For 7,775 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,349 out of 7775
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Mixed: 1,493 out of 7775
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Negative: 1,933 out of 7775
7775
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Chris Cabin
Deceptively modest on nearly all accounts, Paolo and Vittorio Taviani's Caesar Must Die employs seemingly minor directorial contrivances to ruminate on a unique quarrel.- Slant Magazine
- Posted Feb 1, 2013
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Reviewed by
Eric Henderson
Freed from the burden of starting anew, the film restores the Muppets' rightful place as stars of their own show.- Slant Magazine
- Posted Mar 18, 2014
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Reviewed by
Jaime N. Christley
It's a final film in the specific sense of Raúl Ruiz designing the larger part of it around a metaphorical contemplation of his own, imminent demise.- Slant Magazine
- Posted Feb 3, 2013
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Reviewed by
Andrew Schenker
Alejandro Landes's Porfirio is an ugly movie to watch, but it's not without purpose.- Slant Magazine
- Posted Feb 3, 2013
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Reviewed by
R. Kurt Osenlund
A singular biopic and a snapshot of a society renewed, No unaffectedly celebrates faith in democracy, and, surprisingly, truth in advertising.- Slant Magazine
- Posted Feb 6, 2013
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Reviewed by
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Reviewed by
Nick McCarthy
Teasing out a subversive portrait of a complex and rather subdued monster, The Jeffrey Dahmer Files unfolds with the same meticulousness exemplified by the eponymous serial killer.- Slant Magazine
- Posted Feb 12, 2013
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Reviewed by
Nick Schager
Sweetgrass achieves a borderline abstract splendor that's furthered by the directors' avoidance of delving deeply into its human subjects, whose backstories and general circumstances are only alluded to through fly-on-wall scraps.- Slant Magazine
- Posted Jul 9, 2013
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Reviewed by
Tomas Hachard
The film has many elements of a thriller, but ultimately Antonio Campos's interest lies much more in profiling, yet never over-determining, his moody protagonist.- Slant Magazine
- Posted Mar 31, 2013
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Raimi's script is riotously deadpan, his compositions undeniably breathtaking and inventive. [6 March 2002]- Slant Magazine
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Reviewed by
R. Kurt Osenlund
It showcases the evolving interests and talents of Zal Batmanglij and Brit Marling, but expands them and channels them into a more traditional thriller framework.- Slant Magazine
- Posted May 28, 2013
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Reviewed by
Rob Humanick
What Craig Scott Rosebraugh's film lacks in originality, it makes up for in comprehensiveness.- Slant Magazine
- Posted Mar 6, 2013
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- Critic Score
There are more than a few striking images and intriguing ideas to be extracted from Tristana. [10 Oct. 2012]- Slant Magazine
- Posted Feb 21, 2013
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- Critic Score
Though overstuffed, his film eschews pop-doc conventions by opting for in-depth analysis over superficiality.- Slant Magazine
- Posted Feb 25, 2013
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Reviewed by
Chuck Bowen
Rebecca Thomas's debut feature is a sensible and humane exploration of youthful curiosity.- Slant Magazine
- Posted Mar 4, 2013
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Reviewed by
Joseph Jon Lanthier
Writer-director Dan Sallitt's fourth feature moves with confident boldness from the incestuous gauntlet its prologue impishly hurls down.- Slant Magazine
- Posted Feb 26, 2013
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Reviewed by
Rob Humanick
George Washington this isn't, but there's enough heft here that the comparison can be tastefully made.- Slant Magazine
- Posted Feb 26, 2013
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Reviewed by
Nick McCarthy
The research and elucidating synthesis on display effectively illuminate the pernicious aura of a lifestyle pursued by the yearning, lost souls of the time.- Slant Magazine
- Posted May 16, 2013
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Reviewed by
Abhimanyu Das
A welcome contrast to the first film's snuff-y atmosphere and general mean-spiritedness, featuring more humor, fewer hateful characters, and occasional twinges of relatable human emotion.- Slant Magazine
- Posted Apr 15, 2013
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- Critic Score
Renate Costa's doc gradually simplifies into an elaborate seesaw between general, journalistic scoopery and unabashedly personal confrontation.- Slant Magazine
- Posted Mar 16, 2013
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Reviewed by
Jesse Cataldo
Formally ostentatious and unrepentantly messy, the film manages to implicitly convey the overdriven, coked-up confusion that many '70s period pieces make painfully overt.- Slant Magazine
- Posted Dec 4, 2013
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Reviewed by
Ed Gonzalez
Its audio-visual overload testifies to a group of filmmakers' belief that some films are made to be remade.- Slant Magazine
- Posted Jun 15, 2013
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Reviewed by
Nick Schager
Makinov's film expertly crafts a sense of dawning madness that hinges on its villains' unspoken fury at their elders.- Slant Magazine
- Posted Mar 16, 2013
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Tobias Lindholm's hostage-negotiation drama that wields its verité style for maximum tension.- Slant Magazine
- Posted Mar 18, 2013
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Reviewed by
Tomas Hachard
This joyous documentary leaves us wanting to immediately seek out the incredible, sometimes unfamiliar music we've just heard.- Slant Magazine
- Posted Jun 10, 2013
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Reviewed by
Drew Hunt
Eleanor Burke and Ron Eyal's film is a tasteful, well-orchestrated drama that never reaches beyond its humble means.- Slant Magazine
- Posted Apr 2, 2013
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Reviewed by
Joseph Jon Lanthier
Perhaps the most valuable insight that the film provides about its subject is that he acts even as he directs.- Slant Magazine
- Posted Apr 5, 2013
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Reviewed by
Christopher Gray
Finding Dory follows its predecessor in being broadly concerned with comforting notions of home and family.- Slant Magazine
- Posted Jun 15, 2016
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Reviewed by
R. Kurt Osenlund
Some of the film's most memorable moments involve Niall and Liam looking down on oceans of screaming devotees in the street, and controlling their cheers like orchestra conductors.- Slant Magazine
- Posted Aug 30, 2013
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Reviewed by
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Reviewed by
Jesse Cataldo
It takes the basic form of the revenge flick and dips it in tar, making for a movie that comes out sticky, nasty, and black.- Slant Magazine
- Posted Jul 15, 2013
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Reviewed by
Diego Semerene
It often seems more intent on spelling out its awareness of the politics involved than in lingering on the aching human engaged in the libidinal transactions.- Slant Magazine
- Posted Apr 23, 2013
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Reviewed by