Street Rumble isn’t terrible, but it’s not good either. Sure, it looks good, but the music is boring, the gameplay is bog standard, it has serious design flaws, and in a lot of cases, it just isn’t interesting. Yeah, there’s an arcade mode, boss rush, and so on, but you need to beat the story mode to unlock them, and if I hadn’t been playing this for review, I would have stopped around thirty minutes in. Beat ‘em up fans deserve better. Licensed games deserve better. And The Karate Kid deserves better than to be resurrected as a coat of paint used to gussy up a mediocre beat ‘em up.

Project Cars 3 is the first game to feature the all-new 8th generation Corvette, a car that driving enthusiasts were itching to get their hands on. It is used in the opening tutorial where its grand first impression is wasted on a two-lap quagmire of bad AI drivers and garish UI popups. Maybe that Mad Box console will come out one day and make things better

If you love H.R. Giger, unsettling body horror such as those seen in the works of Junji Ito, or creepy alien experimentation scenes from films like Fire in the Sky, you’ll undoubtedly appreciate Scorn’s overarching concept. Sadly the execution leaves much to be desired, which is a shame as I feel like Scorn could have been a real standout as far as atmospheric horror games go.

The game has some nice fan-features, including Prime Ministers with varying personalities and perspectives on Godzilla's threat potential, and Diorama Mode, which is a virtual dollhouse for custom scenes. There's also a great kaiju encyclopedia, detailing the long list of monsters Godzilla has confronted, along with various versions of the monster itself. However, none of that helps the game overcome its overly simplistic and boring gameplay.

Had 'Russia' stuck to some of the roots of the main AC series, this could have been an interesting departure from the 3D games. But making the main characters feel paper thin while stacking the deck with inconsistent stealth mechanics, fussy controls, and timed objectives starts to make 'Russia' feel like a weekend in Siberia.

Fallout 76 is a bit of a disaster, which is a shame because there are good ideas and good bits of content here. There wasn’t a single play session where I didn’t have a lot of fun, but there also wasn’t a session where something ridiculous didn’t cause frustration. It feels like it should have been released into early access as a work in progress for the next several months, thus alleviating some of the frustration from poor performance, bugs, and balancing issues.

It’s a game that feels like it should have had a big manual when it first launched, but without that manual, you only have half the picture, and so you’re stumbling around in the dark trying to make sense of everything. Sometimes that’s fun and mysterious. But a little too often, various parts of the game clash, and Labyrinth of Lost Souls becomes more trouble than it’s worth.

Simply telling the story in chronological order would not only make the story flow better, but it would be more effective at giving the illusion of player agency.

it's another example of a game with a great idea that flew too close to the sun.

Those Who Remain begins with a cool premise that can keep it intriguing for a while, but that quickly fizzles out. There's just not much reason to stay and finish the game out, despite the fact that it can be completed in a few hours if you can figure each puzzle out quickly.

The Crew 2 fails at providing the heart of what what a racing game should offer, specifically a fun and rewarding driving experience. All the icing and fancy decoration in the world won’t make a crappy cake into a great cake. The Crew 2 can take a pack of exotic cars racing on a mountain road and produce results that are about as exciting as a round of solitaire.

I went into this game really expecting to like it – and I did, for the most part. In the end, I couldn't get past the odd tone and the feeling that it was penned by someone who didn't actually respect the source material, but wanted to write a self-aware parody of it.

Like Destiny, like No Man's Sky, like Fallout 76, like The Elder Scrolls Online, Anthem could be a great game by next year. But that doesn't make it a good game now. Right now, Anthem is not good. And given what's come out of BioWare in the past and the kinds of lasting, impactful experiences that the gaming world knows BioWare is capable of delivering, that's truly sad.

I also wish some narrative sections played out to their end and the choices mattered a bit more, but Foreclosed tells its story and gets out. I can’t fault it for not overstaying. If you want a snappy cyberpunk adventure it might be worth seeing how the story of Evan Kapnos and his fight for his own identity play out. Just be prepared to deal with some average and occasionally frustrating gameplay all along the way.

There a lot of elements of SkateBIRD that are great. The birds are fun, as is customizing them and finding more things with which to dress them up. Their little adventure is also fun, the soundtrack is excellent, and the levels are fun miniaturized takes on the normal skatepark fare. It’s just that there is so much dragging these charming elements down, the most noticeable of which is the actual skating and the physics involved with it. SkateBIRD might be fun to experience for its premise and cuteness, but those looking for a good technical skate game experience will likely find their expectations crashing and burning frequently, much like most of my sessions with it.

