Slant Magazine's Scores

For 7,775 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7775 movie reviews
  1. While the film is deeply romantic and nostalgic, possessing a genuine reverence for youth and rebellion, it's also something of a tragedy.
  2. Brad Bernstein's documentary proves that Ungerer's legacy is as historically significant as it is artistically.
  3. James Marsh carries forward the mood and menace of the opening into the balance of the work, perfectly matching his aesthetic strategies to the story's shifting moral terrain.
  4. The psychological path of these characters is finely marked with signposts, but as Prince Avalanche reaches its destination, you almost wish it would have gotten a little more lost in the woods.
  5. The film is in part an exceedingly black comedy that parodies proper society's eager, self-righteous naïveté on the subject of its children.
    • 72 Metascore
    • 75 Critic Score
    As far as swan songs go, Jean-Pierre Melville's Un Flic is a fascinatingly garbled tune that teems with formal inconsistencies and yet still manages to carry a pained melody.
  6. The film lays bare that the franchise's most radical asset is also its most conservative: an overriding emphasis on, above all else, the on-screen family.
  7. The film unfolds in unhurried dramatic terms that come to take on an almost fatalistic force.
    • 61 Metascore
    • 75 Critic Score
    Without being didactic, the documentary demonstrates how an ordinary concerned citizen can take a stand when politicians neglect to make decisions for the good of the people and instead serve the interests of big business.
  8. Funny, moving, honest, and occasionally inspiring, but as a portrait of a talent emerging from the shadow of a more public talent, the scale of the shadow is curiously omitted.
  9. Amy Seimetz's intoxicating slice of genre revisionism earns its "neo" prefix, envisioning a brightly sinister world where desperation is the new normal.
  10. Passion is a serpentine, gorgeously orchestrated gathering of all of De Palma's pet themes and conceits, a symphony of giddy terror where people perpetually hide behind masks, both literal and figurative.
    • 76 Metascore
    • 75 Critic Score
    It's always a pleasure to encounter genre ambition contained in such a sinewy-shot, emotionally resonant, and gorgeously photographed package.
    • 80 Metascore
    • 75 Critic Score
    The film's structure as a character study helps to subtly underscore the flawed justifications of a privileged kid's thought patterns and unchallenged value system.
  11. In the film, Alexander Payne's overview of America is extraordinarily, multifariously profound.
  12. What this movie finally boils down to is a deceptively simple tale of two brothers, and of being one's brother's keeper, and of seeking justice on the crudest of fronts.
    • 64 Metascore
    • 75 Critic Score
    But whereas female sexuality was borderline vampiric in Antichrist, this time we're in more ambiguous, contextually richer terrain, where desire is complicated not only by love, but also by a deep need for self-determination, and pride.
  13. Wang Bing's no-frills style of documentation visually echoes the preadolescent trio's simple yet unforgiving world and its sense of labor as life.
    • 71 Metascore
    • 75 Critic Score
    At its best, with its quiet, ominous pace in the early going and its economical distribution of information throughout, the film is reminiscent of Todd Haynes's Safe.
  14. Markus Imhoof's film reveals itself as a curious, audacious mix of personal essay film and nature documentary.
  15. The film is made impetuously watchable and disarmingly emotional by the filmmakers' strong command of docudrama and nonfiction narrative style.
  16. A prismatic meditation on an entire nation, Eliav Lilti's documentary is history as abstraction.
  17. Ben Wheatley's film is a reckless combination of period piece, war drama, broad comedy, psychedelic fever dream, and occult horror-scape.
  18. The ear for language is paired with an eye for the landscape, and the film finds beauty even in such a seemingly dreary, economically depressed community.
  19. After years of respectable filmmaking, it's refreshing to witness a reinvigorated Roman Polanski willing to once again delve deep into seedy psychodrama.
  20. The film's increasingly unnerving story mostly unfolds with minimal flair, intensely focused as it is on its steely and enigmatic protagonist.
  21. Abdellatif Kechiche reveals through his sense of composition, and collaboration with his remarkable actresses, a sensitivity to emotional nuance that's striking.
  22. The documentary is committed not to some pseudo-factual documentary tradition, but to a more engaging realist poesis.
  23. The film provides welcome context for the semi-hysteria that recently took over the U.S. media in regard to Uganda's "Kill the Gays" bill.
  24. A rock-doc that mythologizes the tragicomic flame out of power pop's seminal band, and the fan-made afterlife that brought them long-delayed success.

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