least for me. With that in mind, the gameplay, the amazing timelines we visit, but also the overall stories/quests they added into the game feel very special, and they are a blast to go through. Sure, Old Skies doesn’t have flashy graphics, they went with rather old school visuals, but for me, those stand out and make the game world very immersive. The voice overs are on point, and the dialog is very creative, although it can drag at times. All in all, Old Skies is interesting, exciting, and a breath of fresh air for the genre, especially with its time travel shenanigans.

I’ve had a lot of fun with Fatal Fury: City of the Wolves and the game certainly has a lot of charm. It revises the Fatal Fury series, brings back a lot of cool characters, and you can also improve your fighting skills quite a bit. There’s also plenty of variety when it comes to the game modes, with the story mode being my favorite. It can take a little bit to master a character, and sometimes the game doesn’t always explain how to perform all the moves. But in a game like Fatal Fury: City of the Wolves, it always comes down to discovering stuff for yourself and trying things out. All in all, this is an excellent way to revive Fatal Fury and breathe new life into the series, while introducing it to modern audiences. If you have the itch for a good fighting game, I am sure you’ll find a lot to like in Fatal Fury: City of the Wolves, I surely did!

Augmented Empire is a decent experience that doesn’t innovate enough to become truly engaging. The universe, with its noir and science-fiction ideas, is well-designed, with solid character interactions and voice actors that breathe life into them. The tactical combat system works well but combat spaces are too small to make the engagements interesting. The game is forced to make its QTEs more difficult to make sure players have to actually use healing or special character abilities. The graphics do not impress. Augmented Empire needed bigger combat spaces and more enemy variety to make an impression on fans of the turn-based strategy genre.

Amerzone: The Explorer’s Legacy is a remake with real heart, showcasing the care and passion put into revitalizing this classic. Far from a cash grab, it’s a project aimed at polishing a forgotten gem, giving it a new life while preserving its original charm. This is the kind of remake that will resonate with both veteran players who fondly remember the original and newcomers discovering its adventure for the first time. I can’t recommend this game highly enough. It’s a shining example of classic adventure games, perfectly blending exploration with creative problem-solving. A true stroll down memory lane, Amerzone: The Explorer’s Legacy offers beautiful visuals and modernized gameplay mechanics that enhance the experience without losing its nostalgic charm.

I had a lot of fun playing Sacre Bleu, I haven’t enjoyed a platformer so much since the days of Captain Claw. It’s a great game with a fun style, interesting characters and powers, and a ton of heart. Yes, it can be difficult at times, but it’s not a very punishing game, so you will find yourself cruising through Bastille and following the story, as you try to figure out how it all comes to an end. Plus, if you really want to test yourself, there are modifiers, secrets and speedruns to check out as well!

Sultan's Game has an engaging world and a ton of narrative variety but can struggle to make its actual mechanics interesting. I like the setting and how it’s inspired by One Thousand and One Nights but puts a unique twist on it. The game constantly asks players to consider what they value and how far their avatar will go to stay alive. The presentation helps with immersion. Placing cards into situations is an easy-to-understand gameplay that’s stretched to cover a wide variety of challenges. It becomes repetitive and can be unwieldy. Sultan's Game will reward gamers who are willing to experiment, like moral dilemmas, and don’t mind reading a lot.

Kaya's Prophecy has an intriguing mix of ideas. I like the idea of using combinations of cards to create a thriving village and build the tools required for villagers to then fight enemies and earn special rewards. All the game’s ideas are easy to understand and even gamers who aren’t familiar with card-driven experiences will quickly feel at home. Unfortunately, the combat system is limited and repetitive. And the village development suffers because actions take long, even on the highest speed setting, and the booster pack randomness can be frustrating. Kaya's Prophecy struggles to find ways to make its two core systems interact in cool ways.

AI LIMIT does an excellent job when it comes to focusing on exploration and exhilarating, visually appealing battles. Its game world is excellently made, and the story, while not incredible, is serviceable. Throughout playing AI LIMIT, I always felt a part of this post-apocalyptic world and found myself in Arrisa’s shoes, trying to survive. If you like soulslike games, you’ll find this one to be very interesting, especially since it offers a fresh take on the genre with its sync rate and innovative bosses. You can’t go wrong with it, even if the game isn’t as long as others in the genre, as you’ll find mostly everything in roughly 30 hours. It has a great art style, and it comes with some explosives battles that make it well worth a shot!