It's bright, wacky, and colorful. I'll give it that. But there's really no edge over playing this bizarre amalgam of space poo and disembodied brains over a shooter like Ikaruga, which has far more polish. I do have to admit though, that these silly adult games never get old, even when they're as middle-of-the-road as this one. As it stands, this waifu would have been left just fine covered.

Resident Evil Revelations 2 must be played with a second person, preferably someone who doesn't mind having a passive support role. It's easier to appreciate the story and gameplay, which aren't half bad, when you don't have to switch between characters all the time.

There’s an action game underneath all of Wanted: Dead’s problems that is not half bad, especially if you liked games like No More Heroes, Devil’s Third, and Wet. It’s ridiculous in its context and action. Unfortunately, for everything good I could say about this game, there was at least one or two things keeping me from enjoying it. Between cringe-worthy dialogue, game crashes, clashing moods, random and ridiculously difficult moments, and broken mechanics, Wanted: Dead takes a lot of effort just to play, let alone enjoy.

I wanted desperately to find a good game underneath all the bugs in Redfall, and every now and then a tiny ray of light would shine through and give me hope. I took my time to give it a fair opportunity where others wrote it off only a few hours in. Unfortunately, they were right, and this will go down as one of the more disappointing games that I’ve played in recent years. All we can hope for now is that Redfall’s disastrous journey serves as a warning to Microsoft and its stable of development studios. Not because the world’s second-largest company can’t take the hits, but because players deserve better.

Burger Time Party! succeeds in providing Burger Time on the Nintendo Switch. Beyond that, there’s not a whole lot else going on to justify the 5-star price for the 2-star burgers it serves up.

A good effort by an indie studio as the art style drew me in from the moment I first saw it, but it lacks any sort of depth as its puzzles aren't difficult to figure out and it's story, as horrific as it turns out to be, didn't really entice me.

The Devil in Me often subverts your expectations in such a way that diminishes player agency and makes your own choices feel arbitrary. Although its added gameplay features make for a more interactive experience, they hardly break the mold and were poorly executed. Technical issues tarnished the experience overall. The game still relies heavily on QTE-based survival mechanics and does little to set itself apart from its predecessors. What had the potential to be a truly horrific conclusion to The Dark Pictures Anthology amounts to little more than a lackluster thriller with a predictable narrative that opts for shock value and jumpscares over quality.

If the idea of playing a shooter crammed on top of a modern edition of Drug Wars, full of pseudo ironic stunt casting and roguelike gimmicks sounds like a good time, boy do I have a game for you. The only game for you, really. All snark aside I don’t think I’ve ever played a game quite like Crime Boss: Rockay City. It’s a massive swing and a big miss, with enough force to crack the sound barrier while the ball stays in the catcher’s mitt. It’s neither a cynical corporate cringe like Sharknado, nor is it a low-budget dud you’d expect to see a crew of robot puppets heckle. It’s weird, loud and uncanny. Frankly I’m surprised Christopher Walken didn’t show up.

Hatoful Boyfriend: Holiday Star isn't a lump of coal by any means. Rather, it feels more like unwrapping a present and getting socks.

The problem is that while the game's ambitions are "XL," there's nothing "XL" about the full package. It feels like there are critical features missing, like the ability to play with friends or the ability to do anything with your skills beyond just perform them for yourself over and over. It's a slog once you've mastered these tricks and there's nothing left to do. It's even worse if you don't have the patience to learn, because at that point, there's literally nothing this game has to offer you. And given that the PS4 version of the game had performance hitches at various points, I can envision people's patience wearing thin quickly.

A lot of this game's PSP heritage appears to be on display. While the characters appear to look fine for an HD remaster, many of the environments and menus look awkward and even blurry.

It looks and plays like it is far from ready for wide release, even for your typical early access title. The bad part is that Summer in Mara is not marked as early access, so I don’t think I can be forgiving of its half-baked mechanics, presentation, or UI. 5/10 underwater chests.

If you're a fan of the anime, you're going to enjoy this and you might even come to enjoy the flawed fighting mechanics. For anybody else, My Hero One's Justice 2 is just another aggressively mediocre anime fighter, the latest in a long line of them.