Screen Rant's Scores

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For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 875 out of 2002
  2. Mixed: 967 out of 2002
  3. Negative: 160 out of 2002
2002 movie reviews
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  1. DC League of Super-Pets
    Johnson and Hart have proved a formidable movie duo in the past, but without their usual on-screen charm, it's tough to get invested in the stories of Krypto and Ace. Even with their star-power and a slew of talented performers making up the supporting cast, DC League of Super-Pets doesn't offer much.
  2. Trail of Vengeance
    Trail of Vengeance is undermined by the fact that a feminist Western cannot succeed without women having meaningful influence behind the scenes. What we are left with is a film that is a hollow imitation of a much-loved genre.
  3. The Kissing Booth 3
    The Kissing Booth 3 is overstuffed and overcomplicated, but provides some shallow summer fun as the final chapter to Netflix's teen rom-com trilogy.
  4. Sing 2
    Sing 2 doesn’t offer enough originality to truly make it stand out, though those who got a kick out of the first movie will find plenty to love.
  5. Sharp Stick
    Sharp Stick is charming thanks to great performances, but the lopsided script doesn’t reach its full potential.
  6. Last Days
    Last Days is as frustrating to watch as it is to try to understand this avoidable tragedy.
  7. Purple Hearts
    It is easy to see the potential in the first act, but Purple Hearts leans too much into over-sentimentality, with narrative tricks designed to trigger tears and subdue thinking.
    • tbd Metascore
    • 40 Critic Score
    Dora and the Search for Sol Dorado
    For families and kids who don't mind watching a predictable formula being followed mostly adequately (which is a pleasure in and of itself, if the genre suits you), they could do much worse than Dora and the Search for Sol Dorado.
  9. Apex
    With thin character work and a familiar story surrounding it, the movie ultimately proves more disposable than enjoyable.
  10. Persuasion
    There are bound to be viewers less familiar with the source material who are enchanted by Persuasion. However, the modern touches are just too persistent to ignore, and they take away something that the movie urgently needed — genuine depth.
  11. Cat Person
    Cat Person is not as compelling as it perhaps aims to be and, though there are great — and even uncomfortable — moments in the film, it doesn’t justify its tonal shifts or its feature length.
  12. Infinity Pool
    It’s meant to shock and disgust — and it does — but while Infinity Pool starts off interestingly enough, its take on power, corruption, and privilege only goes so far.
  13. Year of the Fox
    Year of the Fox is a movie far too marred by its narrative missteps to fully embrace its better parts. The dialogue becomes increasingly predictable and mind-numbing, which makes for a very misguided effort.
  14. CHAOS: The Manson Murders
    This story alone is gripping enough to warrant further study, but this documentary has very little in the way of actually exploring the case so much as it focuses on the conspiracies surrounding it.
  15. Trust
    Trust is a disappointing and lackluster attempt at exploring a tense and important issue.
  16. Marlowe
    Despite a stellar cast, Marlowe doesn’t rise to the occasion, stumbling along without ever finding its footing.
  17. Senior Year
    While Senior Year has certain moments that are indeed funny, it’s not enough to overcome the film’s many flaws.
  18. Madame Web
    Madame Web is boring, unimaginative and dated, despite being one of very few superhero movies centering on female superheroes. All in all, Madame Web is a superhero movie you can absolutely skip.
  19. Mea Culpa
    It’s a difficult film to take seriously, as it buries its potential in absurd drama, dialogue, and sequencing.
  20. Here
    It’s a film so soulless I questioned the point of it.
  21. The Man from Toronto
    Most of all, the movie reaffirms the fact that we still don’t have the iconic, big-budget Hart movie his career has been working towards.
  22. Strictly Confidential
    While Hurley’s skill as a filmmaker was in question for the majority of the movie’s runtime, there are around 10 minutes near the end that hint that, with some work, he could hone his skills further.
    • 22 Metascore
    • 30 Critic Score
    Duchess
    If you've ever wondered what a remake of PrettyWoman written and directed by Guy Ritchie would look like, then Duchess (2024) is the film for you.
  24. Merv
    It hits the familiar beats that many find comforting, it has an undeniably adoring dog front and center for much of its runtime, and has a well-meaning enough outcome to its plot. But for those looking for something that doesn't quite literally skate the surface of its premise and characters, this is definitely not the film for you.
  25. Assassin Club
    Assassin Club has the benefit of starring a relatively well-known actor, but even Golding can't save this movie from its mediocrity. Any hope Assassin Club had of being good is squandered within the first ten minutes.
    • 57 Metascore
    • 30 Critic Score
    Ordinary Angels
    The film refuses to linger in these quieter, well-acted Ritchson scenes, often in favor of a scene with Sharon. Swank is not necessarily bad in the role, but the film works too hard, and to minimal avail, to manipulate us into sympathy for her overbearing personality.
  27. The Ravine
    There is a very entertaining movie somewhere in The Ravine, but it seems to have been left on the editing room floor.
  28. Black Site
    The film is a basic thriller with little to offer audiences who enjoy the genre.
  29. He's All That
    He's All That is a hollow Gen Z recreation of She's All That, lacking in charm and seemingly engineered as a vehicle to promote its stars' other work.
  30. Adulthood
    By the time the film turns off autopilot, it's far too late, and the ending lands with the dull thud of a long-rotted body wrapped in an old rug.
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