Screen Rant's Scores

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For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 875 out of 2002
  2. Mixed: 967 out of 2002
  3. Negative: 160 out of 2002
2002 movie reviews
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  1. About My Father
    The film’s cast is great and, though the actors typically have great comedic timing, the dialogue falls flat and renders the humor inert. About My Father has a heart at its center, but it never really gets there in terms of having a compelling story and humor to elevate its scenes.
  2. A Pale View of Hills
    Ultimately, it is a gorgeous film that's empty inside despite all of its interesting ideas and good intentions.
  3. Cinderella
    Unfortunately, Cinderella lacks the specificity of Ever After and doesn’t commit to the full fantasy of Brandy’s Cinderella, either, nor does it have the charisma of Ella Enchanted.
  4. Beast of War
    This is classic B-movie creature-feature stuff.
  5. Melissa P.
    Guadagnino is, unfortunately, unable to find a consistent tone that leaves the narrative feeling disjointed and lacking in coherence.
  6. The Babysitter: Killer Queen
    The Babysitter: Killer Queen is junk food entertainment at its most mediocre, delivering barely enough blood and fun without anything truly memorable.
  7. Amsterdam
    At times fun and well-made, Amsterdam's meandering plot and thinly-drawn characters bog down what could've been a zippy story of crime and friendship.
  8. The Sacrifice Game
    The plot of the movie works, but the dialogue definitely does not. The style is fine, but the tone is lacking. The Sacrifice Game is a film with the potential to be something cool and eerie, but the final product doesn't live up to that.
  9. Mr. K
    At its best, Mr. K is like being immersed in Hieronymous Bosch's Garden of Earthly Delights. More often, however, it's like living inside a trash heap.
  10. She Loved Blossoms More
    If anything, She Loved Blossoms More isn’t weird enough, holding out on exploring what’s beyond the time machine, which is the most compelling aspect of the film.
  11. Coffee & Kareem
    Slapdash to a fault, Coffee & Kareem is an irreverent time-waster that can't make up its mind about whether it's sophomoric or subversive.
    • 44 Metascore
    • 40 Critic Score
    Screamboat
    It doesn't quite rise to the level of "good" often enough for me to heartily recommend it. However, those who have a morbid fascination with this new crop of public domain horror could do much, much, much worse.
  13. Pearl
    For those who may not have seen X, Pearl may be intriguing enough for them to go watch the original film. As both a prequel and standalone horror film, however, Pearl comes up short.
  14. Moonfall
    If nothing else, Emmerich certainly knows how to create catastrophe while providing a sense of hope despite everything. Does that save Moonfall from being messy? No, but surely some will find it enjoyable regardless.
  15. Pinocchio
    It needed something to make it feel fresh beyond dazzling visuals, but by stripping away much of what made the first film great, Pinocchio feels like the same old story, even if its fantastical elements shine onscreen.
  16. Dìdi
    There’s no denying this is a film capable of winning audiences of all types with its inherent charm, humor, and nostalgia. For me, however, this was 91 minutes of unfocused, chaotic energy that I did not enjoy. Tonally, the movie is all over the place, while its themes are explored with timid execution.
  17. Smurfs
    The script has its moments, and I chuckled a bit at a few points. But what the film lacks is genuine heart and warmth.
  18. Founders Day
    With a premise worth engaging with, the film can’t quite grasp what its full intentions are and the execution reflects that.
  19. Almost Cops
    It's kind of disappointing just how in the middle Almost Cops is when it comes to how safe it plays, even with its mature rating.
  20. Stitch Head
    Younger children will delight in the film's atmospheric wonder, but older children may be bored by the simple yet nonspecific comedy.
  21. Hellfire
    Lang really goes for it here, and he sells the material as best as he can, but suffice it to say that Hellfire is only as entertaining as your bandwidth for bog-standard action fare.
  22. Justice League: Crisis on Infinite Earths - Part Two
    Justice League: Crisis on Infinite Earths - Part Two is a disappointing entry, failing to truly and comprehensively build a bridge between the first film and the third film.
  23. A Quiet Place: Day One
    Unfortunately, the film doesn’t invest in its characters or in its world beyond the surface, so why should we?
  24. The Visitor
    As much as it tries to be a mash-up of several genres, it would've been much better had it picked one lane and leaned into it.
  25. Together
    Together finds moments of real emotion between its main prickly pair, but it still makes one wish there weren't movies about COVID already.
  26. Morbius
    Despite a fine performance from Jared Leto, Morbius is a painfully mediocre superhero origin story, delivering a shallow recreation of better movies.
  27. Escape the Field
    In the end, Escape the Field is tolerable at best. It doesn't shatter any expectations, but it won’t be utterly hated if one decides to give it a go. There are more charming and innovative horror-thrillers about escaping a maze, but Escape the Field tries. For a first feature, it is serviceable for a small-budget venture.
    • tbd Metascore
    • 40 Critic Score
    Alma and the Wolf
    While I do appreciate it when a film shoots for the moon and tries something different, Alma and the Wolf missed.
  29. Red Rocket
    Slow and frustrating, with a finale that is unearned, Red Rocket fluctuates between trying to say something and getting lost in its own premise.
  30. My Spy: The Eternal City
    The Eternal City struggles with finding the tonal balance between a child-friendly action-comedy and an adult-appropriate action-comedy.
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