For 7,775 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,349 out of 7775
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Mixed: 1,493 out of 7775
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Negative: 1,933 out of 7775
7775
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Rob Humanick
A modestly charming bit of whimsy that hopes to speak to anyone who experienced a sense of emotional injustice during their formative years.- Slant Magazine
- Posted Jul 2, 2012
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Reviewed by
Kenji Fujishima
One can see the difference between the two traumatized main female characters right in their faces.- Slant Magazine
- Posted Jul 8, 2012
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Reviewed by
Chuck Bowen
The doc is a sly, interesting achievement: It opens as an entertaining sports story and closes as a metaphor for government corruption.- Slant Magazine
- Posted Jul 11, 2012
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Reviewed by
Chuck Bowen
Julia Ivanova, a Canadian filmmaker, doesn't judge Olga; she refuses to see her through the eyes of a presumably better-off first-world citizen.- Slant Magazine
- Posted Jul 11, 2012
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Reviewed by
Elise Nakhnikian
Documents emotionally charged interactions between patients and hospital staff without any signs that the subjects are being made to feel self-conscious or that they're behavior is being affected.- Slant Magazine
- Posted Sep 26, 2012
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Reviewed by
Richard Scott Larson
As a metaphor for the way we respond to the media, and the way our politics are funneled through the media lens, the film succeeds most when it revels in ambiguity.- Slant Magazine
- Posted Nov 19, 2014
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Ed Gonzalez
It thrills in seeing dumb people getting their due in hyper-stylized displays of violence, and yet it never feels contemptuous of them.- Slant Magazine
- Posted Jul 22, 2012
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Reviewed by
Elise Nakhnikian
A fable about the damage done when a young couple is forced to part, Chicken with Plums is deeply melancholic, yet so full of humor and humanity that it pulses with life even while tracing the trajectory of a slow suicide.- Slant Magazine
- Posted Aug 4, 2012
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- Critic Score
It works--quite successfully, in places--as a warming tonic against this emotional nippiness of the cinema of Canadian coldness.- Slant Magazine
- Posted Jul 23, 2012
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Reviewed by
Andrew Schenker
The director's clear-minded approach allows her subject's more challenging aesthetic-political mix to shine through, even if it's at the inevitable expense of her own filmmaking proclivities.- Slant Magazine
- Posted Jul 23, 2012
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Kenji Fujishima
Even with the heaviness of some of its subject matter, the documentary remains limpid and unsentimental until the very end, in keeping with its subject.- Slant Magazine
- Posted Jul 23, 2012
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Reviewed by
Andrew Schenker
Shawn Levy's occasionally uproarious, warm-hearted comedy is about different generations educating each other, but it never seems rote.- Slant Magazine
- Posted Jun 6, 2013
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Chris Cabin
An honest and breezily melancholic film, thoroughly clear-sighted in its intentions and ideas and bravely committed to the emotional rigors of its central relationship.- Slant Magazine
- Posted Jul 30, 2012
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- Critic Score
Most of what transpires between the two girls feels as internal as something you only keep to yourself.- Slant Magazine
- Posted Aug 1, 2012
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Reviewed by
Andrew Schenker
Everado González isn't above capturing some striking landscape shots, seemingly for the shear desolate prettiness of it, but they always double as a reminder of the very real plight facing the subjects.- Slant Magazine
- Posted Aug 6, 2012
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- Slant Magazine
- Posted Aug 21, 2012
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Reviewed by
R. Kurt Osenlund
This nearly pitch-black comedy is better than its tiresome use of '90s pop references, no matter how much they illuminate what the gals bonded over back in the day.- Slant Magazine
- Posted Sep 4, 2012
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Reviewed by
Jesse Cataldo
Ursula Meier's film is sustained by a sturdy emotional engine and some intrepidly thoughtful characterization.- Slant Magazine
- Posted Oct 2, 2012
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Reviewed by
Chris Cabin
Whereas the later "Saw" films were hampered by bloated backstory, various ostentatious agendas, and self-satisfied sadism, The Collection feels utterly unburdened by anything but its lean, fleet-footed plot.- Slant Magazine
- Posted Nov 28, 2012
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Reviewed by
Tomas Hachard
By taking a disturbing and sometimes conflicted look at the prejudices that led to the West Memphis Three's imprisonment, it asks murky questions about how people could get something so wrong for so long.- Slant Magazine
- Posted Dec 19, 2012
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Reviewed by
Chuck Bowen
It's a prevailing sense of decency that explains why The Bullet Vanishes is such an effective tonic for summer-movie fatigue.- Slant Magazine
- Posted Aug 29, 2012
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Andrew Schenker
Tsui Hark's film is the veteran director's chance to let his imagination run riot in the context of a high-budget, 3D IMAX production.- Slant Magazine
- Posted Aug 29, 2012
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R. Kurt Osenlund
In keeping his actors on his sober-yet-buoyant plane, Kenneth Branagh presents a convincing romance that doesn't stall the film's brisk clip.- Slant Magazine
- Posted Jan 15, 2014
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Reviewed by
Ed Gonzalez
More than just a relationship drama of striking specificity, this is a naked confession about addiction.- Slant Magazine
- Posted Sep 4, 2012
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Nick Schager
Jirí Barta's film is a disturbing through-the-looking-glass reflection of traditional fairy tales.- Slant Magazine
- Posted Sep 4, 2012
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Richard Scott Larson
These films, and Tolkien's entire oeuvre, are most affecting in their depictions of friendship, and the performances here represent plutonic male intimacy in convincing, often moving ways.- Slant Magazine
- Posted Dec 1, 2014
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Joseph Jon Lanthier
What keeps the documentary from lapsing entirely into a generic human-interest story superficially peppered with local color is, oddly enough, the slowness with which Parker's goals are achieved.- Slant Magazine
- Posted Sep 11, 2012
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Reviewed by
Chuck Bowen
Paul Lacoste's almost purely observational approach allows him to come about as close to documenting the process of creation as anyone ever has.- Slant Magazine
- Posted Sep 12, 2012
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Reviewed by
Sam C. Mac
It finds a benefit in its genre affiliation, evenly distributing its action in quick bursts of fluidly animated fight choreography.- Slant Magazine
- Posted Jan 25, 2016
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Reviewed by