Screen Rant's Scores

For 2,041 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 3.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2041 movie reviews
  1. Though leading lady Lili Reinhart does her best, Look Both Ways struggles to make a lasting impact with either of its dueling timelines.
    • 36 Metascore
    • 40 Critic Score
    This Is Not a Test suggests a filmmaker content to operate within the familiar confines of the horror genre rather than push beyond them.
  2. MVP
    In hindsight, MVP is the kind of film that could definitely work for audiences. What it lacks in technical achievement, it undoubtedly makes up with heart. Though Boyer doesn’t necessarily hit the ball out of the park with his debut due to some odd choices that negatively impact the story structure, it’s easy to see why he chose this as his first project
  3. Thompson and Greer really are extraordinary, however, and their tête-à-tête nearly saves Kirk's enterprise from the doldrums.
  4. Shot frenetically with delightful gore sequences, Halloween Kills adds no real path for Myers' saga and crumples beneath its own misdirection.
  5. The script plays out like a mystery that keeps you guessing, but it also works against the film at points. Perpetrator has something important to say but just doesn’t know how to say it.
  6. Kindred is packed with significant talent, but the slow pace and tedious script leaves the audience looking for the exit before the movie gets going.
  7. Though The Good Mother contains great talent like Hilary Swank and Olivia Cooke, the predictable formula holds it back from saying something meaningful.
  8. None of the film's themes blend together appropriately, even when one may suspect a great film will break through.
  9. At times, it feels as though The Garfield Movie is going through the motions, and it fails to offer anything particularly noteworthy about its main character.
  10. Its leading ladies are in fine form, as always, and they're backed by some lively performers. It's the story that struggles to come through, along with a reluctance to just let loose in every way possible.
  11. The gorgeous cinematography and costumes can’t make up for its emptiness — both in what it’s trying to say and in the way it’s trying to say it.
  12. Lord of Misrule feels like it was made with a lack of understanding of what actually works about its premise, and the result is a constant ebb-and-flow of being drawn in by the imagery and pushed back out by the storytelling.
    • tbd Metascore
    • 40 Critic Score
    Even with a forgiving attitude, I could not help but get bored by the film in the first third (or more), as the characters take forever to get from point A to B. The lack of promised humor and David’s passivity also did not help things.
  13. While Longing was aiming for poignancy, it unfortunately landed on preposterous.
  14. Fully engaging with the film, as one might be forced to do in a theatrical setting, will prove unrewarding — both intellectually and emotionally. But it's the kind of movie that's perfect for streaming while doing chores, or to turn on after a long day of work with the intention of putting one's brain on standby.
  15. In the end, Samaritan commits a cardinal sin of the superhero genre: It thinks a high-profile actor with vaguely defined superpowers is enough to make the film interesting when it clearly needs something more.
  16. Rosario stretches the material of a really good short film into an underwhelming feature.
  17. After We Fell is the pulpy, melodramatic and messy continuation of Tessa and Hardin's story that may appeal to diehard fans, but no one else.
  18. Palmer is fantastic in a film that needed more depth and time for Alice to acclimate to her surroundings. Without that, it leaves Alice’s realism and emotional core lacking as it veers wildly into one-note chaos.
  19. Despite a series of beautiful gowns worn by Chastain, the film doesn't offer much intrigue nor sociopolitical interest, instead reducing itself to the lowest common denominator by the time it reaches its exceedingly cruel ending.
  20. The cast is not the problem, but the script certainly is. The actors are given too much to do and no time to do it. Golden has the right idea, but the execution fails the film's aspirations.
  21. Sympathy for the Devil is a missed opportunity with a collection of engaging moments, none sustained enough to really satisfy.
  22. The process of searching through all manner of cloud-based applications and information in a video-game-like manner is a tantalizing prospect, one just wishes it wasn't done for something so harebrained.
  23. The dynamics needed to be defined better, and despite some compelling filmmaking, the flagrant disregard for characterization reduces Fear The Night to a mildly tolerable home invasion horror.
  24. Tom George returns to directing, attempting to take on the genre with humor and flair. Relying heavily on whodunit tropes, See How They Run is a little too stale and unfunny for its own good.
  25. The Kissing Booth 2 has some fun moments, especially for fans, but is ultimately an overwrought, overstuffed and overlong teen romcom sequel.
  26. There are inklings of something more interesting and rich beneath the surface, but Dual never brings the pieces together.
  27. Operation Fortune: Ruse de Guerre is a superficial spy mission that is joyless and charmless.
    • tbd Metascore
    • 40 Critic Score
    All in all, Maboroshi is a complete and utter mess of a film. The art, animation, and music are all great, but the story has nothing interesting to say after its first half, and constantly switches between moving too fast and too slow.

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