Screen Rant's Scores

For 2,041 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 3.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2041 movie reviews
  1. Him
    Tipping and his co-writers have a lot of great ideas and thought-provoking commentary about the way we treat athletes, but the lead-up to an admittedly explosive conclusion doesn’t land. Wayans and the score seem to be doing most of the tension-building. It’s a shame the rest of the film couldn’t rise to the same level.
  2. It grows tedious because it feels like we’re holding our breath waiting for something more significant to happen for the lead’s character development, and yet it remains largely stagnant. Exit 8 has so much squandered potential. It might have made for a better short film than a full feature, but as a psychological horror, the film falls flat.
    • 51 Metascore
    • 40 Critic Score
    Accidental Texan forces us to sympathize with the characters rather than letting compassion form naturally. The result is a failed attempt to weave successful pathos throughout the movie.
  3. V/H/S/94 is a solid entry that provides the telltale thrills of gritty found-footage horror mired in '90s nostalgia, though it is flawed and uneven.
  4. Messy, strange, and somewhat baffling, Gavras’ film is chaos personified. For this sometimes funny film, I wish that were a good thing.
  5. The Watchers is a strange film. It has disconcerting moments, but it never rises above its premise. The story itself is half-formed at best, and the ending is so outlandish that I was stunned by how badly it’s executed. Somewhere in the supernatural horror is a film that’s worth its salt. Sadly, The Watchers is not even worth the price of a theater ticket.
  6. There's nothing worse in horror than predictability and while Unhuman tries to throw some curveballs, it misses the mark more than it hits its target.
  7. Overall, The Hill is lacking many of the hallmarks one would expect from a sports movie, pushing aside major events in favor of returning to its religious messaging. This leads to some baffling choices in its character development and storytelling, and those in turn erase much of the tension and emotion from the movie.
  8. Army of the Dead is by no means a must-watch zombie or heist movie, and folks uninterested in this film would be fine to skip it.
  9. While O’Dessa has a lot of style, it doesn’t have much else. Its substance is sorely lacking, with a lot of jumbled ideas and themes that don’t come together.
  10. With the documentary Amy painting a more detailed and intimate portrait of the singer’s life, it’s hard to recommend such a stilted, unimaginative biopic that doesn’t do Winehouse any justice.
  11. Albeit a good-looking movie with a fascinating premise, The Seed is constantly being held hostage by its poorly written script.
  12. Overall, Puppy Love is very dull. The movie has all the clichés at its disposal but can't make much of it. The writing is witless and dry, and the directing — by Nick Fabiano and Richard Alan Reid — equally so.
  13. Stuck somewhere between puzzle film and quirky comedy, between imitating David Lynch and parodying him, it draws its audience in with the overtures of a compelling mystery only to leave them stranded in what is fundamentally a failure of tone.
  14. It’s a passion project that, while evoking emotion in the wake of grief, could have used some more editing and fine-tuning for a better and smoother journey.
  15. No disrespect to Foy, who showed with The Crown just how capable she is of revealing entire histories through her open visage, but watching her go through the extremely repetitious (and, one supposes, accurate) steps of training a Eurasian Goshawk is exceptionally tiresome. H is for Hawk induces the same effect as taking a sedative.
  16. Easter Sunday starts off well enough before getting off track completely, too preoccupied with aspects of the story that aren't good and don’t matter, sacrificing its characters and their relationships with each other as a result.
  17. While stellar performances balance out its disappointing attributes, they're not enough to save the movie from being a dull, sometimes plodding story about a mysterious disappearance.
  18. While the film has its moments of genuine humor, it never lives up to the energy or intrigue of the opening scene. The rest of the film is an empty, exhausting watch that never truly builds towards anything.
  19. Captain America: Brave New World lacks the entertainment of an MCU movie, despite compelling performances from Anthony Mackie and Harrison Ford.
  20. Some of the best game movies have adventure, heart, humor & good characters. I wish I could say A Minecraft Movie had these things besides adventure.
  21. There’s an enormous effort to entertain, but Bromates runs out of ideas faster than it can provide organic laughs.
  22. The Craft: Legacy excels when reveling in its girl power witchcraft, but falls apart in the third act without a well-developed villain.
    • 58 Metascore
    • 40 Critic Score
    Blood for Dust is meant to evoke Fargo vibes, but it fails to live up to the 1996 Academy Award-winning movie and will likely be forgotten by most.
  23. Crisis tries its hardest to be like Traffic, but fails in creating a satisfyingly thorough world with enough high stakes or tension.
  24. It strips Nyad of her complexities for something a bit too formulaic.
  25. As a longtime fan of the franchise, it is disappointing that we still can’t get a good Hellboy movie from start to finish, and even in comparison to Harbour’s reboot, this one lacks any major style or energy to have it linger in my mind.
  26. Tyler Perry's movies fall into many genres, but Divorce in the Black treads no new ground compared to his other dramas. Even in the film's most shocking moments, its narrative is part of a common formula.
  27. Whitebloom struggles to bring the excitement into his heist film, Stowaway, his feature debut, like he’s done in past music videos.
  28. Dicks: The Musical is simply doing too much, and not enough of it is good to justify its runtime. It’s neither clever nor funny, save for the couple of jokes that actually land, and it’s too smarmy for its own good.

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