Screen Rant's Scores

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For 2,038 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 3.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 896 out of 2038
  2. Mixed: 980 out of 2038
  3. Negative: 162 out of 2038
2038 movie reviews
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  1. Undercard
    Sykes brings what she can to the proceedings, but there's only so much she can do to make Undercard even slightly distinctive.
  2. 13: The Musical
    With nothing of substance to chew on, the only thing a (committed) viewer can do is strap in for the 90-minute runtime and wait to hear a tune they like - and hope that, once it's over, they emerge earworm-free.
  3. A House of Dynamite
    Bigelow's film, disconnected as it is from the very people this type of situation would actually harm, is a futile salute towards hope, which unfairly assumes powerful people's positive intentions, underscored here by largely cookie-cutter characters and a lack of complexity.
    • tbd Metascore
    • 30 Critic Score
    Dead Trigger
    This zombie horror that sees Lundgren’s tough mercenary lead a crack team of gamers into a zombie-ridden city is nowhere near as funny as that description may sound, playing things disappointingly straight and making for one of the actor’s more forgettable outings.
  5. Sacrilege
    Uninspired in terms of narrative ingenuity, Sacrilege mimics cult horror tropes with detached superficiality, failing to either scare or compel.
  6. The Trouble with Jessica
    The Trouble with Jessica's cast still can't overcome just how unlikable their characters are.
    • 34 Metascore
    • 30 Critic Score
    Red One
    There's lots of bells and whistles, but in attempting to deconstruct and reconstruct Christmas spirit there's just never enough charm to carry the spell.
  8. The Monkey King
    The heart of the problem is The Monkey King makes its central character, whose story has been told and retold for hundreds of years, uninteresting. Without that spine to hold it together, everything collapses.
  9. The King's Man
    The King's Man is a joyless prequel to Kingsman, devoid of the charming offbeat comedy and pulse-pounding action scenes that made this franchise fun.
  10. The Starling
    What could have been a thoughtful, poignant story about loss ended up being an unfortunate misfire.
  11. A Glitch in the Matrix
    Although based on an intriguing philosophical conundrum, A Glitch in the Matrix feels unreal on all fronts, poorly-researched, out of touch and vapid.
  12. Swapped
    Unfortunately for the streamer, their latest outing, Swapped, is not merely bound to be forgotten. It's also one of Netflix's worst animated movies yet."
  13. The Shift
    The Shift is a Hallmark movie at best and will do nothing for those who are uninterested in faith-based cinema. As a work of science fiction, it does little to make the audience think.
  14. Honeydew
    Honeydew feels derivative from start to finish, its arthouse elements lending an aura of inauthenticity to an already-lackluster backwoods nightmare.
  15. Hell of a Summer
    Though the actors have little to work with, they're a game ensemble, potentially making them the only redeeming quality of Hell of a Summer​​​​​​.
  16. Terrifier 3
    Terrifier 3 has a real lack of tension that all the sawed-off limbs in the world can't Frankenstein together.
    • tbd Metascore
    • 30 Critic Score
    Hood Witch
    While I am all for a genre-blended film, I found the movie's tonal clashes to be so extreme that it was hard to stay aligned with any character's internal experience.
  18. Scream 7
    Scream 7 injects nostalgia and self-referentiality like a weak drug, a stash of weed purchased so long ago it has gone so stale it crumbles to the touch.
  19. I'm Charlie Walker
    The only real saving grace is the cast, who end up guinea pigs in a test of how difficult it is to overcome underbaked material.
  20. Teen Wolf: The Movie
    There is too much history — both in terms of the characters and the mythology — for newcomers to truly appreciate the events of the film. But it's unlikely to fully satisfy even the diehard fans either, even if there's some wicked enjoyment to be had seeing the Teen Wolf characters finally get to swear.
  21. America: The Motion Picture
    The concept is promising, and the violent delirium of the movie's visuals show that this could have been a fun, adrenaline-fueled romp. Instead, it's just an unfunny comedy that leaves a bad taste in one's mouth.
  22. Maintenance Required
    Petsch and Scipio are both extremely attractive and breezy performers, but, the film is as sputtery as an old car on the fritz, failing to update its cinematic lineage in any conceivably positive way.
  23. The Woman in the Window
    There is so much that could have been done with the film’s plot and twists, but it’s never confident enough in what the story has to offer to lean into any of what might have made it thrilling.
  24. Alarum
    Alarum fails on all counts, and the few positives aren't successful in bringing the movie out of the gutter.
  25. Above Suspicion
    True crime buffs could find something here, but they might be better off reading the novel it's based on. Susan Smith's story deserved to be told, but there had to have been a better way to do it.
  26. Monster
    It's underdeveloped and underwhelming, with clunky pacing and choppy scene transitions. What could've been a thoughtful, engrossing story unfortunately fails in every way imaginable.
  27. Taurus
    Taurus plays like a personal project, but that doesn’t make it good. However, Baker should take pride in knowing he has a future in acting; he just needs to pick better projects.
    • 57 Metascore
    • 30 Critic Score
    Blackout
    Larry Fessenden's Blackout is a frustrating bouillabaisse of two completely different movies that happen to be playing at the same time.
  29. First Time Female Director
    Its endless, unfunny humor is tiresome and obnoxious, the commentary is short-lived, and jokes related to Sam’s unpreparedness are repetitive.
  30. The Colony
    The Colony utterly fails as a thriller, and, much like the environment the main character finds herself in, is mostly a slog.
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