Screen Rant's Scores

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For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 875 out of 2002
  2. Mixed: 967 out of 2002
  3. Negative: 160 out of 2002
2002 movie reviews
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  1. Unhuman
    There's nothing worse in horror than predictability and while Unhuman tries to throw some curveballs, it misses the mark more than it hits its target.
  2. The Hill
    Overall, The Hill is lacking many of the hallmarks one would expect from a sports movie, pushing aside major events in favor of returning to its religious messaging. This leads to some baffling choices in its character development and storytelling, and those in turn erase much of the tension and emotion from the movie.
  3. Army of the Dead
    Army of the Dead is by no means a must-watch zombie or heist movie, and folks uninterested in this film would be fine to skip it.
  4. O'Dessa
    While O’Dessa has a lot of style, it doesn’t have much else. Its substance is sorely lacking, with a lot of jumbled ideas and themes that don’t come together.
  5. Back to Black
    With the documentary Amy painting a more detailed and intimate portrait of the singer’s life, it’s hard to recommend such a stilted, unimaginative biopic that doesn’t do Winehouse any justice.
  6. The Seed
    Albeit a good-looking movie with a fascinating premise, The Seed is constantly being held hostage by its poorly written script.
  7. Puppy Love
    Overall, Puppy Love is very dull. The movie has all the clichés at its disposal but can't make much of it. The writing is witless and dry, and the directing — by Nick Fabiano and Richard Alan Reid — equally so.
  8. Chariot
    Stuck somewhere between puzzle film and quirky comedy, between imitating David Lynch and parodying him, it draws its audience in with the overtures of a compelling mystery only to leave them stranded in what is fundamentally a failure of tone.
  9. My True Fairytale
    It’s a passion project that, while evoking emotion in the wake of grief, could have used some more editing and fine-tuning for a better and smoother journey.
  10. H Is for Hawk
    No disrespect to Foy, who showed with The Crown just how capable she is of revealing entire histories through her open visage, but watching her go through the extremely repetitious (and, one supposes, accurate) steps of training a Eurasian Goshawk is exceptionally tiresome. H is for Hawk induces the same effect as taking a sedative.
  11. Easter Sunday
    Easter Sunday starts off well enough before getting off track completely, too preoccupied with aspects of the story that aren't good and don’t matter, sacrificing its characters and their relationships with each other as a result.
  12. Caddo Lake
    While stellar performances balance out its disappointing attributes, they're not enough to save the movie from being a dull, sometimes plodding story about a mysterious disappearance.
  13. Magic Farm
    While the film has its moments of genuine humor, it never lives up to the energy or intrigue of the opening scene. The rest of the film is an empty, exhausting watch that never truly builds towards anything.
  14. Captain America: Brave New World
    Captain America: Brave New World lacks the entertainment of an MCU movie, despite compelling performances from Anthony Mackie and Harrison Ford.
  15. A Minecraft Movie
    Some of the best game movies have adventure, heart, humor & good characters. I wish I could say A Minecraft Movie had these things besides adventure.
  16. Bromates
    There’s an enormous effort to entertain, but Bromates runs out of ideas faster than it can provide organic laughs.
  17. The Craft: Legacy
    The Craft: Legacy excels when reveling in its girl power witchcraft, but falls apart in the third act without a well-developed villain.
    • 58 Metascore
    • 40 Critic Score
    Blood for Dust
    Blood for Dust is meant to evoke Fargo vibes, but it fails to live up to the 1996 Academy Award-winning movie and will likely be forgotten by most.
  19. Crisis
    Crisis tries its hardest to be like Traffic, but fails in creating a satisfyingly thorough world with enough high stakes or tension.
  20. Nyad
    It strips Nyad of her complexities for something a bit too formulaic.
  21. Hellboy: The Crooked Man
    As a longtime fan of the franchise, it is disappointing that we still can’t get a good Hellboy movie from start to finish, and even in comparison to Harbour’s reboot, this one lacks any major style or energy to have it linger in my mind.
  22. Tyler Perry's Divorce in the Black
    Tyler Perry's movies fall into many genres, but Divorce in the Black treads no new ground compared to his other dramas. Even in the film's most shocking moments, its narrative is part of a common formula.
  23. Stowaway
    Whitebloom struggles to bring the excitement into his heist film, Stowaway, his feature debut, like he’s done in past music videos.
  24. Dicks: The Musical
    Dicks: The Musical is simply doing too much, and not enough of it is good to justify its runtime. It’s neither clever nor funny, save for the couple of jokes that actually land, and it’s too smarmy for its own good.
  25. Dashcam
    Audiences are left with a puzzling mosaic of jump scares, one-note characters, and schlocky gore that will certainly disturb but won't leave much impact beyond its slim runtime.
  26. A Big Bold Beautiful Journey
    A rousing story about finding someone and falling in love this is not — nor does it truly contend with the need for human connection very well.
  27. Incoming
    Incoming has funny moments, and the young actors deliver their lines with the commitment of seasoned professionals every step of the way. However, as I was watching, I was endlessly reminded that watching Incoming's influences would have been more enjoyable.
  28. The Gallerist
    The Gallerist is a tepid satire. Even calling it such feels generous, as the film is almost entirely devoid of genuine humor.
  29. Seriously Red
    The performance factor alone is fantastic and engaging. Boylan’s own performance is convincing and occasionally even emotional, but her acting talents unfortunately can’t overcome the issues that stem from the writing.
  30. Now You See Me: Now You Don't
    Even more than its two predecessors, the film relies on being condescension to sell its so-called magic.
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