Screen Rant's Scores

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For 2,041 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 3.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 898 out of 2041
  2. Mixed: 981 out of 2041
  3. Negative: 162 out of 2041
2041 movie reviews
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  1. Dashcam
    Audiences are left with a puzzling mosaic of jump scares, one-note characters, and schlocky gore that will certainly disturb but won't leave much impact beyond its slim runtime.
  2. A Big Bold Beautiful Journey
    A rousing story about finding someone and falling in love this is not — nor does it truly contend with the need for human connection very well.
  3. Incoming
    Incoming has funny moments, and the young actors deliver their lines with the commitment of seasoned professionals every step of the way. However, as I was watching, I was endlessly reminded that watching Incoming's influences would have been more enjoyable.
  4. The Gallerist
    The Gallerist is a tepid satire. Even calling it such feels generous, as the film is almost entirely devoid of genuine humor.
  5. Seriously Red
    The performance factor alone is fantastic and engaging. Boylan’s own performance is convincing and occasionally even emotional, but her acting talents unfortunately can’t overcome the issues that stem from the writing.
  6. Now You See Me: Now You Don't
    Even more than its two predecessors, the film relies on being condescension to sell its so-called magic.
  7. About My Father
    The film’s cast is great and, though the actors typically have great comedic timing, the dialogue falls flat and renders the humor inert. About My Father has a heart at its center, but it never really gets there in terms of having a compelling story and humor to elevate its scenes.
  8. A Pale View of Hills
    Ultimately, it is a gorgeous film that's empty inside despite all of its interesting ideas and good intentions.
  9. Cinderella
    Unfortunately, Cinderella lacks the specificity of Ever After and doesn’t commit to the full fantasy of Brandy’s Cinderella, either, nor does it have the charisma of Ella Enchanted.
  10. Beast of War
    This is classic B-movie creature-feature stuff.
  11. Melissa P.
    Guadagnino is, unfortunately, unable to find a consistent tone that leaves the narrative feeling disjointed and lacking in coherence.
  12. The Babysitter: Killer Queen
    The Babysitter: Killer Queen is junk food entertainment at its most mediocre, delivering barely enough blood and fun without anything truly memorable.
  13. Amsterdam
    At times fun and well-made, Amsterdam's meandering plot and thinly-drawn characters bog down what could've been a zippy story of crime and friendship.
  14. The Sacrifice Game
    The plot of the movie works, but the dialogue definitely does not. The style is fine, but the tone is lacking. The Sacrifice Game is a film with the potential to be something cool and eerie, but the final product doesn't live up to that.
  15. Mr. K
    At its best, Mr. K is like being immersed in Hieronymous Bosch's Garden of Earthly Delights. More often, however, it's like living inside a trash heap.
  16. She Loved Blossoms More
    If anything, She Loved Blossoms More isn’t weird enough, holding out on exploring what’s beyond the time machine, which is the most compelling aspect of the film.
  17. Coffee & Kareem
    Slapdash to a fault, Coffee & Kareem is an irreverent time-waster that can't make up its mind about whether it's sophomoric or subversive.
    • 44 Metascore
    • 40 Critic Score
    Screamboat
    It doesn't quite rise to the level of "good" often enough for me to heartily recommend it. However, those who have a morbid fascination with this new crop of public domain horror could do much, much, much worse.
  19. Pearl
    For those who may not have seen X, Pearl may be intriguing enough for them to go watch the original film. As both a prequel and standalone horror film, however, Pearl comes up short.
  20. Moonfall
    If nothing else, Emmerich certainly knows how to create catastrophe while providing a sense of hope despite everything. Does that save Moonfall from being messy? No, but surely some will find it enjoyable regardless.
  21. Scary Movie
    With even an ounce of narrative focus, it could have had its fun while actually commenting on one of the biggest modern trends in the genre. Instead, it falls into the same traps that subsequently weakened the parody sub-genre as a whole. Despite some good gags, a committed cast, and a solid central premise, Scary Movie just can't get out of its own way.
  22. Pinocchio
    It needed something to make it feel fresh beyond dazzling visuals, but by stripping away much of what made the first film great, Pinocchio feels like the same old story, even if its fantastical elements shine onscreen.
  23. Dìdi
    There’s no denying this is a film capable of winning audiences of all types with its inherent charm, humor, and nostalgia. For me, however, this was 91 minutes of unfocused, chaotic energy that I did not enjoy. Tonally, the movie is all over the place, while its themes are explored with timid execution.
  24. Smurfs
    The script has its moments, and I chuckled a bit at a few points. But what the film lacks is genuine heart and warmth.
  25. Founders Day
    With a premise worth engaging with, the film can’t quite grasp what its full intentions are and the execution reflects that.
  26. Almost Cops
    It's kind of disappointing just how in the middle Almost Cops is when it comes to how safe it plays, even with its mature rating.
  27. Stitch Head
    Younger children will delight in the film's atmospheric wonder, but older children may be bored by the simple yet nonspecific comedy.
  28. Hellfire
    Lang really goes for it here, and he sells the material as best as he can, but suffice it to say that Hellfire is only as entertaining as your bandwidth for bog-standard action fare.
  29. Justice League: Crisis on Infinite Earths - Part Two
    Justice League: Crisis on Infinite Earths - Part Two is a disappointing entry, failing to truly and comprehensively build a bridge between the first film and the third film.
  30. A Quiet Place: Day One
    Unfortunately, the film doesn’t invest in its characters or in its world beyond the surface, so why should we?
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