For 7,775 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,349 out of 7775
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Mixed: 1,493 out of 7775
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Negative: 1,933 out of 7775
7775
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Chuck Bowen
One of the more intimate and revealing looks at American projects ever made; it's assured and empathetic without indulging in fashionable white guilt.- Slant Magazine
- Posted Apr 2, 2012
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Reviewed by
Diego Semerene
While this uncataloguable and entrancing film gazes back in nostalgia to a time of performance-art priapism when everyone seems to have known Warhol, it also leaves room for a particularly hopeful diagnosis of the present.- Slant Magazine
- Posted Apr 13, 2012
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The film remains buoyed by the same open heart that makes Tyler Perry's best work so endearing.- Slant Magazine
- Posted Jul 1, 2012
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Reviewed by
Michael Nordine
Fightville's most worthwhile material tends to lie in the space between what its subjects say and what we know to be true.- Slant Magazine
- Posted Apr 16, 2012
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Questions of authenticity aside, Damon Russell evinces a shrewd understanding of how to juxtapose the handheld camera's finite sightline with the bursts of chaos that suddenly invade it.- Slant Magazine
- Posted Apr 17, 2012
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- Critic Score
It may be baked with the same ingredients that come in your standard mumblecore starter kit, but because of Matt D'Elia's indebtedness to other movies, the film follows a different recipe altogether.- Slant Magazine
- Posted May 14, 2012
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Reviewed by
Michael Nordine
There's something to be said about a two-and-a-half-hour war epic that manages to make each of its countless decapitation scenes feel earned, even called for, in the moment.- Slant Magazine
- Posted Apr 23, 2012
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R. Kurt Osenlund
It's a simple story of simple people intentionally told in simple terms, and the only issues with which it's concerned are those of pure personal connection.- Slant Magazine
- Posted Apr 23, 2012
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Reviewed by
Glenn Heath Jr.
Documentarian and subject, past and present blur together like bleeding watercolors in Raymond De Felitta's gripping memoir.- Slant Magazine
- Posted Apr 28, 2012
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Reviewed by
Glenn Heath Jr.
The seamless juxtaposition of faith and pain, innocence and guilt, allows the film to transcend Spike Lee's occasional bombastic moments and become a strong examination of internal suffering.- Slant Magazine
- Posted Aug 6, 2012
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Reviewed by
Kenji Fujishima
It does lightly suggest scintillating questions about the responsibility artists have in reflecting current political moments in their music.- Slant Magazine
- Posted May 8, 2012
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Reviewed by
Bill Weber
Goss's film carries its unique forms of narrative suspense, but her 16mm images imbue both the forbidding landscape and her characters' scientific aerie, though the observatory only dates from 1932, with a poetry of the seemingly eternal.- Slant Magazine
- Posted May 8, 2012
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Reviewed by
Chris Cabin
The documentary provides a birdsong of perseverance in the face of irrational violence, immense historic anger, and grim, seemingly insurmountable realities.- Slant Magazine
- Posted May 29, 2012
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Reviewed by
Diego Semerene
A lighthearted critique on the fetishized notion of the "non-actor," the ethics (or lack thereof) of the "docudrama," and the packaging of national despair for exportation.- Slant Magazine
- Posted May 23, 2012
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R. Kurt Osenlund
It's the rare film to sell sex as something truly tender and life-affirming, and Helen Hunt, in particular, is lovely and poignant.- Slant Magazine
- Posted Oct 17, 2012
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Illustrates the problem of class mobility with a dark, troubling premise that holds a harsh light up to our own assumptions and expectations.- Slant Magazine
- Posted Aug 30, 2012
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Lauren Greenfield's film evolves from an ode to entitled obliviousness to a more evenhanded character study, tracing the fault lines that develop within the Siegel family.- Slant Magazine
- Posted Jul 17, 2012
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Reviewed by
R. Kurt Osenlund
Julia Murat shows a fine grasp of form, letting her technique reflect the elements and moods of her story.- Slant Magazine
- Posted May 29, 2012
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Bill Weber
A righteously outraged documentary targeting the "warm and fuzzy" iconography of the breast cancer fundraising bureaucracy and its camouflage of corporate priorities.- Slant Magazine
- Posted May 29, 2012
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Kirby Dick's spartan use of graphics and statistics conveys arguments with little grandstanding.- Slant Magazine
- Posted Jun 17, 2012
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Reviewed by
Steve Macfarlane
This is a summer blockbuster contingent on grand bargains, tactical retreats, and a ferocious, inevitable shock-and-awe campaign.- Slant Magazine
- Posted Jul 9, 2014
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Once Corpo Celeste began to recede a little in my rearview mirror, my initial impatience softened a little.- Slant Magazine
- Posted Jun 5, 2012
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Reviewed by
Chris Cabin
A wild, furious, and genuinely unsettling ego is on display in Maurice Pialat's second proper feature.- Slant Magazine
- Posted Jun 5, 2012
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Reviewed by
Bill Weber
A direct-cinema document of the Cairo protests that toppled Mubarak, Stefano Savona's film doesn't pretend that Egypt's resolution has yet won a lasting victory.- Slant Magazine
- Posted Jun 9, 2012
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Reviewed by
Elise Nakhnikian
It keeps the entrances, exits, and misunderstandings rolling while rooting the action in emotions and character traits that are only slightly exaggerated for comic effect.- Slant Magazine
- Posted Aug 5, 2012
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Nathan Adloff's Nate & Margaret is an endearing, hopeful, and quietly radical film.- Slant Magazine
- Posted Jun 19, 2012
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Reviewed by
Glenn Heath Jr.
If the film covers well-tread territory (a morally bankrupt player trying to prolong his own influence), it does so with pinpoint control of mood and theme.- Slant Magazine
- Posted Sep 9, 2012
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Reviewed by
Andrew Schenker
Thanks to Melanie Lynskey's performance, the movie feels like a believably worked-out, sympathetically presented study in thirtysomething uncertainty.- Slant Magazine
- Posted Sep 5, 2012
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Reviewed by
Bill Weber
The layered, character-driven drama may subvert expectations of a sunny Venetian noir, but observes its five principal characters with a probing, egalitarian eye.- Slant Magazine
- Posted Jun 26, 2012
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As great and intimate as Live at Massey Hall 1971 may be, it's not as transportive as this filming of a Neil Young performance at the venue 30 years later.- Slant Magazine
- Posted Jun 29, 2012
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