Screen Rant's Scores

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For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 875 out of 2002
  2. Mixed: 967 out of 2002
  3. Negative: 160 out of 2002
2002 movie reviews
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  1. The Immaculate Room
    With thinly written characters and a narrative confined to moments only serving to push Mike and Kate to the height of insanity, this is about as disappointing as it gets for a film with such promise and potential.
  2. Vacation Friends
    Vacation Friends finds its humor in the disconcerting scenarios the characters find themselves in, but it never evolves past its empty premise.
  3. Zone 414
    Offering no individuality of its own, Zone 414 barely manages to stay afloat with its oft-repeated tropes, which come to a listless, foreseeable end.
  4. I Know What You Did Last Summer
    I Know What You Did Last Summer isn't the worst long-awaited horror sequel ever put to screen, but it doesn't try to be anything but a shallow reflection of its predecessor.
  5. The Second Act
    A highly restrained examination of multiple topics, The Second Act is a film about everything and nothing all at once. Perhaps in line with Dupieux’s style, the surreal, dark humor and commentary produce a messy end product that overstays its welcome.
  6. All Jacked Up and Full of Worms
    Its absurdity is enough to appeal to the right group of adventurous friends, perhaps, but even those with the stomach for its grossest impulses might find themselves wondering what it was all for.
  7. The Cursed
    Ultimately, The Cursed is merely a slow trek through horrific gore, lackluster and confusing werewolf lore, and a muddled understanding of the legacy of the Roma.
  8. Invader
    Even though Invader presents some interesting ideas and even a few tense scenes, the movie fails to capture much interest beyond its initial premise.
  9. The Turning
    As a whole, The Turning is a triumph of style over substance that might've well made for a perfectly middle of the road horror film, had it not been edited down to the point of becoming incoherent by the end.
  10. Sex Appeal
    Sex Appeal has good intentions and good instincts, but a lack of nuance torpedoes the whole endeavor.
  11. The Last Thing Mary Saw
    The Last Thing Mary Saw could've been a gripping queer horror about religious oppression, but is sadly limited by its humdrum and unconvincing plot.
  12. Christmas with the Campbells
    Christmas with the Campbells tries to take some big swings toward shaking up the conventional holiday movie mold, but it ultimately ends up being more of the same, just with some sticky moments. The earnestness of its cast, especially Snow, makes up for some of the other elements that are lacking.
  13. A Family Affair
    The sparsely populated funny moments don't make up for the lack of craftsmanship in the story's journey.
  14. Barb & Star Go to Vista Del Mar
    From a bizarre villain to unexpected musical numbers, Barb and Star Go to Vista Del Mar is egregiously bad, but with splashes of occasional humor.
  15. The Tiger's Apprentice
    The story is just so rushed, there’s barely any time spent on establishing the world we’re introduced to before it’s full-speed ahead.
  16. Armageddon Time
    Armageddon Time excels at capturing naiveté but under-commits to sharing the truths of racial disparity when it comes to the American dream.
  17. The World to Come
    The World to Come has the ingredients to build a blossoming love story, but the script is thin and far too rigid for the romance to ever fully soar.
  18. In Your Dreams
    Comedically, the film also falters . . . Nor is there much that is distinctive about the animation style.
  19. Aline
    The result is a baffling and confounding mess that is either intended to make audiences laugh or is dead-serious in its pursuit. Whatever the intention, it is up to viewers to decipher what is most true to them.
  20. Bleeding Love
    Bleeding Love remains under-written and over-directed, unable to fully justify the time it asks for. If you're wanting to see Ewan McGregor do some quality acting, there are plenty of more rewarding options.
  21. Bedford Park
    The circumstances around Audrey and Eli's union (Moon Choi and Son Suk-ku, respectively) is tender, yet forceful, beautiful, yet pained; but the film is otherwise formless, uninspiring and moves like molasses.
  22. Studio 666
    Studio 666 is not great but it is gross, at times funny, and essential viewing for Foo Fighters fans. But it isn’t as good as the video for Long Road To Ruin.
  23. Til Death Do Us Part
    What’s ultimately missing from Til Death Do Us Part is proper execution and a script that the actors can build upon.
  24. The Ice Age Adventures of Buck Wild
    The Ice Age Adventures of Buck Wild is the sixth movie in the Fox animated franchise, and it is easily the worst entry in the series so far.
  25. Y2K
    The first half is wildly fun, especially as it puts characters in the uncomfortable position of being at a party that goes awry shortly after the countdown. But what starts off as a quirky teen comedy with hints of sci-fi catastrophe turns into a messy romp that loses its intrigue.
  26. Medieval
    Already working with a shakily thin script, Jákl weighs his movie down with an overly self-serious aesthetic, to the point that even the target audience might find the two-hour runtime a tough sit.
  27. Clean
    The film is heavy-handed in its attempt to be subtle and even Brody’s score can’t save the day, but Clean has its moments.
  28. A Different Man
    While A Different Man attempts to be a thought-provoking work some of the time, it’s not as deep or as profound as it aims to be.
  29. If You See Something
    Ultimately, the film is far too placid and noncommittal to earn its more moving climax. It's hard to really care about these characters when their stream of decisions seems either improperly motivated or else frustratingly selfish.
  30. Fall
    With predictable twists and one grating character, the Lionsgate movie tries to do something different from others like it, but it can't quite reach the heights that its main characters aren't (and should be) afraid of.
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